In 2013, Disney unleashed a phenomenon into the world. Frozen became an instant success, and its theme song “Let It Go” became a worldwide smash hit. And now, fans of the beloved film are finally getting Frozen 2. The film is currently still in production, but we have learned that the release date is November 22, 2019.
We do not know much yet about the sequel, but according to IMDb.com, the film will continue focusing on the journey of sisters Elsa and Anna. They, along with Kristoff and Olaf, will venture deep into the forest to learn the truth about an ancient mystery of their kingdom.
Idina Menzel (Elsa), Kristen Bell (Anna), Josh Gad (Olaf), and Jonathan Groff (Kristoff) will be returning to reprise their roles. But there will be new characters in the sequel: Evan Rachel Wood (Westworld) and Sterling K. Brown (This Is Us) are also a part of the film. However, it is unknown which characters they will be portraying.
Are you excited about Frozen 2? Let us know in the comments below!
Brie Larson, star of the highly anticipated Captain Marvel film hitting theaters in March, went on The Ellen DeGeneres Show to help raise money for the Captain Marvel Challenge. The Challenge is a fundraising effort to give as many girls as possible the opportunity to see the upcoming female-led superhero film, who otherwise would not be able to afford it.
On the show, Larson and Twitch, DeGeneres’ cohost and DJ, were tasked with trying to match the dance moves that were playing behind them on the big screen. Shutterfly pledged to pay the Challenge $1,000 for every dance move Larson and Twitch successfully performed.
The dancers ultimately amassed $10,000 from Shutterfly! Here is the video of their challenge.
See Captain Marvel when it comes to theaters on March 8, and watch The Ellen DeGeneres Show everyday at 3 p.m. on NBC.
Sam (Jared Padalecki) and Dean (Jensen Ackles) in “Prophet and Loss”. Image courtesy CWtv.com
Well folks, we have arrived at the 299th episode of Supernatural – what a milestone! Though there is a lot in store for next week’s 300th episode celebration, “Prophet and Loss” had to get some major storyline work done this week to set up for it. Brad Buckner and Eugenie Ross-Leming did a great job in tying up some loose ends, solving a case, and bringing the mega emotional moments this episode. Let’s dive in!
Spoilers ahead!
The episode begins under the ocean — the Mal’ak box built to contain Michael (and Dean, by proxy) has sunk to the bottom, and inside we find our hero very much awake, attempting to punch his way out. It’s gut wrenching to watch Dean reduced to tears, blood pooling under his fingertips as he cries out for Sam and watches, horrified, as his phone battery dies. He’s completely trapped, and no one is coming to save him.
And then he wakes up from that nightmare, thankfully. Sam unintentionally made some noise walking back from the bathroom, and Dean does his best to hide his post-panic emotions, as well as the actual blood under his fingertips from scratching the wall beside his bed. Sam knows though, and he tries to get Dean to talk out his feelings, but he doesn’t see any point to it. Scared or not, Dean knows this is how it was written in Billie’s book. So this is how it has to go down.
Somewhere else in a super creepy warehouse, a woman is bound and lying down while her captor prepares water in some kind of giant tub. She’s picked up and placed into it, and then he proceeds to carve into her wrists while she cries. It is terrifying to watch as he pushes her under, the blood filling the water as she struggles and ultimately dies. On the one hand, my heart was in my throat, but on the other, it’s good to know that even after 14 seasons, Supernatural can still scare the heck out of me.
In the hospital from last episode’s Donna-induced injury, Nick is melancholy. The guard taunts him with how long he’s going to go to prison, and Nick insists that it was Lucifer’s possession that made him commit his crimes. You almost believe him. Almost.
Dean and Sam make a pit stop on their way out of town. Dean basically repeats what he said the night before — that he’s made up his mind, and even thought he doesn’t like it, he is going to go through with his plan. He hasn’t even told Cas or Jack, because he doesn’t want to get “shaky.” He asks if Sam is still on board with the plan, and he insists that he is. But as soon as Dean gets out of the car, Sam is on the phone calling Cas. Of course Sam has told Cas of Dean’s insane suicide mission, and Castiel has been working at the bunker trying to find a way to save Dean. (I have to admit that I cheered a little when I saw this, because I was really afraid that Sam wasn’t going to try to leverage the resources he has.) Castiel asks Sam if he could try talking to Dean, but Sam insists that he’s never seen Dean so single-minded before.
The same bad dude from earlier has found another victim. This time, he drags the poor guy into the middle of a warehouse and slits his throat. After he bleeds out, the evil guy carves something into his chest. “I am the Lord,” he says, looking creepily euphoric.
Images courtesy of The CW/Warner Bros.
In the Impala, Dean takes another moment to have a heart to heart with Sam. This time it’s about when they were kids; he apologizes to his brother for all the times he may have seemed to have taken their dad’s side, or when he left because their dad sent him away. It is a raw and deep edge to both Sam and Dean that is rarely exposed, and kudos to both Jensen and Jared for giving this moment the right weight. Sam shuts it down gently, asking Dean to refrain from making “deathbed confessions.” (Granted, I completely understand this, but also, come on Sam — those are the bread and butter of bro-moments!)
We flash back to Nick briefly to watch him cunningly convince the guard to uncuff him long enough to use the bathroom. Not surprisingly, he takes the opportunity to get the upper hand on him, and with the guard down on the ground, Nick proceeds to kick the crap out of him and then escape.
Back with the brothers, Sam has found them a case he claims is “on the way.” At first, Dean is hesitant to deviate from his current (dumb) plan, but then he relents, saying “One last case for the Winchester brothers,” which only upsets Sam more. The case is clearly about the guy we’ve seen murder two people earlier in the episode. They arrive at the male victim’s twin brother’s house (Alan) to ask him questions. Before they get much information, Alan talks about how awful it is to have lost his brother, and how he feels like he lost a part of himself. Sam and Dean already know how awful it’s going to be to lose one another. Luckily, Alan recognizes the “graffiti” that was carved into his brother (which was actually Enochian writing) — an old friend of theirs named Tony has a tattoo on his arm with the same design.
Dean calls Castiel, who is thrilled to hear from him. Dean tries to get off the phone quickly, but Castiel quickly reveals that he knows about Dean’s suicidal plan and that they need to have a talk. Dean is visibly aggravated (he knew Castiel would try to talk him out of it) but finds out from Castiel that Tony is actually next in line to be prophet after Donatello (who is currently in a vegetative state since the events of season 13’s episode “Good Intentions“).
Images courtesy of The CW/Warner Bros.
They find Tony’s house, and inside, the walls are covered in Enochian writing outlining each method he is going to use to carry out the murders. The next plan is to set someone on fire. In one of the pictures Tony had taken of his victims, the guys see the name of a warehouse, and they arrive at said warehouse just as Tony has dropped a lit match on a line of gasoline that surrounds another victim. Sam runs to take him out, while Dean douses the flame and frees the hostage. Sam and Dean insist that what Tony is hearing is not God, and that none of the murders that he has carried out are ordered by anything divine. Shocked and dismayed, Tony grabs a gun in the commotion and takes himself out.
Sam calls Castiel to talk about how this guy became a prophet with a screw loose. Technically, Donatello is still alive, and so Castiel determines maybe there is something wrong with the natural order, because the current prophet is straddled between worlds. The only solution then of course, is the worst possible option: they must murder Donatello.
Nick has returned to his family’s home, and he is plagued by haunting visions of their deaths. Classic signs of a ghost start happening: the air turns cold, lights flicker, doors move. In a flash, a woman in a white gown appears with a smile. “Lucifer?” Nick asks, his expression hopeful. “No, it’s your wife, Sarah,” she replies.
Well this is awkward.
And it is not exactly a happy reunion. Though it seems that way at first, Sarah is tied to the house because of unfinished business — namely, that Nick chose Lucifer all those years ago. All she needs him to do for her to move on is to reject Lucifer. But he won’t — not even to help his wife go to a better place. He walks away to continue his search for Lucifer, leaving her tethered to the house.
Of all the cruel things we have seen Nick do this season, this might be the very worst.
Sam and Dean arrive at the care facility where Donatello is being kept alive by machines. They the meet with Dr. Rashad, who insists that allowing Donatello to pass naturally is the most humane option. “What a coincidence, you’ve arrived at the same time as Doctor Novak,” Dr. Rashad remarks. Castiel comes from around the corner in a lab coat, and tells the doctor he is familiar with “both Mr. Winchesters.” Dr. Rashad continues informing them (while clearly missing how they’re all trying to keep a straight face) that there are no signs of life from Donatello, other than the occasional babbled word.
They follow him to see video, but Castiel stops Dean. He tells him that, although what he did to Donatello had to be done, he still regrets it. Dean says that he can relate, but Castiel shuts him down — he is pissed that Dean is still trying to go through with his plan. Dean insists that if Castiel were a true friend, he would just support his decision. This is a load of crap of course, but hey, it’s straight from the Winchester playbook.
Images courtesy of The CW/Warner Bros.
Before they can get any further, Sam interrupts, showing them a video of Donatello’s “babbling.” Apparently, he is waking up and spouting Enochian, which basically means his brain is trying to heal itself — and Castiel could potentially save him. “I thought he was too far gone,” Dean says. Castiel turns to him, clearly not only referencing the Donatello situation, and says “Dean, if there is a spark, a hope, then I have to try. You taught me that.” (Solid burn, Cas.)
While Castiel works his angel mojo, Dean and Sam wait outside. Sam is still struggling with Dean’s decision, but Dean tells him to stop thinking about it. “Thinking is highly overrated,” he says, so completely on brand for Dean. Except that it isn’t actually easy for Dean to stop thinking, and he is truly scared to death. When they rejoin Castiel, he is still trying to heal Donatello and then suddenly, after searching for whatever he was looking for, he finds it. With a spark of blue, Donatello is brought back to life.
Dean leaves Castiel to explain to Donatello (who is not evil, but still soulless) exactly what has happened, and he joins Sam outside. Sam has grabbed some beers to celebrate their win, and Dean’s excited to “go out on a high.” (Cue me groaning — shut up about the farewell tour Dean, it’s killing us!) And that’s about all she wrote for Sam — he’s had enough. All of the times Dean has pushed and insisted they never give up in order to save one of them, or to save the world, and here he is throwing in the towel because he is being told that it’s the only card he has to play. Sam’s pissed, and rightfully so — they always find another way, there’s always another fix. “We’re the guys that save the world, and you don’t get to check out of it!” he yells at his brother — and then hits him in the face.
Images courtesy of The CW/Warner Bros.
Dean catches his next punch and Sam just collapses against him, hurt and angry. Sam’s feelings are so relatable, as the rest of us are sick of watching Dean actually agree with Billie that his fate is sealed. This move is so classic Dean: he has never fully appreciated his own worth. Even as he concedes to Sam (and Castiel, as he approaches them) that he won’t give up yet, there is a hint of him doing this, not because he cares about his own well being, but because he cares about how upset Sam and Castiel would be if he went through with his mission.
In the end, Dean makes Sam and Cas agree that they will go through with his plan, if and when it is the last possible option – to which they reluctantly agree. “Let’s go home,” he says, and they pile into the Impala, towing Dean’s death box behind them. (Such a cool allegory of death/fate/doom literally following Team Free Will. I mean, I don’t like it one bit, but it was super smooth.)
This episode was full of great emotional moments for Team Free Will – but next week is the 300th episode! We already know some of what to expect, but there’s sure to be lots of surprises! What are you looking forward to? Let us know in the comments below!
The writers behind Sony Pictures Television’s Timeless made a deal with the #ClockBlockers of Twitter on Jan. 31 — rack up 10,000 retweets and be rewarded with a deleted scene from the finale. The Timeless Writer’s Room is known for being generous with providing additional content to the fandom, as they shared a handful of deleted scenes and script pages during the #RenewTimeless campaign on Twitter in 2018.
In honor of the cold weather in much of the country and rain in Los Angeles, how about this… Let’s get 10,000 retweets and we’ll show you a deleted scene from the @TimelessSPTV (season? series?) finale movie. Let’s remind TPTB how #ClockBlockers can unite to support the show!
On Feb. 2, the goal was met, and the Writer’s Room held up their end of the bargain. Check out the deleted scene below.
In payment for your 10,000 retweets, here’s a scene between Lucy and Agent Christopher, shortly after Flynn’s death. We thought it was a lovely moment between the two of them, but had to cut it for time. #Timeless@TimelessSPTV#ClockBlockerspic.twitter.com/GcLZnu9gmU
The contents of the deleted scene contain two separate yet important bits of information. The first is that Garcia Flynn was given a star on the CIA memorial wall, in order to honor him as a time traveling hero. During that revelation, we are given a brief look at how Lucy is handling Flynn’s death once the team has returned from their mission.
Next, we also learn that, even in this altered timeline, Rittenhouse still found a way to remove both Carol Preston and Nicholas Keynes (Lucy’s mother and great-grandfather, respectively) from the equation.
The Writer’s Room referred to this scene as the first of their deleted scenes from the finale, so #ClockBlockers can potentially look forward to more content reveals in the near future!
Matt Cohen announced that he’s finished Mama Bear!
Today is the day I finish #MAMABEAR ! To say I feel good wouldn’t even make sense. I feel so thankful for all of the fans, friends, family, my crew, and everybody in between. I’m the luckiest boy in the world to work in this industry. I’m… happy.
The short, which was crowdfunded, raised over $44,000. The film stars Mandy Musgrave as the title character. Mama Bear is about a mother who “has 24 hours to save her four year old and find him a liver transplant, and the only viable donor is the ex-kingpin/drug lord/piece of s*** boyfriend of hers.”
Other familiar names will appear in the short that you may know, including Richard Speight, Jr., Kim Rhodes, Briana Buckmaster, Jason Manns, Jim Beaver, and Adam Fergus. No release date has been set for the short yet.
We got the chance to talk to Matt back in December, where he talks about Mama Bear. You can see that here.
You can also see our interview with Matt from October, and how excited he is about the project. You can see that here.
Fans of the classic Dr. Mario game will rejoice with Nintendo’s newest announcement! Nintendo announced that Dr. Mario World will be released globally early Summer 2019 for iOS and Android devices.
While there is little known about the upcoming Dr. Mario World, it will be based on Dr. Mario which was released back in 1990 for the NES game system. The puzzle game involved colorful pill capsules that would fall, the goal being to align similar colors (yellow on top of yellow, red on top of red, etc.) on top of the viruses. If the pills reach the top of the board, which was shaped like a medicine vial, it was game over. Four colors in a row would result in the virus and capsules being cleared from the board, and therefore would help you stay in the game.
The game was released again for the SNES (Super Nintendo Entertainment System) in 1994 in the form of Tetris & Dr. Mario, and again in 2004 for Game Boy Advance as part of the Classic NES Series. It was also updated for Game Boy Advance with Dr. Mario & Puzzle League.
Warwick Davis stars in Willow. Image Courtesy of IMDB.
For the first time ever, fans of Ron Howard‘s Willow can own their very own digital copy of the movie. The movie is available now through Amazon Prime and iTunes as well as Vudu.In addition to the digital release, a new 30th anniversary Blu-ray of the movie is also now available in stores. Star Warwick Davis, who plays the title character Willow, enthusiastically shared the news via his Twitter.
‘Forget all you know or think you know…’ For the first time ever and to mark the film’s 30th Anniversary, #Willow is out today to download on digital platforms. There’s also a new blu-ray complete with new title logo artwork. Lovely. pic.twitter.com/uyjtfmdkkO
From legendary filmmakers George Lucas and Ron Howard comes Willow, a timeless fantasy tale where heroes come in all sizes. While Willow Ufgood (Warwick Davis) finds an abandoned baby girl, he learns she is destined to end the reign of wicked Queen Bavmorda. Willow teams up with a rogue swordsman (Val Kilmer) to protect the child against the darkness. Filled with magic and danger, Willow is the ultimate story of good versus evil.
Do not miss out on your chance to own this classic tale!
Jason Statham and Dwayne Johnson in Fast & Furious Presents: Hobbs & Shaw (2019) Courtesy of IMDb.
The Fast & Furious franchise is expanding with the upcoming movie Fast & Furious Presents: Hobbs & Shaw. Hilarity will ensue when Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham) team up. The movie will take on a scienc fiction vibe as they work to take down villain Braxton (Idris Elba), a man who is cyber-genetically enhanced.
The movie is sure to be action-packed with some impressive stunts. The release of the trailer follows the recent news of a female-led spin-off. Check out the trailer below, and be sure to see Hobbs & Shaw when it is released August 2!
The cast of ‘Travelers’ on Netflix. Photo courtesy of @TRVLRSseries
It is a sad day for fans of Netflix’s hit time travel show, Travelers. Eric McCormack, who plays the lead character Grant MacLaren, tweeted a video announcing the disappointing news that the show will not be renewed for a fourth season. Since the release of season three on Netflix on Dec. 14, fans have eagerly been waiting for news on the next season.
Thank you from the bottom of my heart. You guys have changed my world. Marcy will forever be a part of me. 3569, signing out. ❤️ pic.twitter.com/C5eUoWGf4b
Sam and Dean look to occult lore for a solution to their latest problem, but instead of a resolution, they find much more than either of them had anticipated.
Make sure to tune in on Thursday, February 7, 2019 for the 300th episode of Supernatural.
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