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Review: NatGeo’s ‘Secrets of the Penguins’

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Let me get nostalgic for a moment: One of my favorite movies when I was a child was Scamper the Penguin. In it, two adventurous young penguins named Scamper and Snowflake let their curiosity get the best of them and get separated from their flock. They face dangers from killer whales, leopard seals, and even poachers. The ending is bittersweet, but so too can be the lives of real penguins.

In NatGeo’s new series, Secrets of the Penguins, filmmakers uncover never-before-seen aspects of penguin life. The three-episode series provides an up-close look at the lives of different penguin species and their fight to survive on a planet being rapidly affected by climate change. 

Executive produced by James Cameron and narrated by Blake Lively, the show takes viewers on an extraordinary look at these flightless birds. While popular in pop culture – see: Scamper – they are often less appreciated than other, more flashy animals. However, in this series, they get their due.

Over the course of two years, NatGeo explorer Bertie Gregory led a team of over 70 scientists and crew members through treacherous terrain in Antarctica, Argentina, the Galapagos Islands, Namibia, and South Africa to fully capture all aspects of the lives of various penguin species. 

One of my favorite scenes from the second episode involves an underwater camera following a group of Galapagos penguins outsmarting a herd of pelicans for some food. They zip through the water and lead the fish into shallow water where they have the advantage; it’s hard to truly explain how fast and how clever they are in getting exactly what they want.

The show also went viral, even before its premiere: when NatGeo announced the series, they offered a sneak peek at what viewers could expect. In the teaser, which now has over 8 million views, they noted that emperor penguin chicks march to the ocean, with most taking their first plunge into water about two feet below the ice. But, in footage never captured before now, filmmakers captured hundreds of emperor penguins waddling over to an Antarctic cliff 50 feet above the ocean. One brave soul jumps, hitting the water unscathed. In fact, it looks like he’s having fun. Soon, more chicks follow his lead – some even flapping their wings on their way down – and hit the water, swimming happily together in the ocean.

Because this is NatGeo, viewers can also expect vibrant, unprecedented footage and cutting-edge technology. The filmmakers endured dangerous conditions, including temperatures well below 50 below zero, to immerse viewers in what life is like for the penguins. But while the crew froze, they showed and explained how some penguins huddle together during bad snowstorms to create temperatures of over 90 degrees. 

With Earth Day right around the corner on April 22, Secrets of the Penguins is the perfect kickoff. As the show notes, climate change is real and affects us all, not just penguins. Let the lessons they teach about strength, resilience, smarts, and community be an example to us all. 

Secrets of the Penguins premieres April 20 on National Geographic. It streams the next day on Hulu and Disney+.

Review: ‘Ransom Canyon’ is a Solid Drama that Will Keep You Coming Back for More

Netflix premiered its newest series, Ransom Canyon, on April 17, releasing all ten episodes. The series stars Josh Duhamel and Minka Kelly as Staten Kirkland and Quinn O’Grady. Ransom Canyon follows Kirkland, a rancher, after tragedy strikes his life and he tries to rebuild it, all while relationships, business, and the investigation sweep up the town.

In a time when contemporary Western dramas are all the rage, Ransom Canyon strives to make its own name, and it does just that. With a cast that is recognizable (Josh Duhamel is a familiar face for many fans), as well as Minka Kelly (I found Ransom Canyon reminiscent of Friday Night Lights and I’m not mad about it), there’s a heart that this show has that is going to draw in — and has already — many people.

Anna Kooris/Netflix

The cast was rounded out beautifully by Eoin Macken, Lizzy Greene, Garrett Wareing, Marianly Tejada, Jack Schumacher, Andrew Liner, James Brolin, Philip Winchester, Justin Johnson Cortez, and Casey W. Johnson — and each and every person gave a stellar performance. With interweaving storylines featuring many characters, each person made their moments memorable and important.

The series is beautifully shot; while taking place in Texas, it was shot in New Mexico, and it’s hard not to see how expansive the landscape is and how the show uses it to its advantage. The ranches are all beautiful, and the way we get sweeping shots of the cast as they ride the horses is simply breathtaking. Plus, the music they use only elevates scenes, really driving home a lot of the performances.

Ransom Canyon is paced well, and I found myself not being able to wait until the next episode to watch what unfolds. In every episode, it gave you just enough to keep you interested. It also did a wonderful job of making you care about every single character — even the ones deemed “the bad guys”. It made every character flawed, real, and honest, and had a part that every person could relate to.

Netflix

One of the parts that I really loved about Ransom Canyon is that it didn’t give in to the tropes. Without spoiling it too much, in a town where it seems like so many people were bought, I really loved the character development of Sheriff Brigman. While he seemed questionable to start out, he really turned out to be a stand-up character, and I respected the choices he made in the show. The same goes for Reid, who they could have easily set up to be the “spoiled rich kid”, but made him so wonderfully complicated that you felt for him. You never knew where the characters were going to go next, and I really admired that versus being able to guess their every move.

Anna Kooris/Netflix

Ransom Canyon is currently #1 on Netflix, and I hope that we get to see more of these characters — especially after some of the cliffhangers we were left with. There’s so much to explore here, and I know so many people are going to feel the same way.

Watch Ransom Canyon on Netflix now.

Review: ‘The Ballad of Wallis Island’ Strikes the Right Chords

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The Ballad of Wallis Island, written by and starring Tim Key and Tom Basden, is a comedic film that was released to acclaim at both Sundance and SXSW film festivals earlier this year. The story follows Charles Heath (Key), an eccentric lottery winner living on the remote Wallis Island, as he uses his wealth to bring together the long-since broken-up folk duo McGwyer Mortimer. Herb McGwyer (Basden) arrives to play what he believes is a solo gig to the island’s residents, only to soon discover that not only has Charles invited Nell Mortimer (Carey Mulligan) but also her new husband, Michael (Akemnji Ndifornyen). Throwing yet another wrench into Herb’s visit is the revelation that the audience for their concert will be Charles, and only Charles.

Each aspect of this film coalesces to make one of the most enjoyable theatre-going experiences I have had in years. The script (written by Key and Basden) is top-notch, combining comedy and rich character arcs effortlessly. If you are familiar with Key and Basden, the dialogue will feel very familiar, yet fresh at the same time.

Key brings a relatability to Charles, especially to anyone with a hardcore obsession, and/or has troubles with social cues and norms. What could have been an obnoxious motormouth character in the wrong hands instead showcases Key’s extraordinary talent to show a real depth to the layered emotional life that Charles leads. 

The full cast is small, but memorable. Key, Basden, Mulligan, Ndifornyen, and Sian Clifford (shopkeeper Amanda) each put up strong performances. The film is only bolstered each time one or more of them is on screen.

The cinematography pulls its weight, showcasing the gorgeous Wallis Island (filmed on location in Wales) in splendor. It is sure to make anyone who watches the film want to book a cozy, coastal vacation immediately. 

The color palette of costumes is more on the muted side, with Charles’s wonderful handmade red-and-white whale cardigan an immediate favorite. Do not let the earth tones, white-and-black, and mustard yellows deter you from imagining this film as anything but a lighthouse of emotional warmth, though. 

The Ballad of Wallis Island is a breath of fresh air. It has just the right balance of comedy, drama, music, and the twinkling edges of blossoming romance. It is the heartfelt, sentimental, richly comedic film we could all use right now.

“The Ballad of Wallis Island” was released in select US theaters on March 28th and is now playing in many more. Find your closest screening and buy tickets at https://focusfeatures.com/the-ballad-of-wallis-island/?gad_source=1

You can find the official soundtrack wherever you stream music (original songs written by Basden, performed by Basden and Mulligan).

Naughty Dog Announces ‘The Last of Us Complete’

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Naughty Dog has released a combo-pack for the PlayStation 5 of its timeless series, The Last of Us.

While most diehard fans of the series likely already own both games, if you’re new to the beloved story you can now download both The Last of Us Part I and Part II Remastered digitally from the PlayStation store. Both are loaded with extra features and special modes for even more destruction after you’ve experienced the story.

A special physical version is also available for pre-order and will release on July 10, 2025. It features a collector’s Steelbook featuring of the core of the story, Ellie Williams, physical discs, The Last of Us: American Dreams comics #1-#4 with new cover art, as well as a set of four lithographs from artists hand-picked by the creators.

The digital download is $99.99 while the physical is $109.99.

Experience the story for yourself as you take on the infected for the sake of humanity (or for just one person), and don’t forget to look for the light.

‘Devil May Cry’ Animated Series Renewed for Season 2

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Dante will be back to hunt demons in a second season!

Netflix’s animated adaptation of Capcom’s Devil May Cry is renewed for a season 2.

Season 1 contained eight episodes and premiered April 3 with 5.3 million views, hitting number four on the global chart in three days. The series hit the top 10 list of 87 countries while boasting a shining 95% rating on Rotten Tomatoes.

In this animated adaptation of the popular Capcom game and from the vision of Adi Shankar, sinister forces are at play to open the portal between the human and demon realms. In the middle of it all is Dante, an orphaned demon-hunter-for-hire, unaware that the fate of both worlds hangs around his neck.

From epic throwback music to Dante’s wacky one-liners, season 1 was as entertaining as it was visually stunning. Featuring the voices of Johnny Yong Bosch as Dante, Robbie Daymond as Vergil, Kevin Conroy as VP Baines, Hoon Lee as White Rabbit, Scout Taylor-Compton as Mary, and more, the animated series paid tribute to the long-beloved video game series.

There is no release date set for the second season.

Devil May Cry season 1 is available to stream in its entirety exclusively on Netflix.

‘Twilight’ in Concert 60-City Tour Announced!

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GEA Live, in association with Lionsgate, announced today a 60-city national tour of Twilight in concert in the U.S.

As the novel Twilight gets ready to celebrate its 20th anniversary, this will allow you to experience the film adaptation accompanied by a 12-piece ensemble of rock and orchestral musicians on stage.

It will provide a unique experience that is perfect for every Twilight fan! Plus, there will be more than 1,000 twinkling candles illuminating the grand stage, creating an incredible ambiance.

Here are the tour dates:

September 12                               Spokane, WA                  First Interstate Center for the Arts

September 13                               Seattle, WA                      Paramount Theatre

September 14                               Bellingham, WA            Mount Baker Theatre

September 15                               Portland, OR                   Arlene Schnitzer Concert Hall

September 17                               Idaho Falls, ID               Frontier Center for the Performing Arts

September 18                               Boise, ID                            Velma V. Morrison Center for the Performing Arts

September 19                               Eugene, OR                     Hult Center for the Performing Arts

September 20                               Sacramento, CA           SAFE Credit Union Performing Arts Center

September 21                               Modesto, CA                   Gallo Center for the Arts

September 23                               San Francisco, CA      Golden Gate Theatre

September 24                               Costa Mesa, CA            Segerstrom Center for the Arts

September 25                               San Diego, CA                San Diego Civic Theatre

September 26                               San Jose, CA                   San Jose Center for the Performing Arts

September 27                               Reno, NV                           Pioneer Center

September 28                               Salt Lake City, UT        Eccles Theater

September 30                               Los Angeles, CA           The Wiltern

October 1                                         Riverside, CA                  Fox Performing Arts Center

October 2                                         Mesa, AZ                           Mesa Arts Center

October 3                                         Tucson, AZ                       Fox Tucson

October 4                                         Albuquerque, NM        Popejoy Hall

October 5                                         Denver, CO                      Buell Theatre

October 7                                         Omaha, NE                     Orpheum Theatre

October 8                                         Oklahoma City, OK     Thelma Gaylord Performing Arts Theatre

October 9                                         Sugar Land, TX              Smart Financial Centre

October 10                                      Dallas, TX                         Majestic Theatre

October 11                                      Austin, TX                         Bass Concert Hall

October 12                                      San Antonio, TX            Majestic Theatre

October 14                                      New Orleans, LA          The Mahalia Jackson Theater

October 15                                      Jacksonville, FL             Moran Theater

October 16                                      Orlando, FL                     Dr. Phillips Center for the Performing Arts

October 17                                      Sarasota, FL                   Van Wezel Performing Arts Hall

October 18                                      W. Palm Beach, FL      Kravis Center

October 19                                      Miami, FL                          Knight Concert Hall at the Adrienne Arsht Center

October 21                                      Wilmington, NC            Wilson Center

October 22                                      Durham, NC                   Durham Performing Arts Center

October 23                                      Greensboro, NC           Tanger Center

October 24–25                              Washington, DC          National Theatre

October 26                                      Wallingford, CT             Oakdale Theatre

October 28                                      Cincinnati, OH              Proctor and Gamble Hall

October 29                                      Chesterfield, MO         The Factory

October 30                                      Des Moines, IA              Des Moines Civic Center

October 31                                      Ft. Wayne, IN                  Embassy Theatre

November 1                                    Utica, NY                          Stanley Theatre

November 2                                    Boston, MA                      Emerson Colonial Theater

November 4                                    Charlotte, NC                Ovens Auditorium

November 5                                    Indianapolis, IN            Murat Theatre

November 6                                    Detroit, MI                        Fisher Theatre

November 7–8                               Chicago, IL                       Cadillac Palace Theatre

November 9                                    Minneapolis, MN         Orpheum Theatre

November 11                                 Rochester, NY                Kodak Center

November 12                                 Red Bank, NJ                  Count Basie Theatre

November 13                                 Portland, ME                   Merrill Auditorium

November 14                                 Buffalo, NY                      UB Center for the Arts

November 15                                 Providence, RI               The VETS

November 16                                 Brooklyn, NY                   Kings Theatre

November 18                                 Reading, PA                     Santander Performing Arts Center

November 19                                 Baltimore, MD               Lyric Opera House

November 20                                 Dayton, OH                     Victoria Theatre

November 21                                 Richmond, VA                Dominion Energy Center

November 22                                 Philadelphia, PA           Met Opera House

November 23                                 Newark, NJ                      New Jersey Performing Arts Center

November 25                                 Atlanta, GA                      Cobb Energy Performing Arts Centre

November 26                                 Clearwater, FL               Ruth Eckerd Hall

November 28                                 Columbus, OH              Palace Theatre

November 29                                 Cleveland, OH               KeyBank State Theatre

November 30                                 Milwaukee, WI               Riverside Theatre

For more information, tickets, and tour dates visit www.twilightinconcert.com and follow @TwilightMovie on Facebook, and @Twilight on Instagram and X.

Review: ‘Fog of War’ is Thrilling in All the Right Ways

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Fog of War has all the action you’re looking for with enough twists and turns to keep even mystery masters guessing. Tied in a bow with incredible performances from a stellar cast, this is a film is more than worth adding to your watchlist.

From the word “go,” this movie is a wild ride. It tells the story of Gene Lewis (Jake Abel), a former World War II pilot whose assignment changes when he’s needed elsewhere and a leg injury compromises his ability to fly.

The OSS sends him to visit his fiancee Penny (Brianna Hildebrand) and her family in Massachusetts. Because someone is leaking secrets to the Nazi Germans, and the signal is coming from near her Uncle Bob (John Cusack) and Aunt Maude’s (Mira Sorvino) house.

Tasked to spy on Penny, her family, and their community so he can report information back to the OSS, things are intense for Gene more often than not.

Decal Releasing

From a narrative standpoint, this story is gripping and keeps you guessing. I had about three entirely separate theories for how it was going to wrap up, and none of them were entirely correct. The twists just kept coming, and there’s not much that can possibly prepare you for how bold and impressive the climax is. This is a film about fascism that is chillingly relevant in 2025.

Craft-wise, there’s also a lot to love about this film. Many of the shots could genuinely be pieces of landscape artwork (which I’m sure, in hindsight, was a genius and conscious artistic choice. John Cusack’s character is a landscape painter and that’s super relevant to the story). The cinematography is unreal and portrays the small town New England setting as gorgeous and deserving of a story this big.

The lighting of this film was done with so much care, as well. It’s true to the warm, older-style light bulbs that would be used during this time (which is just one of the historically accurate details that made me want to high-five whoever was in charge of that in this movie). Brightness and shadows consistently fit tonally with the narrative of the story and are used effectively as a tool to propel tension.

Decal Releasing

The costumes and set design are also beautiful and true to the World War II era of the film. The specificities and details (like the light bulbs) enhance the story rather than distract from it. Though I’m sure it took a lot of hard work, it was clearly made to look effortless and immersive.

The cast of this film is also fantastic. It’s insanely hard to talk about exactly what people like Brianna Hildebrand (Penny), John Cusack (Uncle Bob), Mira Sorvino (Aunt Maude), and Géza Röhrig (Viktor) did incredibly without getting into spoilers (though, trust me, there’s lots of praise rattling around in my brain).

But all the performers in this film play their characters with tons of impressive layers and dimensions that really add to the twists and turns of the mystery. Like I said: No spoilers! But I’d really love to personally shake Brianna Hildebrand’s hand for how totally epic she was in this film’s climax. And John Cusack has such a distinct, powerful energy that flows well in all his films, but it’s such a good asset to his role here as a mysterious family patriarch.

Decal Releasing

And, yeah. Of course, I’m going to talk about Jake Abel.

It’s our first time seeing Jake Abel in a big, leading role, and it’s safe to say he’s proved it’s where he belongs. He’s a shining highlight of this film in both scenes that are soft and scenes that are explosive and full of tension. With crisp, clear acting choices that are as incredible as they are believable and physical acting that never wavers in consistency: He’s got it all.

And, you know what? Because this is my review and I just can’t resist saying this in an official capacity: If I had a nickel for every time Jake Abel played a World War II Pilot named Gene in a movie, I would have two nickels. Which isn’t a lot, but it’s weird that it happened twice, right? (Check out his 2014 film, Against the Sun).

Fog of War is available now for Rental and Purchase on VOD, and is distributed by Decal Releasing.

‘Locked & Probably Loaded’ with DJ and Kelly: Podcast Spotlight with Kelly Blackheart

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A little over a year ago, DJ Qualls (Supernatural) and Kelly Blackheart (I Don’t Know About That with Jim Jeffries) sat down to record one of their tried and true yap sessions to share with the world on a podcast called Locked & Probably Loaded. Now their listener numbers are growing 30% week over week, they have a flourishing patreon, and even Kelly’s dog has a fanbase.

I sat down with Kelly (and her dog, Rhino) to talk about the important things: how the podcast started, how it’s going, and where the future is taking them.

Editor’s note: this interview has been edited for length and clarity.

Nerds & Beyond: So, how did the podcast start? What’s the origin story here?

Kelly Blackheart: So, there is [an origin story]. DJ and I, we met through my old boss, Jim Jeffries, at a party at his house. The first night we met, he and I sat at this table, and we just kept talking all night. The party ended, Jim went to bed, everybody left, and DJ and I were still sitting at this table having drinks and talking ’till seven o’clock in the morning. And I was like, “Is this person my friend soulmate?”

So he was like, “You’ve got to take my number. Text me.” So I texted him a couple of days later, no response. And then, I think it was probably, like, five months later… it was around the time of Jim [Jeffries]’s birthday. I was making [Jim] this compilation video of some of his friends and comedians and all that stuff. So I texted DJ again to be like, “Hey! Do you want to participate in this?” He didn’t respond then, either. And I was like, this m*********** does not want to be my friend! Why did he tell me, like- HE’S the one who said “Take my number!”

Come to find out that the first time he just missed [my message]. But the second time he had just gotten… some sort of facial? And he didn’t want to be on video. Whatever.

(Yes, we were laughing at this point.)

Kelly Blackheart: Anyway, we run into each other at a bar down the road. And ever since then, it was like any time he was in town, (which, at the time, it was every few months) we were hanging out. But every time we hung out, we would have these long-ass yap sessions. It was just a stream of consciousness. You know, the ADHD is out with us where it’s like… we’re just talking about anything and everything.

And so, right before the pandemic hit, I had brought up the [podcast] idea. Obviously, he has this fan base that really, really loves him, but they love him for his performances. And I’m like, “People need to know you. ‘Cause you’re so smart and you’re so funny.” And, he’s just the best person in the world. I’m like, “We should do a podcast.” And so, we bought microphones and all that stuff. And then, of course, the pandemic hit, so we just put it on hold for a second. Then, a couple of years later, you know, it’s like, “Maybe we should really do this!”

We talked a bit about the pandemic and how it affected things. In Locked & Probably Loaded’s case, it was probably a blessing in disguise.

Kelly Blackheart: The funny thing about that is, I’m so glad that we actually didn’t start it when we [originally planned]. Because our friendship is so much deeper than it was when we [first] talked about it. At the time, like I said, we were hanging out maybe once every three or four months. We felt really connected when we were together. But now we have this friendship that feels a lot like a stronger foundation to start a business together.

Nerds & Beyond: Where did the title come from? When did that happen?

Kelly Blackheart: That was when we were initially starting to think about doing [the podcast]. [Locked & Probably Loaded] is kind of the first thing that we landed on where we were both like, “Oh! That’s pretty funny!” I’m actually surprised that he remembered it. When we circled back [years later] with “Okay, let’s do this thing!” I was like, “Okay, so what do you want to call it?” And he was like, “Locked & Probably Loaded!” I’m like “Alright, cool!”

Nerds & Beyond: What about production? What does that process look like for you guys?

Kelly Blackheart: Our producer, Isaac, has a studio that’s in LA, which is very inconvenient to get to.

Here, you can pause to imagine some general grievances and groaning from both of us about how terrible Los Angeles traffic is.

Kelly Blackheart: But we always record two episodes each time we go because, especially with DJ’s schedule, we try not to get too far ahead in banking episodes unless it’s completely necessary and he’s going to be gone for two months at a time. But we always record two at a time, and like, on my end or DJ’s end, the production process is just: show up and record. I know one of your questions was going to be about the creative side–

Nerds & Beyond: Yeah, ’cause you guys cover everything. Drugs. Politics. Taco Bell weddings. Anything. Where do the topics come from? How does planning stuff like that happen?

Kelly Blackheart: It doesn’t? (laughing) That’s the completely honest answer. There have been plenty of times that I have written down a list of the things that I want to talk about, but because we’re very true to how our actual conversations go, there’s no telling how we’re going to start and end the episode. Sometimes I’m like “How did we even get here?”

Every once in a while, I’ll glance at my phone and be like, “Oh, I want to talk about this one thing!” So if something pops up, I’ll write a note to myself on my phone. But usually, by the time we finish recording the episode, I’m like “S***! I had a question from a listener!” Or, “I wanted to talk about this topic! I’ll do it next week.” Then I’ll forget… We have mental health issues.

You can pause again here to imagine general agreement and laughing about the effectiveness of mental illness in podcast creation and general yapping.

Kelly Blackheart: It’s funny because I’m always like, “How are we going to do two episodes?” Like, in my head— It’s almost every time we record— I’m like, “I don’t know how we’re going to do two episodes, we don’t have that much to talk about.” And then it just happens.

Nerds & Beyond: Have you guys ever considered having guests on? Because I know your “yap” is so specific. I’m not sure if that’s something you guys have branched into.

Kelly Blackheart: We definitely have thought about it! There are definitely pros and cons to doing guests. The pros are obvious. Maybe we can reach new listeners! Or, you know, hear these interesting stories from people! I just wonder how feasible it is within our podcast that has no real structure. Like, we would really have to kind of work out how that happens.

And also, I think the biggest barrier to entry there is that it’s hard to schedule [guests, timing-wise]… I do think there’s a world where eventually we have some types of guests on, but it’s not like an every-episode type of thing? It might be a once-a-month type of thing.

DJ’s really interested in not having any “celebrity” guests. Whether it’s big-time celebrities or comics that we know. He’s like, “I just wanna talk to regular people!” Which I think could be really fun, too! But there’s just so many layers to that.

[Our producer] Isaac just brought this up recently. He’s like, “What would you think about having another podcast where you do interviews and we have it under a network?” And so we’re kind of talking about that, but, as of right now, there’s no immediate plans for that. But I do think it’s possible in the future if we can figure out how to coordinate it.

Nerds & Beyond: (With a glistening and tangible hope) Would you ever do a live podcast recording?

Kelly Blackheart: A hundred percent, yes. That is the plan. That’s the goal. That is, like, really what we’re working our growth towards, you know? How do we make this feasible?

I would love to do live shows. I want to be able to tour this thing. That would be so much fun. I’ve always been really audience-centric in everything that I do. There’s nothing that appeals to me less than being somebody who sits up here and has no idea what the audience is saying or thinking or whatever. I’m super active in the Patreon community, I’m super active in chats and all of that stuff. I want people to feel like they know us and vice versa. It’s a lot easier to connect that way, so being able to do that live? And DJ loves conventions, you know? He’s so good at really giving people all of his attention and being really present in the moment with them. I think both of us… That’s kind of our strength. Connecting with people. We enjoy doing that. So, a hundred percent, we want to do live shows.

Nerds & Beyond: You mentioned the Patreon community. I’ve gone to some of the happy hours you guys have done, they’re so awesome. What’s your favorite part about that community?

Kelly Blackheart: One of my favorite things about any podcast I’ve done is when our listeners create relationships within the community, too. Like, one of the other podcasts I do, we have multiple people who are like, “I met my best friend through being listeners of the show and through our Facebook community.” To me, that’s so special that people have these memories that they can hold onto. Or… we had someone recently who was like, “My boyfriend died, so I haven’t listened to the show in a while because this is the show we used to listen to together and it’s kind of painful.” And, [I framed it as] “When you are able to get to that point, look at this as… you can still kind of be with him.” I think it’s so cool that when people (and a lot of our listeners) don’t have that community where they live, they’re able to have these relationships and support from other people.

Ivy, one of our listeners, volunteered to run our discord for us. So, like, within the discord, they’re doing Valentine’s swaps and Secret Santa and stuff like that. And, that’s so f****** cool! I just love that people feel like they’re within a family.

One of my concerns starting a podcast with DJ—and same with Jim [Jeffries]— is these are people with established audiences and, a lot of times, fandoms don’t want a new person there. They’re like, “Oh, we love DJ, I don’t give a s*** about you.” So this is my opportunity to go in and get to know these people and hope they get to know me so it’s not just this girl who’s hanging onto DJ’s coattails. I’m an actual person who cares about these people. It’s the opportunity for relationships and community.

Nerds & Beyond: In terms of just the podcast in general, it wouldn’t be what it is if it wasn’t both of you. I feel like the two of you together are what makes it work.

Kelly Blackheart: I love that you said that. We do have just a really interesting way of communicating to each other. (And by interesting I mean total stream of consciousness, no filter whatsoever) But yeah, I think we’re able to reign each other in in certain ways and bounce off each other in other ways.

Nerds & Beyond: What’s your favorite place to listen to podcasts and what’s the most helpful platform to listen on for you guys? Like, if you could have everyone listen to one platform, what’s the most helpful one?

Kelly Blackheart: Man, I think I’d be inclined to say Apple or Spotify. Just because they’re the largest. I think Spotify maybe just overtook Apple as our most-listened-to one. But I don’t know! I don’t know that it super matters, we’re just happy people are listening, honestly.

Other podcasts are run by other companies like Comedy Central, but Kelly also talked to me about how this was her first time fully taking the reins for a podcast.

Kelly Blackheart: Starting this, I told DJ, “We’re going to have to be very patient, right? We don’t have this machine that’s funding us and funneling all of these opportunities to us. And, I know how to produce a podcast. But I also don’t know what I don’t know yet. And so the first year is going to be growing pains of me trying to figure out, ‘Alright, what do we need to be putting in place in order to set us up for these opportunities in the future?'”

We’re so stoked that the growth has been organic. We haven’t done anything in order to have the growth yet. And, we’re both so f****** bad at promoting it. For a while, DJ was like, “Every Wednesday, I’m going to post about the new episode!” That lasted like two weeks.

Every time we get these bumps in numbers we’re like “How the f*** did that happen?” Because it wasn’t us doing it. So, we’re really stoked that the growth has been organic, but we’re starting to work with [my friend’s] ad company, so maybe we can push some ads out.

Nerds & Beyond: Where is your favorite place to listen to podcasts?

Kelly Blackheart: Do you mean, like, on a platform? Or, like… on a walk?

Nerds & Beyond: Oh, I meant, like, on a platform! But either works! I’m a Spotify girlie.

Kelly Blackheart: I also am a Spotify girl. It’s funny, I don’t really listen to podcasts. I will occasionally listen to one if someone is doing an interview with someone I like, but it’s one of those things where unless I’m driving, I generally… I don’t really listen to music that often either unless I’m in my car! And since the pandemic, it’s like… I never fucking leave my house.

I do, every once in a while, there are two podcasts that I’ll watch on YouTube: Rick Glassman’s Take Your Shoes Off, which I think is one of the best podcasts ever. And then Caleb Hearon: So True! I’m obsessed with him.

Nerds & Beyond: Now, this is so funny. The question that I was told to ask you was to ask about [your dog] Rhino.

Kelly Blackheart: He literally just walked over. Rhino, c’mere!

Nerds & Beyond: How is Rhino? How old is Rhino?

Kelly Blackheart: He’s about four… I’ve got a green bean for him, so he’ll come.

[Enter Rhino]

Nerds & Beyond: Oh my god. He’s so squishy.

Kelly Blackheart: He’s about 4 and he’s a perfect little angel. I love him.

Nerds & Beyond: A legend. Icon.

Kelly Blackheart: He’s become quite famous from the podcast so it’s all going to his head. He’s a good boy, though.

I closed out the interview with Kelly (and Rhino) by asking how we can best support Locked & Probably Loaded:

Kelly Blackheart: We just need people to talk about it. And we, of course, want to take this on the road someday. Meet people and give everybody hugs… have fun and get loaded in person!

Nerds & Beyond: “Get loaded in person!” I love that!

New episodes of Locked & Probably Loaded with DJ and Kelly are available Wednesdays on digital podcast-streaming platforms.

‘9-1-1’ Recap: Season 8, Episode 13 “Invisible”

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This Thursday’s episode of 9-1-1 has some of our favorite first responders feeling a bit unseen. As Eddie’s journey to mend his relationship with his son continues, Hen finds herself frustrated when an important day is forgotten by those closest to her– connecting with an unlikely individual along the way.

Here’s a recap of everything that goes down in “Invisible”.

Archie’s No Good, Very Bad Day

A good chunk of this episode centers around a character named Archie. It opens with him getting laid off from his fast-food job, then returning to his apartment (which he shares with his cousin, more on that in a moment), and cleaning. He manages to get stuck in the compartment built into his bed, accidentally trapping himself underneath the mattress in the bed frame. After a moment, his fiancee comes home, but before she can hear him yelling for help, it’s clear she is… not alone. In fact, she is cheating on him with his cousin, and Archie is forced to bear witness as he’s stuck inside the bed.

After managing to call 9-1-1, the 118 shows up to the rescue. They force their way into the apartment after their knocks go unanswered due to the loud music playing inside. They promptly interrupt the confused couple on the bed, saying they got a call from the address, when they hear Archie’s muffled pleas for help. This makes for an awkward interaction, but the 118 manages to get Archie out with minimal damage– physically, at least.

A bit later in the episode, we meet Archie yet again. This time, as he’s changing a flat tire on his car, a small part rolls underneath a semi-truck (yes, this is probably going exactly where you expect). The truck begins to move, and he is stuck between the wheel and the bottom of the truck in a position that is sure to make you cringe.

In true 9-1-1 fashion, the 118 is miraculously called to his aid again. Hen (Aisha Hinds) immediately realizes it’s the same guy from the last call, but she’s (somehow) the only one on the team to make the connection. After they successfully pull him out from under the truck, she checks him out to make sure he isn’t injured, and he confides in her that he feels invisible in every aspect of his life. She gives him advice, telling him not to let himself go unseen. “It’s okay to take up space in this world,” she tells him, serving as a much-needed reminder for many.

Disney/Christopher Willard

Our final encounter with Archie comes in the form of the biggest emergency of the hour. After waking up to his car being towed– while he’s inside– he opens the door and falls out as the tow truck leaves him in the middle of the road. Holding onto everything he has left, he’s bumped into by three guys running to try and catch up with a passing bus. This triggers his anger as he reflects on every other experience that has made him feel invisible, and he impulsively pulls out a knife and brings it onto the bus, threatening the passengers and driver.

As Athena (Angela Bassett) and her colleagues pursue the bus, Maddie (Jennifer Love Hewitt) tells her everything she knows at dispatch. On the bus, Archie can’t bring himself to hurt anyone, only keeping the suspense with loose threats and a weapon in hand. He monologues to his hostages, clearly echoing what Hen told him previously. This is his way of making himself seen.

When the bus hits an LAPD-placed spike strip, it lurches, causing Archie’s knife to penetrate right into the stomach of one of the passengers by accident. Not long after the bus is stopped, the 118 shows up to help with that and any other potential injuries on board. As the situation is described to the team, Hen slowly begins to realize that the suspect is Archie. She asks that she be allowed onto the bus to try and talk him down, insisting that he isn’t a danger, and she’s strapped into a protective vest before announcing her presence to Archie, who lets her onto the vehicle.

He’s clearly terrified of the repercussions of his actions, thinking that he will immediately be taken down by the officers outside if he leaves. Hen assures him that as long as he lets the hostages free he will be safe, convincing him to let them all off so it’s just the two of them left.

Attempting to talk him into getting off the bus with her, Hen admits that her speech to him before was actually meant for herself. Despite this admission, Archie still insists that she has been the one to save him every time, inherently making him feel seen. Eventually, she persuades him to put the knife down, and they slowly exit the bus together.

As they make their exit, Archie reaches into his pocket to pull out what appears to be a gift for Hen. Thinking he’s making a move to pull a weapon the officers begin firing at them, and Hen quickly moves to protect herself and Archie from the bullets, saving him one last time. The “gift” turns out to be a keychain from his old job, and he is promptly arrested by Athena, putting a period on his streak of bad luck.

Disney/Ray Mickshaw

Happy Birthday, Hen! (Or… Not?)

Early on in the episode, we learn that it’s Hen’s birthday (that makes her an Aries if anyone was wondering). Pretty quickly, we also learn that her wife, Karen (Tracie Thoms) and their two kids have seemingly… forgotten? They leave the house without an acknowledgment of the special day, but soon after, Athena calls to wish her friend a happy birthday. Even Hen’s mother gives her a call… but only to ask if she can borrow her car.

Hen arrives at her shift at the 118, and surely her friends have remembered what day it is, right? Wrong. Even when Bobby (Peter Krause) steps up to make a big announcement, she’s sure it’s about her, with him exclaiming, “It’s H.E.N. Day!” Not Hen as in Hen Wilson, but H.E.N. as in High-Efficiency Nozzles that need testing at the station. Needless to say, she’s disappointed yet again.

During her speech at their second call with Archie, she lets slip that it’s her birthday and that she’s upset nobody remembered. The team quickly realizes their mistake, scrambling to make it up to her, but the damage has already been done.

Hen comes home to a guilt-ridden Karen, and a bunch of gifts showing up at their door from her teammates. Karen nervously tries to make light of the situation, but Hen is still (understandably) upset that nobody remembered her birthday (besides Athena, of course). Her mom even shows up at the house with the kids in tow and a cake, which still doesn’t make her feel any better. Then, to make matters worse, her mom makes a comment about how “silly” she is for being upset about the situation. This only hurts her more, and she decides to spend the rest of the night alone.

Disney/Ray Mickshaw

It’s after this that Hen gets caught up in the bus hostage situation, saving the day and putting her in a better mood despite the high stakes of the event. She was able to be a hero, not just for the people on the bus but for Archie as well.

Following that call, Bobby and Athena come to the Wilson house for a birthday dinner. She declares it the “best birthday” ever and forgives them for their poor memory. As Bobby brings the food out, Buck (Oliver Stark) comes inside the house covered in dirt. We learn he’s agreed to do all of the Wilsons’ yard work out of guilt, and he doesn’t stay for dinner, wishing Hen a happy birthday and leaving the two couples to their meal.

The episode ends with the four sharing a toast to Hen, making her feel loved all around.

Eddie Dads-Up

Meanwhile, Eddie (Ryan Guzman) is still in Texas dealing with his own set of problems. Although last week, we saw a sweet reconciliation between him and his son Christopher (Gavin McHugh), he’s still struggling to find his place as his father again.

While on FaceTime with Buck (of course), he admits that he hasn’t yet brought up the idea of Chris, who’s been living with his parents, moving back in with him. He’s been waiting for his son to ask, even going as far as buying tickets to a basketball game for that weekend to try and win him over. His parents and Chris show up at his house for dinner, bringing takeout despite the fact that he’s been cooking (for almost eight hours, mind you). As they eat, his parents brag about Christopher’s accomplishments at school, and although he’s proud of his son, it’s clear Eddie feels on the outside of his life still. Right when he’s about to bring up the basketball game, his parents inform him that Chris has a big chess tournament that weekend instead. Eddie wants to be there to support him, but according to his mother only one parent is allowed to be there and his father is already planning on attending. This disappoints Eddie, who is feeling replaced in Christopher’s life by his mom and dad.

Disney/Christopher Willard

A bit later, Eddie runs into his mother at the grocery store while shopping for a delivery order. Eddie brings up the chess tournament, asking if there’s a chance he can go instead of his father. She guilt trips him into changing his mind, basically saying chess is Chris and his grandfather’s special thing. Again, Eddie is disappointed, not only for letting his mom get to his head but because it seems as though she and his dad have taken over the parental roles in Christopher’s life.

While on a call with Buck (again), his best friend asks about the basketball game, unaware of the chess tournament. When Eddie explains the situation, Buck tells him to show up anyway, because he is his father. These past couple of episodes have shown Eddie coming to Buck with his problems, and Buck offering sincere advice that helps Eddie and Christopher build their bond back up. He states that Eddie needs to “Dad-Up”, and says nobody can stop him from being there to support his son.

Taking Buck’s advice, Eddie shows up at Christopher’s chess tournament. When he checks in, he’s informed that Chris’s father is already there, referring to Eddie’s dad. This doesn’t sit well with him, but he watches Chris play from afar. During an intense sequence of Chris playing chess, he grows nervous, with his grandfather watching and pressure building, until he throws up all over the board. Eddie quickly jumps to his aid, wanting nothing more than to be a comfort to his son. He waves off his own father as he tries to help, bringing Christopher to the bathroom to get cleaned up.

Christopher explains that he got nervous, admitting to Eddie that he hates chess and only plays because he wants to please his grandparents. During this conversation, Eddie realizes he is the most important adult in Chris’s life, taking the reins again as his father. Instead of asking his son to move back in with him, he tells Christopher that he’s going to be living with him again. In a touching moment, Chris asks, “You’ll be my dad again?” to which Eddie hugs him and says, “I’ve always been your dad, and I’m gonna start acting like it.”

Eddie shows up at his parents’ house with Christopher in the car, leaving his dad at the chess tournament. He declares, much to his mother’s dismay, that Chris is coming to live with him again. As he gathers Christopher’s belongings, he states his role as the father, telling his mother that she and his dad are not his son’s parents and he gets the final say in every decision that is made. We’ve been waiting for Eddie to stand his ground, and he does it with confidence and grace. He says Christopher hates chess, and that he’s been so concerned with pleasing them that they haven’t even noticed, echoing his experience as a kid. We also learn that Eddie was a ballroom dancer in his youth, only disliking the hobby when his parents turned it into something unenjoyable.

Disney/Christopher Willard

The Eddie and Chris storyline in this episode ends with him thanking his mother for being there when Chris needed him, but stating, “Now, he needs me.” Eddie takes Christopher home, starting a new chapter in both of their lives.

This episode sees Hen and Eddie dealing with their own struggles of seeming invisible in the lives of those they love but ends with them feeling more seen than ever.

Catch new episodes of 9-1-1 on Thursday nights at 8/7c and stream the next day on Hulu.

‘Fire Country’: Season 3, Episode 18 “Eyes and Ears Everywhere” Synopsis Released

The synopsis for season 3, episode 18 of CBS’ Fire Country has been released. The episode is titled, “Eyes and Ears Everywhere” and is set to air on Friday, April 18.

Here’s the synopsis:

“Eyes and Ears Everywhere” – The station 42 crew responds to a routine house fire that escalates into a dangerous situation for one of their own, on FIRE COUNTRY, Friday, April 18 (9:00-10:00 PM, ET/PT) on the CBS Television Network, and streaming on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the episode airs)*. 

The episode was written by Nick Spates and was directed by Freddie Highmore. Fire Country stars Max Thieriot, Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway, and Jules Latimer.

Here are some photos from the episode: