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‘Riverdale’ Recap: Celebrate Thanksgiving in Season 4, Episode 7 “Chapter Sixty-Four: The Ice Storm”

First, the gang celebrated Halloween, and now the town of Riverdale is celebrating Thanksgiving with an ice storm, a corpse, and a family standoff, because what else are you going to do for the holiday?

Keep reading to find out exactly how everyone celebrated the feast-filled holiday in the seventh episode of season 4 of Riverdale, “Chapter Sixty-Four: The Ice Storm.”

At the Lodge residence, Hiram lets Veronica in on the fact that he missed her. Sarcastically, Veronica asks if his inauguration was that day. Hiram tells her she can make it up to him the following night seeing as he made reservations at the Sweetwater Country Club. Veronica says she’s helping Archie at the community center, and Hiram brings up that there was a man found bleeding out, on the verge of death, right in front of it. He says it’s a real problem what’s going on on that side of town. He tells Veronica to make sure to wish Archie a very happy Thanksgiving for him.

At El Royale, Archie tells the kids that he and Munroe know some of them have nowhere to go for Thanksgiving, so they’re going to keep the center open. Munroe says they’re going to have hot meals with all the fixings. Archie tells them to tell their friends as there’s an open-door policy, and everyone’s invited.

Eli Goree and KJ Apa in Riverdale. Image courtesy of The CW.

Cheryl and Toni are at Thistlehouse, and Cheryl tells her there’s a category-four ice storm heading towards Riverdale like the wrath of God. Toni wants to know how this is good news. Cheryl tells her while the rest of Riverdale sits down to give thanks, they’ll be dumping Bedford’s body in Sweetwater River just before it freezes over. By the time spring thaw comes around, the salmon will have gobbled up his eyes. Tony says she feels like somebody is watching her all the time. Cheryl tells her whatever guilt she’s experiencing, free herself of it. She didn’t set out to do anyone any harm. Cheryl tells Toni she was defending her, and she loves her for it.

Veronica shows Archie and Munroe a true Thanksgiving cornucopia at the El Royale. She says she put in a to-go order at the county club; she figured it could supplement whatever they’re cooking for the kids. FP walks in, and Archie tells him he should come by the next day, but FP tells him that’s what they need to talk about. He tells him he hates to do this, but he’s under orders to shut him down. Without saying from whom, Veronica immediately knows it’s her father. FP says Hiram’s the mayor now, and he can do anything. And technically, the attack on Dodger is an open investigation, so the place is still an active crime scene. Veronica says he’s doing this to punish her, to get her to spend the holiday with him. Archie asks him if they can push back, and FP says he did, for a couple of hours. Before leaving, FP tells them he’s not supposed to say this, but he knows what he would do if he were in Archie’s place. “Screw him!” Archie says he’s sorry, but Hiram Lodge is not canceling Thanksgiving. FP says, “good man, he’s doing his dad proud.”

KJ Apa, Camila Mendes, and Skeet Ulrich in Riverdale. Image courtesy of The CW.

Veronica gets home and finds Hermione, Hiram, and Hermosa all waiting for her with a Thanksgiving dinner on the table. Hermione tells her the club was closed because of the storm, so they decided to order in. Hermosa adds that she has to take an earlier flight back to Miami, but she couldn’t bear to miss her first Thanksgiving all together. Hiram asks Veronica to join them, to which Veronica replies with never, only his blackened heart would take away Thanksgiving from a bunch of underprivileged kids just to get what he wants. Hiram says if she’s referring to Archie’s center, it was a matter of public safety, and it’s nothing personal. Veronica grabs the tablecloth and pulls it off the table, taking the turkey, plates, glasses, and everything else with it.

“Neither was that … Papi.”

At the Andrews’ residence, Archie asks Mary if she’s sure she still wants to come to the center. Mary replies, yes, it’s Thanksgiving. And she knows the difference between the letter of the law and doing what’s right, and feeding those kids is what’s right. Archie says he’ll put chains on the truck’s tires and salt the sidewalk around the center to prep for the storm. Mary starts crying, and Archie asks her what’s wrong. “Your father. I just miss him.” She says it’s not right. Archie agrees but says they’ll get through this, and they’re doing exactly what he’d be doing.

Toni tells Cheryl they’re in trouble. She just ran into Cheryl’s Aunt Cricket, and she’s parked down the road, spying on them. That’s the reason why Toni has been feeling watched. Toni wants to know how they’re going to get rid of Cheryl’s Uncle Bedford’s body now that Cricket is staking them out. Cheryl tells her they need to scare her off, once and for all, and disabuse her of the idea that she will ever get even a sliver of their maple empire. By inviting her to celebrate a traditional Blossom Thanksgiving with them, one honoring her Gothic, ghoulish roots. Cheryl explains there’s a family legend Nana Rose shared with her on one of her more lucid days that will be the centerpiece of a carefully-planned performance art piece, a tale so gruesome it will turn Aunt Cricket’s hair white and send her fleeing into the night, never to be heard from again.

Vanessa Morgan and Madelaine Petsch in Riverdale. Image courtesy of The CW.

Thanksgiving is in full swing at the El Royale. Archie thinks they should keep the center open overnight because of the storm. Veronica asks him how he’s holding up, and Archie says it hasn’t totally hit him yet; he doesn’t think. She tells him when it does; she’s there for him. Dodger’s family comes in, and Archie welcomes them, not knowing who they are.

Cheryl welcomes Aunt Cricket and Cousin Fester, telling her she’s thrilled they were able to join them. Cricket says she wanted witnesses so she doesn’t go missing the way Bedford did.

Archie is trying to deep-fry the turkey when Eddie comes up to him and points out Dodger’s family to Archie. He tells him he’s seen them at the arcade, and Archie asks him if he’s sure they’re Dodger’s family. He thanks Eddie for the heads-up and tells him he’ll take care of it. Archie sits down next to Dodger’s mom, Darla, and tells her he’s not sure what they’re there for, but she and her boys need to leave. They’ve got kids there, and they don’t want any trouble. Darla says they don’t want any trouble either and pulls out a gun. She says they’ve come for the man who tried to kill their Dodger, and she’s got a feeling he’s Archie or one of his friends. Archie swears to her no one there tried to hurt Dodger. One of the men says if they wait there long enough, the guy will show up. Darla says, in the meantime, how about some of that delicious food she’s smelling?

After everyone is seated, Munroe asks Archie how long this can go on for; they have to fight back. Archie says if he can get into the office, in his desk, he has a drawer full of weapons that he confiscated off of the kids. Veronica mentions that one of those kids could get hurt if they just add more weapons. One of the kids goes up to the table that Dodger’s family is at and tries to take the gun, and Archie butts in. Archie gets punched by Dodger’s brother, and Mary and Veronica are watching in horror to the side.

Molly Ringwald and Camila Mendes in Riverdale. Image courtesy of The CW.

Darla is pointing the gun at Archie, telling him his mother is going to find out exactly what it feels like to spill tears over a son. The deep-fryer blows up, and Munroe ushers the kids into the office for safety. Archie starts beating up the men, and Veronica takes a tuning fork and stabs it in one of the guys’ hands. Mary grabs the gun and points it at Darla, telling her to step away from her son. She has the right to protect herself against intruders with deadly force. She tells them that unless they want her to use it, they have exactly five seconds to get out of there. Mary starts to count to five, and the three rush out of the center. Mary goes over to the food, sees the blackened turkey and exploded deep-fryer, and wants to know who in their right mind tries to deep-fry a turkey inside.

The Blossoms are just starting their Thanksgiving feast, and Nana Rose tells the story of the first Blossom Thanksgiving, but it’s deeply dark. Toni tells her it’s fine, and she’d love to hear more about their family, warts and all. Nana tells them how the weather was all brutally icy like it was that current night. The wagons were snowed in, and soon the hunger set in. The hunger got so deep that the Blossoms turned on each other. Cheryl says she can only imagine what a scandal like cannibalism would do to the Blossom family name, especially after Aunt Cricket has been negotiating the family business. She ate her brother Julian in the womb, and Cricket and Fester are eating the meat pies she and Toni prepared especially for them. Feeling something hit his teeth, Fester removes Bedford’s ring from his mouth. Cheryl tells Cricket she’s welcome to search the house, which means that Uncle Bedford will never be found; it means that any evidence he was ever there is in the process of being digested. Cheryl says it’s time for dessert, and she has Toni wheel out Jason’s corpse. After Cheryl tells off Cricket and Fester, they leave in a hurry.

Cheryl asks Toni how she’s feeling, and Toni tells her, relieved. Cheryl tells her by morning, Sweetwater River will have frozen over, and Aunt Cricket and Cousin Fester will be back in whatever ring of hell they typically inhabit. Toni admits she does feel a sense of peace in some weird way. For the first time, Choni says those three little words to each other.

Thanksgiving dinner is back to normal at the El Royale. Mary starts by saying although their house wasn’t particularly religious, the one thing they always did, the one thing her husband always liked to do when they sat down together to eat as a family, was to say grace. He believed in that. Archie says grace, and they all dig in.

Eli Goree, Molly Ringwald, KJ Apa, and Camila Mendes in Riverdale. Image courtesy of The CW.

FP goes to the hospital and tells the doctor that Dodger’s family is at large and dangerous, and they have reason to believe they might try to get him before they skip town. They open the door to Dodger’s room, but he’s nowhere in sight.

Mary comes into Archie’s room, saying how they had the weirdest Thanksgiving she’d ever had, and Archie says it’s a far cry from how they used to celebrate it, just him, Mary, and Fred eating fried turkey and watching football. Mary can’t stop thinking about the fryer exploding when it did because it saved them. Archie says they got lucky, and Mary says no, that wasn’t luck. “That was your dad watching out for us.” It gives Archie an idea.

At the El Royale, a picture of Fred is put up alongside a plaque honoring the life of Fred Andrews. Mary tells Archie his father would never have believed this; everything he’s been building there. Mary turns to everyone and says Fred would be honored and proud.

Image courtesy of The CW.

Like all Riverdale episodes, it had its messed-up moments, and it had its heartfelt moments. The episode having a few more touching tributes to Luke Perry/Fred Andrews will make anyone choke up. This was the first time the show has done a Thanksgiving episode, and it was truly one like no other. The series will be taking a break next week for the actual Thanksgiving holiday but will be back the following week, Wednesday, December 4 at 8 p.m. ET/7 p.m. CT on The CW.

‘Arrow’ Recap: Season 8, Episode 5 “Prochnost”

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Getting closer on how to stop The Monitor, Oliver, William, and Mia travel to Russia in this week’s episode of Arrow. Meanwhile, John finds an old friend and tries to recruit him in the battle against the Crisis. There are only a few more weeks until the crossover starts, so keep reading to find out how close Team Arrow is to stopping the Crisis and Mar Novu on the latest episode of Arrow, “Prochnost.”

At the bunker, Oliver is training Mia when William comes in, telling them he has something to show them. William created a facial recognition program to find the general Curtis told them about. General Alexi Burov is in Moscow. Curtis said that the energy wave that destroyed Earth-2 can be replicated, which means they can weaponize it. William says that before going off the grid, Burov was working on plans for a weapon called The Pulse Wave Generator. Oliver says they need the plans, and William says they also need plutonium. It’s the only thing that can power Burov’s machine. Mia wants to know where they’re going to get something like that, and John walks in, saying Bialya; there’s a facility near the border where all kinds of radioactive material are stored. He thinks a two-man fire team can get the job done. Oliver asks John if he wants to take Connor, but John answers no, he wants to check in on Sandra, and he promises to stay out of sight. John tells Oliver he has someone else in mind that can help. Oliver turns to William and Mia and tells them he’d like them to accompany him and Laurel to Russia.

John shows up at an auto place, telling an employee he’s looking for Jason. “Jason” moves away from underneath a car in front of him and reveals himself to be Roy. Roy wants to know how John found him, and John tells him William found him.

“Isn’t Oliver’s son, like, 13?”

John says it’s a long story. He tells Roy he needs his help. Roy tells him whatever he’s about to ask him to do; he can’t. John says he hasn’t even heard what he has to say. Roy says he doesn’t need to. John knows what he did. Roy says he’s not a hero anymore, not with his condition. John asks if he’s just going to walk out on him, the same way he did Thea. John tells Roy that Thea told Oliver he left without even saying goodbye. Roy explains it was the best for both of them. He needed a fresh start, which is what he’s doing now. Roy starts to leave, but John stops him and tells him he knows it was a struggle for him earlier in the year, but this Crisis is a bigger threat than anything they’ve ever faced. He wouldn’t be there if they did not need him. Roy tells John if he decides to help, it’ll be a one-time thing. John says that’s all he’s asking. He tells Roy he hopes he doesn’t mind, but he brought him a change of clothes. He unzips his bag and reveals Roy’s Arsenal suit.

Courtesy of the CW

Oliver, Laurel, William, and Mia get to Russia. Anatoly comes in and hugs Oliver. “Welcome to Russia, my favorite American.”

Anatoly tells William he hopes he doesn’t think badly of him. The last time they met was when William was little, and Anatoly was on the wrong side of history. In Russian, William tells Anatoly it’s water under the bridge. Oliver says he was surprised to learn Anatoly was in Russia. He thought the Maldives would be permanent. Anatoly tells him with Diaz dead; there was reason to stay away. He got bored, reinvented himself, and is now a bar owner. Oliver asks him how the search for General Burov is going. Anatoly replies it’s not very easy, but he does have friends he can call. Oliver says he knows but doesn’t want them involved in this. Mia wants to know why and if he has friends that can help. Oliver interrupts her and says the people Anatoly describes aren’t really friends. Oliver wants to keep this one in the family, and Anatoly says he’ll work to find Burov the hard way.

In Bialya, Roy asks John if he thinks the energy weapon is going to stop The Monitor, and John tells him that’s the hope. Then, he says the place they’re at is where the military stores all its excess plutonium. The problem is it’s impenetrable, which is why he asked Roy to come. A shipment is coming in that night, and they’re going to steal the plutonium before it gets inside. Roy wants to know why he didn’t just bring Dinah or Rene. John tells him they have their hands full in Star City. Roy wants to know what he’s really doing there since John doesn’t really need him. John mentions how Roy said he wanted to atone, but he can’t do that by fixing cars. He can do that by rejoining the team. John knows Roy thinks he can’t control his bloodlust, but that’s only because they haven’t figured out a way that works. Roy tells him there is no way, so whatever he’s about to say, he doesn’t want to hear it. They’re already there, so he’s going to help, but once they’re done, Roy’s going to disappear to a place where no one can find him.

In Russia, Anatoly tells the team he has a classic bad news/good news situation. The good news is he found General Burov. The bad news is he is a man who likes betting and blood, which means the only place to find him is Krovavaya Banya, AKA “The Bloodbath.” Oliver says it’s a fight club and William mentions it sounds like where he met Mia. Mia explains when she first left home; she had to find a way to make money, so she fought and won. Oliver tells Anatoly they and Laurel will go to the club to find Burov and tells William and Mia they are going to stay put. Mia wants to know why Oliver brought them on the mission if he’s not letting them help. Oliver tells her this is not a regular mission; this is the Bratva. They are terrible people, and she and William are his kids.

Courtesy of the CW

Oliver, Laurel, and Anatoly get to the club, and Oliver tells Laurel they want to move quickly and keep their heads low. Anatoly points out the general, and they talk to him. Oliver tells Burov they want his expertise with something sensitive. Moving to a quieter part of the club, Burov tells them that he abandoned the Pulse Wave Generator project because it’s too unpredictable and bad business. He wants to know why he should give it to them. He’s willing to make a deal. Oliver asks him what he wants. Burov tells him a fighter, someone to upset the favorite. Oliver clarifies: he wins, and he’s given the plans? Done deal.

Oliver enters the cage and starts fighting. He sees William and Mia, which almost catches him off guard, but he starts to fight back even harder and knocks out his opponent. Burov starts to give Oliver the plans, saying he’s a man of his word, but they’re interrupted when some guys come in, one of them holding a gun to Mia. Oliver tells the guy, Oleg, they have no fight with them or the Bratva. What Oliver was being handed was what they came for. When they have it, they’re gone. Oleg points his gun to Mia, and before he can do anything, Oliver runs over to him, but he’s tased, and so is Mia. They both pass out.

Oliver wakes up with Mia right next to him, both of them tied to chairs. Oliver tells her they’re probably at some Bratva hideout. He told her to stay put. What was she thinking? Mia tells him she was thinking that they needed to finish the mission. Oliver reveals to Mia that he was once a member of the Bratva and that he didn’t want her or William to get involved. Oleg comes in, saying Oliver went through a lot of trouble to get the drive. Even they couldn’t crack its security encryptions, so it must be worth a great deal. Oleg tells Oliver to tell him what it is, and he has five seconds, pointing his gun at Mia’s head. Mia tells Oliver not to tell him anything. He tells Oleg what the plans are. Oleg says now they can move on to the next phase.

Courtesy of the CW

Oliver manages to dislocate his thumb and sets himself and Mia free. Just as they’re leaving, Laurel and Anatoly show up.

At Anatoly’s bar, Oliver tells them they need to figure out when and where the sale is happening, so they can recover the drive. He tells Mia that she and William are going home. William says no. They just saved him from being murdered by a bunch of gangsters, and he’s on Team Mia. Oliver tells him Mia just got kidnapped by the Bratva. He is their father. It’s his primary job in the world to protect them. Mia says they don’t need that; in the future, they’re the ones that are saving the city. Mia says because he made the choice to protect them, she had to spend her whole life alone. She didn’t have a chance to get to know her brother or get to know Oliver. Oliver tells them he made a promise to their mother to protect them, past, present, or future, and he’s not breaking it. Mia storms off.

In Bialya, John and Roy run over to a truck, but they trigger an alarm. John says he’ll get the payload, and Roy keeps watch. He starts shooting arrows and fighting, but John stops him as he’s repeatedly punching a guy. John and Roy leave, and John texts Oliver that the target’s been acquired.

Mia tells Oliver to stop trying to send them home because they’re not leaving. Oliver says good; he needs their help. Anatoly tells them Oleg is selling the drive during the bloodbath. Laurel wants to know how they’re going to get in since they know their faces. Oliver tells her they use that to their advantage. He tells Mia they’re going in the ring together as a team. William will be helping them get in. Oliver explains that when Oleg realizes it’s him and Mia in the ring, that’ll cause a distraction, and that’s when they’ll steal the drive.

Courtesy of the CW

At the club, William walks up to the people in charge and tries to get Oliver and Mia in the bloodbath, speaking in Russian. He says if it’s not about money, how about stakes? His guys will fight six men since no one has survived six men before. Anatoly says there are no signs of high rollers, and now would be a good time to strike. William says they have about five minutes, give or take. Oliver and Mia start fighting.

Meanwhile, Laurel notices their cue, and she and Anatoly start walking, saying she’ll deal with the muscle and he’ll watch her back. Laurel gets upstairs but is stopped by Oleg. Before he can shoot her, Anatoly shoots him. Laurel takes the drive. After beating up the six men, the Bratva get to the ring, but they manage to escape before they can shoot Oliver and Mia.

At Anatoly’s bar, Oliver tells Laurel that John got the plutonium with Roy’s assistance. William says all they have to do is whip up an energy wave to destroy an all-knowing space being, easy. Laurel and Anatoly leave so Oliver can speak to his kids. He tells them he knows he hasn’t spoken to them about his time in Russia, and that is because he did some things there that he’s not very proud of. As he’s coming to grips with the fact that the two of them are grown up, he realizes that shielding them from the bad isn’t going to do their relationship any good. Oliver tells William and Mia that from this point forward, whatever they want to know, whatever they might want to ask him, is fair game. Mia asks him about Lian Yu, and Oliver tells them.

At the bunker, Roy asks him if what they have will be enough, and John tells him it should do the trick. Roy tells him he’s thinking about sticking around for a little while if they’re taking on a space god. He figured they were going to need all the help they can get.

Laurel meets up with Lyla in Star City, who asks Laurel if she brought the plans. Laurel tells her she’s decided not to join. Lyla tells her she’s not going to get her Earth back, but Laurel says if saving it means returning to the person she used to be, then what’s the point? She tells Lyla she should really tell her family the truth, and Lyla says not yet. John and Oliver walk up, and John tells Lyla he didn’t want to believe it. Lyla apologizes, and darts shoot at Oliver, John, and Laurel, knocking them out.

Courtesy of the CW

Seeing Oliver bond more with Mia and William and trusting them is such great progress than where they were in the previous episode. Roy being back is also refreshing since it’s been a while since we’ve seen him. Anatoly is always either a hit or miss. It was recently announced that Audrey Marie Anderson (Lyla) will be playing Harbinger in the “Crisis” crossover, so seeing exactly how she gets to that point and why is interesting.

Arrow airs Tuesdays at 9 p.m ET, following The Flash on The CW.

DC Universe’s Stargirl to Debut in Arrowverse Crossover

Courtesy of DC Universe

In a first for streaming website DC Universe, one of their shows will also air on traditional television. Stargirl, produced by Greg Berlanti and Geoff Johns, will air on The CW one day after its premiere on the streaming platform. The drama is the latest superhero show for Berlanti, who also produces Arrow, The Flash, Supergirl, DC’s Legends of Tomorrow, Black Lightning, and Batwoman, among many others. It was also announced that Brec Bassinger’s first Arrowverse appearance will occur during the crossover event “Crisis on Infinite Earths.”

Brec Bassinger as Stargirl. Courtesy of DC Universe

DC Universe released this synopsis of the show, which stars Brec Bassinger as Courtney Whitmore, a high schooler who:

is forced to moved to Blue Valley, Neb., after her mom re-marries. After learning that her new stepfather Pat (Luke Wilson) used to be JSA member Starman’s (Joel McHale) sidekick Stripesy, she borrows Starman’s Cosmic Staff and suits up as Stargirl. Pat ends up coming out of retirement and starts operating a 15-foot super-robot as her sidekick Stripes.

Stargirl appeared previously on Smallville and DC’s Legends of Tomorrow, played by different actresses. The character was created by Geoff Johns in memory of his sister Courtney, who died in a plane crash in 1996. Her first comic appearance was in 1999.

The show also stars Anjelika Washington, Yvette Monreal, Christopher James Baker, Joy Osmanski, Neil Hopkins, Nelson Lee, Cameron Gellman, Amy Smart, Neil Jackson, Hunter Sansone, and Trae Romano, with Joel McHale, Lou Ferrigno Jr., Brian Stapf, Henry Thomas, Luke Wilson, and Meg DeLacy recurring.

No premiere date has been announced, but DC Universe has said that the show will likely premiere in early 2020 after the crossover event. The episodes will also be available on The CW streaming platforms after airing on the network.

Richard Speight, Jr.’s ‘The Dance & How to Do It’ Track-by-Track Review

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The long-awaited Dick Jr. and the Volunteers album has finally arrived. Kickstarter backers were treated to the album a day early, but now it’s been let loose to the world and man, has it given us something to be thankful for this Thanksgiving (for US listeners.) Aided by Jason Manns, Rob Benedict, Billy Moran, Emma Fitzpatrick, Cooper Appelt, Zachary Ross, Molly Rogers, and Rob Humphreys, this is one album that is sure to be in your rotations for awhile to come. They said they were making it to have some fun, and they did deliver. This record is a blast, and it’s easy to see that these musicians went in, put their hearts into this passion project, and ended up with a perfect result. So listen to the songs if you haven’t already (it’s available to stream and purchase on iTunes, Spotify, and Amazon) then head on back here and see if our staff figured out that dance and how to do it.

Image courtesy of Richard Speight, Jr.

“24 Hours a Day”

“24 Hours a Day” is every bit my kind of country — mixed with rock and roll and a killer beat. I love the melody throughout, but the chorus is where it really stands out as Speight belts out “I quit my job…” as the guitars increase in volume. You can’t help but groove! And honestly, who wouldn’t want to hear someone sing “Gonna spend 24 hours a day loving you?” That’s one sweet-talking (sweet-singing?) lyric! What a wonderful start for Dick Jr. & The Volunteers album! -Melanie

“Raspberry Beret”

I want to start by saying Prince’s “Raspberry Beret” was one of my favorite songs growing up — I owned a raspberry beret that I had my parents buy me in Disney World at Epcot. So when I saw this title pop up in the track list I said, “Wait, that “Raspberry Beret?’” Yes. It is that “Raspberry Beret.” I didn’t think Prince’s version could even be touched, but it turns out it can. It can even evolve into something better. And Dick Jr. and his Volunteers did it. It has that Speight touch you’ll find on every cover the man takes on but that effect is something that unfortunately I can’t find words for (and for that I’m ashamed). But, this song is just happiness wrapped up into a Speight-sassed, fiddled, harmonious masterpiece. The background vocals filtering in behind his Tennessee-twist on Prince’s classic lyrics are the perfect touch, and it’s just flawless from start to finish. Try not to dance, I dare you. -Kaity

Image courtesy of Richard Speight, Jr.

“Jackson”

As a southern raised woman, I have heard my fair share of covers of the iconic Johnny Cash and June Carter song “Jackson.” From local bands on a Saturday night dance hall to Merle Haggard to Florence and the Machine, there is no shortage of covers on this song. So when I saw it listed on Speight’s album, I was intrigued to hear his take on the tune. Within 30 seconds this became my all-time favorite cover of “Jackson.” Speight is joined by Emma Fitzpatrick on this track and their voices together are utter perfection for this classic song. Their playful laughs punctuate the semi-flirty song in all the right places. The song pays homage to the original in the best way possible and that’s why this is my new favorite. I know I will be playing this one on a loop for a very long time, and crossing my fingers I’ll get to hear it performed live one day! – Brianna

“Me & Paul”

Maybe it’s the nostalgia in me, but “Me & Paul” just seems like a slight nod to the decade-long Supernatural con circuit Speight’s been traveling on (if I’m wrong let me live in my bubble). He’s spun this Willie Nelson jam to his own experiences, and I don’t think it’s a coincidence every city is a con city (Chicago, New Jersey, Toronto, and Nashville). Not to mention the shoutout to Jason Manns and Louden Swain that may or may not have pulled at a heartstring. As someone who’s been traveling around the country to these same shows for five years running now, this one holds a special place in my heart for this very reason. I think it shows the love and respect Speight has for the fans, the show, and the support he’s received through the years. It’s a perfect twist on a classic, made special for those who will understand it and hold it dear, and if you’ve not been one of the fortunate folks to have made it to a Supernatural convention yet, that’s okay. It’s a great song that shows off Speight’s impressive vocals with a great country tune to back them up. -Kaity

“Living at Night”

Speight’s voice absolutely shines in “Living at Night.” It feels like an absolute anthem you want to sing along to — “Woah-ohhh-oh.” This song makes want to dance, to go out, maybe head to a Dick Jr. & The Volunteers concert — basically celebrate everything the night has to offer. I also like that this track goes beyond country. It feels like a little bit of oldies, a little classic rock, with splashes pop mixed in. It makes it feel like no matter the genre you lean towards, this is the track for you! I know I’ve got it on repeat! -Melanie

Image courtesy of Richard Speight, Jr.

“Cautionary Fairytale”

Written and subtly backed up by Speight’s own best friend, Rob Benedict, this was the song I was most looking forward to. The lyrics are very distinctly Benedict’s — with his poetic touch we recognize from the numerous albums with his band Louden Swain. The music is also much simpler than many of the others, letting the harmony of their two voices really take over, and what a great little four minutes of blissful contentment this one gave me. It had that power to shut out everything else going on around me, which is no easy feat. It’s slow, light, and heartfelt, which are always the makings of a great tune. This one will make it onto your potpourri playlists and you’ll find yourself coming back to in time and time again, I guarantee it. And it only heightens our hopes of hearing more original content from these two sometime in the future. -Kaity

“Goin’ Straight”

“Goin’ Straight” is an original track, and it’s a wonderful example of the sheer amount of effort and dedication Dick Jr. and the Volunteers put in for this project. We all know that Speight is a talented musician that has performed countless incredible covers of songs, but getting a chance to see what he’s capable of when challenged with crafting a song of his own is one of the very special things about this record. From start to finish, this song feels like an upbeat, fun, and polished tune that I would easily expect to hear on the radio. Emma Fitzpatrick joins Speight on vocals for this one, and their voices play off of one another in such a wonderful way that it’s almost disappointing when the track eventually has to come to an end (but that’s what the repeat button is for, right?) -Lindsey

“In The Pines”

I don’t know about you, but this one gives me goosebumps. Speight’s spin on this folk tune is hauntingly beautiful. I think it’s a testament to just how much effort went into making each of the covers on this album something of his own. It’s slow, methodical, and every strum of the guitar is poignant and strong. The slight alteration to Speight’s voice gives it that extra bit to really make it hit home. Showcasing that gravelly country twang we’ve now come to love as we get to the final song on this perfect album, it’s a flawless end to the journey Speight has taken us on through his musical tastes and talents. -Kaity

Image courtesy of Richard Speight, Jr.

We also want to take a second to thank everyone who made this long wished for album a reality: Jason Manns, Rob Benedict, Emma Fitzgerald, Billy Moran, Cooper Appelt, Zachary Ross, Molly Rogers, and Rob Humphreys, and of course, the man himself, Richard Speight, Jr. You can listen to The Dance and How to Do It on all major platforms now.

Left on Laurel to Play at Richard Speight, Jr.’s Record Release Party at the Roxy

Richard Speight, Jr.’s new album The Dance and How to Do it is out today on both Spotify and iTunes!

Courtesy of Left on Laurel.

The Station Breaks were previously announced as an opening act for the Dick Jr. and the Volunteers release show. Now, Jason Manns shared the news that Michael Rosenbaum and his band Left on Laurel who released their first album Saved by the Ground on October 4 will also be joining in on the fun. You can read our review of the album here.

The record release party is scheduled to happen on November 26 at the Roxy on Sunset Boulevard. Tickets are still available here.

Chris Evans Reveals His Website A Starting Point’s Release

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Image courtesy of ‘Knives Out’

Chris Evans is no stranger to politics. His Twitter holds a delicate balance of criticism of our current political climate and pictures of his rescue dog, Dodger, that he adopted on the set of his 2017 film Gifted. He maintains that harmony, hoping to make his statements more poignant and less white noise, and because well, Dodger is awesome. However, Evans’ concern for getting citizens and voters correct, succinct information has outgrown what Twitter can provide, so he’s moving up.

Back in April, it was revealed by CNN that Evans was working on a new website called A Starting Point. The goal of the site is simple — get information to voters from the sources themselves instead of the media. He’s made numerous visits to Washington D.C. throughout 2019 interviewing our elected officials and the rules were simple. A list of relevant issues were distributed and each politician could choose as many or as few as they wanted (or to forego it altogether) to address in a simple, concise one-minute statement on where they stood, and what changes they envisioned for each particular subject. Issues such as gun control, climate change, the effects of the current world on the LGBTQ community, net neutrality, education … you name it. If it’s something that’s current to the political climate, he offered them a chance to give their take on it.

In his press junkets for his upcoming film Knives Out, outlet Extra Butter asked Evans about the site, and he revealed that it would be rolling out in March 2020.

“Yeah sure, anyone who’s in public office, anyone who’s voted into a position to exact change in terms of policy, yeah, we’re looking to speak to you,” Evans replied when asked if the site would be branching into state officials as well, “It’s tough going right now just because I think a lot of people are unsure as to the nature of the site, the agenda, the motive, everyone wants to play it safe. But I think once we roll out in March and kind of show our integrity and lack of duplicity — we’re not trying to eviscerate anybody — hopefully that proves out worth and value so next year we can get even more people involved.”

With Captain America now behind him, Chris Evans is making the most of the platform he’s been given. You can keep up-to-date with Evans and his projects (and Dodger) by following him on Twitter. His newest film Knives Out, from director/writer Rian Johnson, is out on November 27.

You can watch the interview from Extra Butter below!

Edit January 28: Evans has confirmed March 15, 2020!

Richard Speight, Jr.’s Album ‘The Dance and How to Do It’ Available Now!

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Image courtesy of Richard Speight, Jr. & Hatch Show Print

The wait is finally over, Richard Speight, Jr.s’ album, The Dance and How to Do It, produced by musical genius Jason Manns and featuring a team of the most exceptional volunteers, is now available to download!

Featuring eight songs with guests such as Rob Benedict and Emma Fitzpatrick, this little record is sure to get your feet stompin’ and heart skipping. The Kickstarter for this project began in January, raising over $30,000 to make this dream a reality, and the final product is everything fans could have wanted and more.

In the LA area? You can join Richard Speight, Jr. and all the volunteers behind this little project (they are Dick Jr. and the Volunteers after all) at the Roxy on November 26 at 7:30 p.m. Tickets can be purchased here. You’ll also be treated to an opening act from The Station Breaks featuring Jason Manns, Rob Benedict, and Billy Moran.

The Dance and How to Do It from Dick Jr. and the Volunteers is now available on iTunes, Amazon, and all major streaming outlets.

‘Supernatural’ Season 15 Netflix Release Date Announced

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Image courtesy of CW

Following hot-on-the-tail of the announcement of the series finale date, Netflix has released that the full series will be available to stream only eight days after the final episode airs. The streaming service will have the final season up on May 26, 2020 for your viewing convenience.

Also included in the announcement earlier this month from the CW was a date and time change for the final eight weeks of the series. Supernatural will move from its current time slot on Thursdays to Mondays at 8/7c.

If you’re behind on the series, seasons 1-14 are available to stream anytime on Netflix and the previous five episodes of this season will be available on the CW app! Remember to tune in on Thursdays at 8/7c for new episodes only on the CW.

RJ Spider-Man Watch Collection Launches in U.S.

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The RJ ARRAW Spider-Man watch collection has now launched in the U.S. at an event held on October 18 at Watches of Switzerland Soho in New York City. The watches were created in partnership with Disney and Marvel and capture the iconic superhero throughout the intricate and thorough design. And just in time for the holidays.

The ARRAW Spider-Man is a 100-piece limited series and retails at $20,000. It features a skeleton movement in the shape of a spider web, manufactured at the R.J. Studio. The open-worked dial, arrow-shaped hands, and red lacquered Spider-Man second hand are at the center of this work of art.

Image courtesy of RJ Watches

The ARRAW Spider-Man Tourbillon in either red for $97,000 or black for $92,000 is limited to 10-pieces each. The hands of the watch have been shaped to imitate the legs of the legendary spider icon. The winding mechanism can last up to 150 hours – more than six days. The watch straps have the texture of the superhero’s suit, by being made of black polyamide. To read more about both watch designs, read our article about their release here.

Image courtesy of RJ Watches

During the event, Spider-Man joined the festivities and checked out the watches that were released to immortalize him.

RJ CEO and Creative Director Marco Tedeschi had this to say about the launch:

“We are proud to launch two innovative in-house movements inspired by Spider-Man in New York City at Watches of Switzerland in Soho. These new calibers affirm R.J.’s mission to create innovative Haute Horlogerie watches that challenge traditional notions of what high-end watchmaking is and to partner with like-minded innovators.”

Image courtesy of RJ Watches

Founded in 2004 and re-launched in 2018 under CEO Marco Tedeschi, RJ designs and produces recognizable, relevant, and luxury Swiss watches for both men and women. They have collaborations with D.C. Comics, Marvel, video games, and more. They have made their mark not only with their watch designs but in the fandoms as well. You can read our article about the Joker and Two-Face limited edition watches here. R.J. has created history-making watches with its DNA Concept watches, steel from the Titanic, genuine moon dust, or remnants from Apollo 11, the first spacecraft that landed on the moon in 1969. They proudly manufacture in-house movements at R.J. Studios, their headquarters located in Geneva, Switzerland.

You can learn more about the watches and other collections, including where to purchase them, on the R.J. Watches website.

‘Doctor Who’ Adds Stephen Fry and Sir Lenny Henry as Guest Stars for Season 12

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Courtesy of BBC.

New details have been revealed about the twelfth season of Doctor Who.

BBC announced that Stephen Fry and Sir Lenny Henry were set to guest star in the first episode of the next season of the British sci-fi show. The episode is written by show runner Chris Chibnall and is directed by Jamie Magnus Stone. No further information about their roles has been released yet.

Jodie Whittaker will reprise her role as the Thirteen Doctor. The new season will air early 2020 and will be composed of ten episodes. Bradley Walsh, Tosin Cole and Mandip Gill are all returning as the Doctor’s companion Graham O’Brien, Ryan Sinclair and Yasmin Khan.

Check out BBC’s official announcement below: