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‘9-1-1: Lone Star’: New Photos Released for Season 3, Episode 4 “Push”

FOX has released new photos for the fourth episode of 9-1-1: Lone Star‘s third season, entitled “Push.” The episode will finally include the highly anticipated arrival of Baby Ryder as Grace goes into labor in the midst of the ice storm!

The full synopsis for “Push” reads:

Grace is caught in the ice storm as she goes into labor, and Judd, Owen and Tommy race to find her.”

Check out the photos below, which give new meaning as to what could happen in the final part of the ice storm saga.

“Push” airs Monday, January 31 at 8 p.m. ET/7 p.m. CT on FOX! Check out our other 9-1-1: Lone Star coverage here.

Chris Evans & Dwayne Johnson Team Up for Holiday Action Film ‘Red One’

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Chris Evans and Dwayne “The Rock” Johnson are ready to spice up the holiday season in their upcoming action film for Amazon Studios, Red One.

Production will start this year, with a holiday 2023 release scheduled. Jake Kasdan (Jumanji) will direct the screenplay from Chris Morgan of the Fast & Furious franchise.

Plot details are being kept under wraps, but Red One will aim to reimagine the holiday genre with an action-adventure comedy. Johnson had announced his involvement with the project in June of last year, with his production company Seven Bucks Production joining The Detective Agency, Chris Morgan Productions, and Melvin Mar and Sky Salem Robinson.

Evans has a busy few years coming up after his time off post-Avengers: Endgame. This year, his blockbuster action film for Netflix The Gray Man from AGBO films will premiere, along with Lightyear, an origin story of the beloved Toy Story character. Ghosted, an action-romance for Apple TV+ will begin filming in February and will likely arrive in 2023, with the recently announced untitled Gene Kelly project waiting in the wings.

‘Yellowjackets’ and the Perils of the Mystery Box Show

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WARNING: This posts contains major spoilers for season 1 of Yellowjackets.

The hottest show on television right now combines teen angst, a killer 90s soundtrack, a plane crash, and a cannibalism-based cult — and that last one isn’t even the wackiest aspect of the plot. Yellowjackets has seen its popularity skyrocket in the last few weeks as its devoted fandom dissected clue after clue to find out what really happened after a high school girls’ soccer team crashed into the remote wilderness in 1996. With many (including me) finding the show late in the season after hearing about it through word of mouth, the anticipation for the season finale grew week after week as more puzzle pieces fell into place.

But as soon as the season finale of Yellowjackets dropped on Showtime on January 16, the criticism began rolling in. Fans wondered why some of the show’s central mysteries had not been solved in the initial 10-episode order while others groused that it was unfair to have to wait for the second season. Even as Showtime quickly reassured fans that the next batch of episodes would be hitting screens by the end of 2022 (when the writer’s room hasn’t even assembled to break the second season yet, mind you), many were still unsatisfied. The resounding response was that by leaving some questions unanswered, the creators were breaking some kind of unspoken contract with viewers.

This is a fundamental shift in audience expectations that has only grown more prominent as binge watching has become the default way of consuming content. Yellowjackets represents an interesting case study in how weekly content drops still have value but can also cause dissatisfaction in those accustomed to bingeable story arcs. While the show became a cult hit soon after its premiere in November (read: critics really loved it, but audiences hadn’t found it yet), it was the weekly drop model combined with the ability to binge and catch up that hooked a larger audience. In the last three weeks alone, the series has become Showtime’s most viewed freshman series ever, with the audience growing 35% between episodes 8 and 9.

Kailey Schwerman/Showtime

Had Yellowjackets dropped on any platform in its entirety, it would have generated buzz for a weekend before disappearing as so many promising series have done. But because the weekly premieres allowed word of mouth to build, the audience grew. Some came for the sensational cannibalism plotline and others for the overall mystery. Each week, the chatter on social media built more and more as fan theories proliferated. It soon became clear that there was simply no way to wrap up every question asked by the show within one or two episodes, and the season 2 renewal only made that more obvious.

But the finale, “Sic Transit Gloria Mundi,” revealed Yellowjackets to be a classic mystery box show. A “mystery box” is the term used to refer to any media that answers questions within the story only to generate new ones. Lost is the best example of this kind of storytelling, and the divided reception to its final season is similar to the criticism Yellowjackets is now receiving.

It’s unfair and incorrect to say Yellowjackets didn’t answer any of its central questions in the last few episodes. We learned that Travis’ death was indeed a murder at the command of a still-alive Lottie, that Jackie died of hypothermia in the woods, that Adam wasn’t the blackmailer (and that Jeff was), and that Taissa’s split personality was the “scary woman” her son saw outside the window. But these reveals only brought more questions. If Lottie survived (and is apparently leading a cult), did other members of the Yellowjackets survive? Who was writing in Jackie’s journals years after she died? Did Taissa’s animal sacrifice in the basement lead to her winning the election? Who the heck was that creepy guy in Jackie’s dying dream? And perhaps most crucial to many viewers: who is the girl who was killed in the harrowing opening scene of the series?

Paul Sarkis/Showtime

It all comes down to one question: is a mystery box a satisfying method of storytelling? Many would argue that it is not, and they have a point. Generating mysteries just for the sake of keeping an audience watching, with no regard for whether it is a satisfying emotional experience, will never make a show that connects to viewers on a level other than curiosity. It displays a fear that without the “hook” of a flashy question (Who shot J.R.? Who killed Laura Palmer? What’s with the island?), there’s nothing holding the center of the show together. Lost ultimately fumbled the mystery box, leaving angry viewers who invested six years in the series demanding answers to questions it was apparent the creative team had either forgotten to answer or never knew the answer to in the first place. Its legacy is the reason any writers with a sci-fi series better have a full five-season arc in place before pitching their idea.

But Yellowjackets and Lost both succeed on another level: emotional investment. In the debate over Lost‘s conclusion, those who liked the way it all wrapped up (confession: I am one of them) point to the way the cast of characters drew the viewer in. We only cared about the island because of its inhabitants, and without the mystery element, the show works as a character study and as a metaphor for finding peace in life despite its unpredictability.

Kailey Schwerman/Showtime

Sure, the plotlines on Yellowjackets are compelling. Who doesn’t want to know exactly what caused those ordinary girls to do something terrible in 1996? But the reason we care at all is because the writers and actors have made us care about this team. Both the adult and teen versions of Shauna, Taissa, Natalie, and Misty are characters that are compelling to watch and fun to see interacting with each other. The finale in particular gave the audience some fantastic character moments, like the central four’s perfect entrance at their 25th high school reunion while “Come Out and Play” by The Offspring blasted. I often found myself forgetting that there was a larger mystery to be solved, content to watch these brilliant actors play off each other. I wasn’t solely looking for answers, so it didn’t bother me when we didn’t get every question answered.

With the binge model now the most common way of experiencing a series, any show that breaks this mold leaves itself open to critique. The same backlash hit The Boys, a show that moved to a weekly release model after dropping its first season all at once. The Boys proved that criticism wrong by growing its audience and receiving several Emmy nominations, with anticipation for its upcoming third season at an all time high. Yellowjackets will follow this blueprint, gaining viewers week to week and nabbing several major awards nominations even before it ended the first season.

Kailey Schwerman/Showtime

But just because so much content lately is created to be consumed rapidly and resolved nicely to provide the best value for stockholders (cough, Netflix), it doesn’t mean this is what is best for storytelling as a whole. I would rather see a show swing for the fences creatively and miss (or be cancelled before the full vision is realized) than to see showrunners cater to audiences who have lost the ability to engage with media for longer than a week without growing restless. Yellowjackets may be playing in the mystery box, but I am confident that its strong performances and commitment to character over story will ultimately allow it to rise above the critiques of the genre and deliver for its audience.

Yellowjackets season 1 is available now on Showtime.

‘Drama Queens’: Kieren Hutchison Guest Stars

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Andy’s coming! While that may be a reference to the wrong media, the guest star is definitely right. On this week’s episode of Drama Queens, our three favorite leading ladies are joined by Kieren Hutchison, better known as Andy Hargrove on One Tree Hill!

The episode description for “Hot for Teacher with Kieren Hutchison (aka Andy) • EP208” can be found below.

Special Guest Kieren Hutchison — aka Professor Andy Hargrove — joins the Drama Queens to dig into the classroom turned date night dynamic between Andy and Karen.

Kieren gets nostalgic, sharing his fond memories of arriving in Wilmington. And he digs out the crystal ball to tell Sophia and Hilarie where he sees Karen and Andy now. Did they predict the same future for the couple?

As we all rewatch One Tree Hill together, have you ever wondered what is the perfect age to see it for the first time?! Let’s discuss!

Drama Queens releases a new episode every Sunday. Check out all of our other content related to the podcast here. As always, stay tuned for more updates.

‘Nancy Drew’: Promo Released for Season 3 Finale “The Ransom of the Forsaken Soul”

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The CW has released the teaser for the Nancy Drew season 3 finale! “The Ransom of the Forsaken Soul” is set to air on January 28. The episode will feature the final showdown with Temperance Hudson as the Drew Crew fights to save Ace from his destiny.

Nancy Drew airs Fridays at 9 p.m. ET on The CW. You can find our other coverage of the series here!

‘Resident Alien’: The Best “Harry” Moments From Season 1

The time has arrived. In just a few days, the second season of Resident Alien premieres, which makes this a perfect time to do a quick look back at some of the great “Harry” moments of season 1.

Based on the comic of the same title by Peter Hogan and Steve Parkhouse, the series follows an alien who crash lands on Earth while trying to complete his mission of setting up a device that will destroy the human population. After the crash, the alien finds a cabin on the outskirts of Patience, Colorado, where a pathology doctor is at his vacation home. He takes over this doctor’s form and identity and becomes the quirky Harry viewers are introduced to. The longer “Harry” spends on Earth, and with the people living in Patience, the more he risks not only being found out but becoming more human. Luckily his peculiarities and lack of social skills provide numerous laughs throughout each episode, including those below.

Law & Order

What is an alien to do after crashing on Earth and killing the real Harry Vanderspeigle (Alan Tudyk) to take over his life and identity? Well, in this case, turn on the television and learn how to be human by watching Law & Order episodes. He begins to learn how to walk and speak English through those episodes, mimicking Jerry Orbach’s character Detective Briscoe. “Dun Dun.”

Childish Fights

Quite literally. This character’s number one nemesis is a 9-year-old child named Max Hawthorne (Judah Prehn). When they meet, Harry is shocked to discover that Max can see his proper alien form. The reason is because of a genetic mutation; Max is one out of a million humans who can see his true identity through the molecular reconstruction process used to appear human. It is multiple hilarious moments of them trying to get rid of each other from then on out. “There’s an alien under the bed!”

The Truth About Harry

Because of Harry’s apparent lack of people skills, it takes a little bit before he makes a friend. He finds that in Asta Twelvetrees (Sara Tomko). Even before she knew his alien identity, they shared a bond, where Asta felt like an outsider; she also saw that in Harry. Even after learning he is an alien, she still accepts him as he is and fights to save him, not to mention it helps explain some of his idiosyncrasies. “It’s good to see you’re still such a huge weirdo. And your talent for unleashing chaos in my life is strong as ever. But I think I’m better having known you.”

Party Time!

When Harry makes his way to the local watering hole, The 59, it is there that he has his first introduction to alcohol and even hits the dance floor. On a different occasion, after Harry experiences losing his job and having his human wife leave him, Asta and D’Arcy (Alice Wetterlund) take him for noodles, drinks, and getting high, where he has a telepathic conversation with a cousin who is an octopus who then gets mad at him for being high.

Resident Alien season 2 returns on January 26 at 9 p.m. ET on SYFY. Check out our other Resident Alien coverage here.

‘A Discovery of Witches’ Recap: Season 3, Episode 3

In this week’s episode of A Discovery of Witches, Matthew, Marcus, and Jack have arrived in New Orleans. However, after what Matthew did, Marcus’ children want nothing to do with them. Meanwhile, Diana and Phoebe chase a lead for one of the missing pages from the Book of Life, Sarah contemplates going back to Madison, and Benjamin continues to scheme against the de Clermonts.

New Orleans

Matthew, Marcus, and Jack have arrived in New Orleans to seek out Marcus’ vampire children. Matthew and Marcus are met with a cold welcome as they begin to search for them, and when they return to the house after an unsuccessful meeting, Jack has disappeared. Matthew finds him in a graveyard, where he has spiralled into a fit of blood rage. Later, the two commiserate over the fact that they both cannot forget the faces of those that they have killed.

Marcus’ children won’t listen to anything that he has to say without the approval of Ransome. After repeated attempts, Marcus is finally able to secure an audience with him, and he explains how they want to form a scion. However, Ransome still can’t let go of what Matthew did all those years ago. After their meeting, Ransome finds Jack in a graveyard, and he’s furious to realize that even though he has blood rage, Matthew is allowing him to live.

Parker Sawyers as Ransome Fayrweather, Toby Regbo as Jack Blackfriar in A Discovery of Witches
Simon Ridgway/AMCN/SkyUK

Ransome agrees to meet with Matthew, which makes Marcus wary, especially because he wants to go alone. When Matthew arrives at the bar, things get off to a rocky start, because Ransome is even more angry now that he’s learned about Jack. Matthew remains calm and explains his side of the story, but what Ransme really wants is for him to express remorse for ruthlessly culling most of Marcus’ children for the Congregation. And so, Matthew relents. They all sit and listen as Matthew reflects back on every single member of the family that he killed, describing when and how he did it. Satisfied that he has finally atoned for what he did, Ransome shakes his hand when he finishes and agrees to join the scion. Later, when Matthew returns to the house, he gives Marcus the apology that he owes him as well.

Sarah tries to leave

Much to the dismay of both Fernando and Gallowglass, Sarah has packed up all of her things and booked a flight to return to Madison. She thinks that they don’t need her anymore, and it’s time for her to go home. However, Gallowglass and Fernando believe otherwise. Gallowglass tries to explain that he knows that Diana will absolutely need her help, reflecting on Diana’s past, at which point he essentially outs himself as being Diana’s guardian for her entire life. Unable to backtrack now, they both begin to explain to Sarah that after Philippe met Diana, he asked Gallowglass to keep watch over her until Matthew came around.

The missing pages from the Book of Life

Teresa Palmer as Diana Bishop in A Discovery of Witches
Simon Ridgway/AMCN/SkyUK

Diana and Phoebe continue their hunt for the two missing pages from the Book of Life, trying to dig through history for clues. Once they find a book that seems to be a promising lead, Diana heads to the library to check it out. The scene is reminiscent of when Diana first began to page through Ashmole 782, but this time she doesn’t hesitate to use her powers to find what she’s looking for, which are the names of who else has been in possession of the book. Conveniently, Father Hubbard is one of those people.

Before Diana arrives, Knox pays Hubbard a visit first. The witch tells the vampire that he found a letter from Edward Kelley, which said he had passed on one of the pages from the book to an angel of death and life. He believes that person to be Hubbard. The vampire strikes a nerve when he reminds Knox that he is aware that he has been removed from the Congregation, at which point Knox prepares to attack him, but Hubbard is much quicker to the punch. Knox leaves with a thinly veiled threat from Hubbard on his heels.

Diana’s plea to Hubbard is far more successful than Knox’s. She explains that, as a member of his flock, giving her the page is his best option. Knox believes that the book is the first grimoire and that it will restore the waning powers of the witches. Gerbert, on the other hand, thinks that the book tells the origin of the vampires and will thus provide the secret to immortality and give the vampires supremacy over the other species. If he continues to hold on to the page, it puts his flock in danger. With a promise not to betray his trust, Hubbard finally relents and gives Diana the page, which he had hidden behind a painting.

One page remains, which Diana, Phoebe, and Sarah believe may have been entrusted to a daemon. Phoebe does more digging and they find their next lead — TJ Weston.

Benjamin continues to scheme

Benjamin meets with Gerbert, and the two discuss the fact that Diana is pregnant with twins. Benjamin is eager to make their first move, but Gerbert doesn’t agree. Later, he finds Satu, and he tries to convince her to join him in his mission to take down the de Clermonts, offering her a chance to take on Diana in the process. While Satu does indeed want to show Diana that she isn’t the only one that has now come into her true powers, she would prefer for that meeting to be between the two of them. While Benjamin appears as if he wants to continue trying to push her, he relents.

Don’t miss the next episode of A Discovery of Witches next Saturday, January 29 on AMC+Sundance Now, and Shudder. Follow along with all of our coverage on the series, including episodic recaps and more!

Ronen Rubinstein Announces New Band, Nights in Stereo, With New Single Out This Month

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After what felt like months of teasing, 9-1-1: Lone Star actor Ronen Rubinstein finally announced his new band, Nights In Stereo, and their first single is coming out next week!

A snippet of the song was posted to social media, which you can listen to above. Along with Rubinstein, the band also includes Rodrigo R. Rodarte and Jon Shoer. “Open Door” will release next Friday, January 28, at 12:00 a.m. local time on Spotify.

Rubinstein can currently be seen in 9-1-1: Lone Star on Mondays at 8:00 p.m. ET/7:00 p.m. CT on FOX! Stay tuned to Nerds and Beyond for more news. Follow Nights In Stereo on Twitter and on Instagram to stay up-to-date on their music!

Netflix Lineup: Everything Coming and Going February 2022

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Netflix is bringing the heat for February, including some romantic titles for the lineup. Anticipated originals include season 2 of Love Is Blind and Sweet Magnolias, Texas Chainsaw Massacre, and Tall Girl 2. Fan-favorite titles coming to the streaming service throughout the month include The Dark Knight, The Hangover, and The Exorcist.

Meanwhile, titles leaving Netflix include Grown Ups, Edge of Seventeen, Soul Surfer, Step Brothers, and more.

Keep reading to find out everything coming and going on Netflix for February 2022!

What’s Coming

Sweet Magnolias: Season 2

Season 2 of this dramedy starring Joanna Garcia Swisher, Brooke Elliott, Heather Headley, Chris Klein, and Justin Bruening is finally premiering soon, so make sure to pour one out for the Magnolias because they are coming back.

Love is Blind: Season 2

Season 2 of the romance reality series Love is Blind features a whole new group of singles trying to find the love of their life without even seeing them. Who will make it to the altar, and who won’t? Make sure to watch to find out!

February 1

Anaconda

Batman Begins

Caddyshack

Caddyshack 2

Countdown

Despicable Me

Despicable Me 2

Gabby’s Dollhouse: Season 4 – Netflix Family

Donnie Brasco

Legend of the Guardians: The Owls of Ga’Hoole

My Best Friend Anne FrankNetflix Film

New Year’s Eve

Patsy & Loretta

Raising Dion: Season 2 – Netflix Series

The Addams Family (1991)

The Book of Eli

The Bourne Ultimatum

The Dark Knight

The Devil’s Advocate

The Exorcist

The Foreigner

The Hangover

The Last Samurai

The Lucky One

The Negotiator

The New Guy

The One

The Other Boleyn Girl

The Other Guys

Transformers: Dark of the Moon

Transformers: Revenge of the Fallen

Warrior

Watchmen

February 2

Dark Desire: Season 2 – Netflix Series

MeatEater: Season 10 Part 2 – Netflix Documentary

The Tinder SwindlerNetflix Documentary

February 3

Finding OlaNetflix Series

Kid Cosmic: Season 3 – Netflix Family

MurdervilleNetflix Series

February 4

sweet magnolias season 2
Netflix

Looop LapetaNetflix Film

Sweet Magnolias: Season 2 – Netflix Series

Through My WindowNetflix Film

February 8

Child of Kamiari MonthNetflix Anime

Love is Blind JapanNetflix Series

Ms. Pat: Y’all Wanna Hear Something Crazy?Netflix Comedy

February 9

Catching Killers: Season 2 – Netflix Documentary

Disenchantment: Part 4 – Netflix Series

Ideias à VendaNetflix Series

Only Jokes AllowedNetflix Comedy

The PrivilegeNetflix Film

February 10

Into the WindNetflix Film

St. Vincent

Until Life Do Us PartNetflix Series

February 11

Anne+: The FilmNetflix Film

BigbugNetflix Film

Inventing AnnaNetflix Series

Love and LeashesNetflix Film

Love is Blind: Season 2 – Netflix Series

Love TacticsNetflix Film

Tall Girl 2Netflix Film

Tall Boy: Season 2 – Netflix Series

February 12

Forecasting Love and WeatherNetflix Series

Twenty Five Twenty OneNetflix Series

February 14

Devotion, a Story of Love and DesireNetflix Series

Fishbowl WivesNetflix Series

February 15

Cloudy with a Chance of Meatballs

Love is Blind JapanNetflix Series

Ridley Jones: Season 3 – Netflix Family

February 16

Blackhat

jeen-yuhs: A Kanye TrilogyNetflix Documentary

Secrets of SummerNetflix Family

Swap Shop: Season 2 – Netflix Series

February 17

EraxNetflix Film

Fistful of VengeanceNetflix Film

Forgive Us Our Trespasses Netflix Film

Heart ShotNetflix Film

Mo Gilligan: There’s Mo to LifeNetflix Comedy

Young Wallander: Killer’s ShadowNetflix Series

February 18

Diyah Pera/Netflix

Downfall: The Case Against Boeing Netflix Documentary

Love is Blind: Season 2 – Netflix Series

Rabbids Invasion Special: Mission to Mars Netflix Film

Space Force: Season 2 – Netflix Series

Texas Chainsaw MassacreNetflix Film

The Cuphead Show! Netflix Family

February 20

Don’t Kill MeNetflix Film

February 21

Halloween (2007)

February 22

Cat BurglarNetflix Series

Love is Blind JapanNetflix Series

RACE: Bubba WallaceNetflix Documentary

February 23

UFONetflix Film

February 24

Karma’s World Music VideosNetflix Family

February 25

Back to 15Netflix Series

Love is Blind: Season 2 – Netflix Series

Merlí. Sapere AudeNetflix Series

RestlessNetflix Film

Tyler Perry’s A Madea HomecomingNetflix Film

Vikings: ValhallaNetflix Series

February 28

My Wonderful LifeNetflix Film

Two Sentence Horror Stories: Season 3

Coming Soon

Business ProposalNetflix Series

Juvenile JusticeNetflix Series

Love, Life & Everything in BetweenNetflix Series

One Piece: Episode of Chopper: Bloom in the Winter, Miracle Sakura

One Piece: Episode of Alabasta

What’s Going

Grown Ups

This comedy starring Chris Rock, Kevin James, Rob Schneider, David Spade, Adam Sandler, and more will be leaving Netflix next month, so get in any last games of arrow roulette and get chocolate wasted before it’s gone!

February 2

Await Further Instructions

Grown Ups

February 8

Polaroid

February 9

Hitler – A Career

February 15

Studio 54

February 16

Drunk Parents

February 19

Good Time

February 20

Being Elmo: A Puppeteer’s Journey

February 25

No Escape

February 26

Edge of Seventeen

February 28

Border Security: America’s Front Line: Season 2

Chocolat

Dances with Wolves

Fool’s Gold

Here Comes the Boom

Labyrinth

Law Abiding Citizen

Mars Attacks!

Observe and Report

Rain Man

Sabrina

Sex Drive

Something Borrowed

Soul Surfer

Step Brothers

Terminator 2: Judgement Day

The Darkest Hour

The Interview

Total Recall

We Were Soldiers

‘Nancy Drew’ Recap: Season 3, Episode 12 “The Witch Tree Symbol”

In an episode sure to shock, the final piece of Temperance’s plan is revealed as the Drew Crew fights off a curse and time itself to stop her. With a massive twist in the final minute, the stakes setting up the season finale next week couldn’t be higher. Read on to find out what happened in “The Witch Tree Symbol”!

The Kids Aren’t Alright

Shane Harvey/The CW

We open in 1971 at the Fernwood Orphanage, where the kids are playing a not-at-all-scary game of tag in the haunted woods. Unfortunately for two of the adorable orphans, they run into a creepy witch lady casually experimenting with some ritual sacrifice, as one does. The kids scamper home, with the little girl bringing one of the bones back with her. It turns out the woman was Myrtle Hudson, and she wants her bone back. She sits at the children’s dinner table and tells Temperance’s story like a bedtime tale, trying to figure out the culprit. Apparently, this bone is very important to bringing back Charity. Myrtle casts a curse on the children and sends them to another realm.

In the present, Nick goes to the youth center with Bess to search for Temperance. Nick can’t tell Bess what he knows about Temperance’s plan, which he is clearly feeling guilty about. Bess, being the smart woman she is, deduces that the kids were cursed by Temperance simply by watching Nick’s reactions. Nick tells her everything he knows about Temperance’s plans for splitting the Veil. Unfortunately, this activates the hex on the kids.

They realize quickly that the hex symbol is purposely vague so Bess would have a harder time figuring out exactly what hex was cast. Nick and Bess cross-reference the symptoms the kids have with the four curses Bess narrowed down the options to. Nick is panicking at the thought of losing the kids, and Bess rushes to prepare a ritual to try to break one of the options in case it’s the right one. Unfortunately, it’s not the curse Temperance cast.

Shane Harvey/The CW

The kids get sicker as Nancy, Ace, and Park arrive to help. Bess and Park figure out the hex can only be reversed by Temperance herself. Since Nancy being alive is key to Temperance’s plan, Nancy tells Bess to transfer the hex to her so Temperance is forced to remove the hex.

As they set up for the ritual, Nancy pulls Park aside. She tells him that while she has no regrets about their time together, she thinks they are better as friends. Park takes it well and even teases her about Ace. Bess prepares the ritual and all the kids get better as Nancy takes on the hex. Temperance calls and heals Nancy, angry at her plan being thwarted. Nancy taunts Temperance, telling her to come get Nancy.

Shane Harvey/The CW

In a crisis of confidence, Nick tells Bess that he can’t keep running the youth center. He feels like he’s let down the kids, George, and her sisters and wants Addy to take over for him. He says he can’t do this anymore as he hangs up.

Nothing Breaks Like a Heart

Shane Harvey/The CW

As Charlie arrives for her shift, George plants a kiss on Nick. It turns out George hasn’t broken the news of their breakup to the girls yet. She wants to be able to tell them in a way that won’t destroy their perception of stable relationships forever (but hey, no pressure!), which flummoxes Nick. George offers to keep an eye on Ryan and Carson as the two walk into The Claw for some chowder.

George tries to keep Charlie from figuring out that she and Nick broke up as Carson and Ryan discuss Ryan’s uncle Josiah. Ryan is stuck on one phrase Josiah used to say to him: that he hoped Ryan would be able to “outrun the family curse and avoid a gruesome demise.” Carson tells Ryan there is good in him and Nancy before suggesting they take a break.

Shane Harvey/The CW

Ryan notices that George is feeling off and shares his own experience with having the adults in his life hide things from him. George realizes she needs to come clean. Unfortunately for her, Carson figures out something is up with George’s distraction techniques when she gives him yet another free refill. She’s forced to tell them what’s going on with Nancy.

George tells her sisters what happened with Nick. Charlie takes it badly, accusing George of messing up the relationship the way their mother always did. They storm out, but Jessie stays. She tells George that the girls will get over it eventually and hugs her.

Meet Me on the Battlefield

Shane Harvey/The CW

Nancy and the crew are desperately searching for Temperance and Lev. They realize they need to know what Temperance’s plan is in order to stop her. Nancy decides to go to Icarus Hall, with Ace offering to help. Of course, Park chooses this moment to arrive and offer his assistance as well. Nancy accepts the help of both suitors, with everyone taking their own cars to avoid maximum awkwardness.

Nancy regrets trusting Temperance, but as always, Ace is there to tell her she did the best she could. She’s about to talk about his love confession when Park calls them over. He found a secret compartment with a bone in it, which looks like the one the children found in 1971. Nancy suddenly remembers that she saw this bone at Fernwood back in season 2 (these writers always pay off their references).

The trio rushes to Fernwood, but the bone is gone now. In the dining room, they see the symbol on the floor where Myrtle cast her curse. Park and Nancy share a romantic moment as they search that is interrupted by Ace finding the bone.

Shane Harvey/The CW

They take the bone to Darlene, who recognizes the language on the antlers as the Women in White’s secret language. She has a book with the cipher that is key to solving it, and she heads to the basement to get it. This leaves Ace and Nancy alone, and Nancy confesses she’s been avoiding him. Ace sweetly tells her he doesn’t regret what he told her even if nothing comes of it (oh, my heart.) In a call back to Nancy’s iconic, “If I find the words, I’ll share them with you,” line, Ace tells her, “When you’re ready to not avoid, I’ll be here.”

In a shocking moment of violence, Temperance stabs Darlene in the basement to keep her from translating the markings (not Darlene!). Temperance collects the bones but is startled by Nancy, leaving her knife behind. They call the police for backup, and Nancy realizes the knife is Temperance’s — it’s the one from the ritual that closed the liminal space. She wonders aloud if maybe that’s how Temperance tracked them. When they wonder how she got away, the camera pans to Park, who lets them know Darlene is okay.

Shane Harvey/The CW

Darlene had partially decoded the writing, and because Nancy has a photographic memory, she can decode the rest if she has Darlene’s book. Nancy decodes the messages and realizes Charity’s soul contains a key that Temperance will use to enact the New Genesis (that sounds fun and totally not ominous at all). Bess calls and tells them about the hex on the kids. As they go to leave, Nancy notices the symbol from the Copperhead’s cell on the table. She connects it to the symbol at the orphanage and the historical society. Nancy figures out that Temperance and Lev are hidden in the liminal space.

The Drew Crew splits up to cover all the spots Temperance could emerge from the liminal space, with Park covering the forest outside Icarus Hall. Lev wakes up in a dungeon with Temperance, who casts a spell on him and transports them both to the forest. Park hears Lev call out for help as the Copperhead arrives.

Temperance watches safely from the liminal space, informing Lev as he dies that the spell will allow her to track the Copperhead as it searches for the final piece (confirming that the Copperhead is not working with Temperance). She disappears as Park finds Lev’s body. Park calls Bess to tell her about Lev.

In a stunning reveal, Ace has a dream about Gettysburg: he is the final piece of Charity’s soul. Ace wakes up sobbing, clutching his chest as he whispers, “I’m next.”

Nancy Drew airs Fridays at 9 p.m. ET on The CW. You can find our other coverage of the series here!