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Review: ‘Demon Slayer: Kimetsu no Yaiba Infinity Castle’ Is a Theatrical Release You Can’t Miss

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This week, Demon Slayer: Kimetsu no Yaiba Infinity Castle will finally be hitting theaters in North America. This first feature film in the planned three-part cinematic trilogy kicks off the long-awaited anime adaption of the final battle against Muzan Kibutsuji.

The last season, which covered the Hashira Training arc, saw Tanjiro and his fellow Demon Slayer Corps members engage in a group strength training program in order to prepare for the battle ahead. After a more lighthearted series of episodes, darkness rolled back in during the dramatic finale as Muzan arrived at the Ubuyashiki Mansion. In the final moments when Tanjiro and the Hashira rushed toward the headquarters, they suddenly were dropped down into a deep, deep descent into a mysterious space …

Cue Infinity Castle, which picks back up right in the moments were the last season left off, plunging audiences right into the demons’ stronghold — the Infinity Castle. Now, for fans who are deciding whether or not to make the trek to their local movie theatre or to wait until the film is streaming, take this piece of advice — you’ll regret it later if you don’t give yourself the full theatrical experience.

Because here’s the thing: it’s very difficult to argue against the fact that Demon Slayer has consistently boasted some of the most impressive animation in anime right now, courtesy of its production studio, ufotable. And as seen with the Mugen Train movie (which, let’s not forget, is the highest-grossing Japanese film of all time), this studio knows exactly what to do when given the opportunity to adapt and animate the series with the intentions of it being seen in a movie theater. Cue Infinity Castle, which — story-wise — is quite literally the perfect storm of elements that were made to thrive in a theatrical format.

An endless, eye-wateringly, mind-bogglingly vast backdrop? Check.

Epic, harrowing, long-awaited showdowns and team ups? Check.

Hard-hitting, tear-jerking emotional beats in between? Check and check.

Sure, I’ve read the manga; I know where this is going and where all of it ends. But for all that I mentally filled in the blanks and envisioned the bits and pieces of backdrop beyond each page, nothing could have prepared me for the sheer enormity of the Infinity Castle. The film conveys the terrifying reality of the Demon Slayer Corps’ situation with far more despair, urgency, and terror than what can simply be drawn on paper (and a big screen really feels necessary to experience the depth — no pun intended — of it all). Whatever you think you were imagining, I promise it’ll feel so much larger once the film starts rolling.

It’s also worth noting that ufotable does an excellent job at weaving 3D elements into 2D animation on such a large, theatrical scale for the film. 3D elements in anime can really be hit or miss — often times it can just be overtly jarring in some series. But here, it feels necessary, as it fits very well with the “infinite” backdrop.

As for the fights, the Infinity Castle arc isn’t just about leading into the final battle between the Demon Slayer Corps and Muzan Kibutsuji. It also serves as the culmination point for several long-awaited, satisfying, heart-pounding showdowns on the way as our heroes fight their way through the remaining Kizuki that stand in the way of victory. So as to be expected with ufotable (flashback to Tengen vs Gyutaro, anyone?), every one of the fights in Infinity Castle feels larger than life. No frame is spared from the production studio’s penchant for painstakingly fluid, sharp detail in action scenes, and the cinematography is as impressive as ever (on top of an incredibly solid soundtrack and sound design).

And par for the course with Demon Slayer as a series, Infinity Castle serves to bring viewers’ emotions to the surface as plotlines that have been building up for years reach a boiling point, unapologetically delivering hit after hit of emotional gut punches (with bits and pieces of the series’ trademark comedy in between).

Looking back to the first announcement about this three-film trilogy, I felt apprehensive about how the ending of the series was ultimately going to be adapted. However, after seeing Infinity Castle, I’m beyond excited for what’s still to come.

Demon Slayer: Kimetsu no Yaiba Infinity Castle is based on the original story by Koyoharu Gotoge (Jump Comics/Shueisha). The film is directed by Haruo Sotozaki, with its screenplay and production by ufotable.

Distributed by Crunchyroll and Sony Pictures Entertainment worldwide (except in Japan and select Asian territories), Demon Slayer: Kimetsu no Yaiba Infinity Castle is coming to theaters in North America on September 12.

Photos: The 146th Annual CNE Featuring Nicolina and Marianas Trench in Toronto

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If there is one thing that is synonymous with the end of summer in Toronto, it’s the Canadian National Exhibition (CNE), a massive midway and fair that takes over the exhibition grounds downtown every year for the last 2 weeks of August. 

Mini donuts, cotton candy, and caramel apples aside, the CNE is known for its outrageous food offerings that wow visitors every year. This year’s press release on food creations is 6 pages long, to give you some idea of the excitement that surrounds the offerings. This year’s feature seems to be “Butter” – Butter Burgers, Butter Ice Cream, Butter Soda; if you’re looking for an innovative snack, the CNE is the place to be. Other exciting options include the BACONE, a twist on the original cotton candy, featuring bacon and a kick of habanero.  If you’re looking for something a little more classic, the CNE will likely have a deep-fried version, including Watermelon and iconic Mars Bars. Come hungry!

Beyond the food, the CNE offers a wide array of entertainment: Games, Rides, Petting Zoo, Shopping, the Air Show, the Super Dogs, which all promise a great way to spend the day with family or friends. Upon arriving, I took a walk through the Prince’s Gates and found myself looking at a rather curious display, which turned out to be a Cirque du Soleil installation called “Revolution”, featuring aerialists who hung from an enormous helium balloon rather than the standard metal apparatus. While it was a bit windy, and therefore the display was cut a little to ensure the safety of the performers, the show was based around the history of the CNE, and anecdotal stories told in partnership with a live instrumentalist, along with the acrobats. A great way to start the day’s activities. I also spent some time wandering through the garden show, the midway, and the highway of games before taking a break for some lemonade and heading over to the concert.  

The 16 days of late summer fun also include a full lineup of live shows that take place at the CNE Bandshell, an outdoor amphitheater in the southwest corner of the grounds. The shows typically feature a number of different genres and showcase Canadian talent throughout the course of the annual fair. The bandshell has a show every night at 7:30, and it is free to anyone who has paid the entrance fee for the fair. 

The first act on Friday was Nicolina. A local 21-year-old who has been a contestant on American Idol (2022), making it all the way to the top 5, and being the only Canadian to ever reach that stage of the show. The young artist has a wonderful voice, and I was drawn to her fun attitude and positive energy, despite her first song being about trauma! The bandshell was already hopping by the time Nicolina went on for her set, and everyone was having a wonderful time dancing and singing along to her originals and covers over the course of her 40-minute set.  

The main reason I braved the crowd at the CNE was for Marianas Trench, a Canadian pop-punk band that has a soft spot for hitting all the summer festivals and events across the country. I have my own soft spot for them, having seen them multiple times over the course of their 25-year career, since their start as a raucous gritty bunch of kids, playing venues like the Cameron House (a fact they joked about during their set) to a well established group that are drawing thousands to see them at the various larger venues across the country and internationally. 

They are also one of the few groups with such longevity to maintain the same lineup of members for most of their career, seeing all their turnover at the start, and maintaining the same core group of four members for the past 20 years. Those members are: Josh Ramsay (singer), Matt Webb (Guitar), Mike Ayley (bass), and Ian Casselman (drums). They are all more talented than the instruments they play on stage, however, and all offer additional talents in percussion, brass, piano, vocals, etc.   

The group came out to this absolutely packed crowd of fair attendees, looking for something to cap off their day of exploring, families, and kids of all ages who came specifically for this show.  They were in for a treat.  Josh, Mike, Matt, and Ian were in great form, playing a 20-song set list over the course of the next hour and a half, playing a vast number of their biggest hits. If there’s one thing (besides the music) that always draws me back to see Marianas Trench time and time again it’s the group’s hilarious or heartfelt mid-set stories – Friday’s tales included one about an individual eating an entire rotisserie chicken on the flight to Toronto (with their hands), a history lesson about MT’s first show in Toronto at the Cameron House playing to 30 people, and how touched they were to be playing for crowds of this size 20+ years later, and finally a promise to continue to work for their fans, foregoing the traditional Encore, remaining on stage to play through the final few songs of their set noting “it’s silly, when you know a band has a few hits they haven’t played yet and they leave the stage, you [the fans] are all thinking ‘I smell a rat’; let’s just skip all that, because you shouldn’t be working for us, we should be working for you,” and that they did. 

What a fabulous night at the fair seeing Canadian Talent.  

By the time this article publishes, the fair will likely be done for the year, but if you’re ever in Toronto at the end of August, make sure you take a day to check out the CNE, or either of these artists when they come through your local town.  

See photos below!

‘JUJUTSU KAISEN’ Season 3 Trailer & Release Date Revealed

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Gojo may still be trapped in the prison realm, but fans of the series are not. JUJUTSU KAISEN is returning with a third season — “The Culling Game Part 1” — in January 2026.

The news was released in a special 5-year anniversary live stream featuring the Japanese sieyūs of Yuji Itadori (Junya Enoki), Megumi Fushiguro (Yuma Uchida), and Nobara Kugisaki (Asami Seto).

Season 3 will see the fight between the assigned executioner, Yuta Okkotsu, as he hunts down the vessel of Sukuna, Yuji Itadori, after the devastating events in Shibuya.

A theatrical release of the “Shibuya Incident” was also announced, coming to theaters progressively worldwide beginning on Friday, November 7. It will release in North America on December 5. The film will be freshly edited and feature a sneak peek at the first two episodes of “The Culling Game.”

Season 3 will air on Crunchyroll the same day episodes release in Japan.

TOHO Animation/Gege Akutami/SHUIESHA

With the strongest sorcerer locked away, curses running freely, and Kenjaku operating unchecked, how will the remaining Jujutsu sorcerers fight against the increasing threat?

JUJUTSU KAISEN seasons 1 and 2 are currently available to stream on Crunchyroll in both subtitled and English dub formats.

‘Chainsaw Man’ Compilation Films Coming Soon

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The highly-anticipated next chapter of the hit anime series Chainsaw Man, Chainsaw Man – The Movie: Reze Arc, is finally due to hit theaters this fall. Ahead of the theatrical film, fans that are feeling a bit rusty on the first season (which premiered back in 2022) can now look forward to two feature-length recap films.

Chainsaw Man – The Compilation: Part I and Chainsaw Man – The Compilation: Part II are both due to debut worldwide on Crunchyroll (excluding Asia) this September. In addition to re-edited episodes from season 1, the films will also feature Chainsaw Days, brand-new content that will adapt bonus episodes from the manga.

Chainsaw Man is based on the ongoing hit manga series by Tatsuki Fujimoto, which first began serialization in 2018. It follows the story of Denji, a small-time devil hunter who is killed on a job and revived through a pact with pet devil-dog Pochita, thus becoming something entirely new and dangerous in the process.

Chainsaw Man – The Movie: Reze Arc will hit theaters in the U.S. on October 29 via Sony Pictures.

Photos: The Joe Perry Project with Charlie Edward at History Toronto

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What a way to spend a Saturday night! This past weekend, Joe Perry’s supergroup, aptly named The Joe Perry Project, swept through Ontario with a show in downtown Toronto at History, followed by a show in Cottage Country at Kee to Bala in Muskoka. Made up of members of The Black Crowes, Aerosmith, and Stone Temple Pilots, it’s safe to say that this motley crew of rock stars know how to put on a show. They’ve been doing it for 50 years, from dive bars to stadiums holding hundreds of thousands. Saturday promised to be a good night for Rock n’ Roll. 

Opening the show on Saturday was Charlie Edward. A local up-and-coming guitar player and rock star reminiscent of an older time. This gent screamed “sex, drugs, and rock n’ roll” right from the moment he came bursting onto the stage – clad in a leather jacket and sunglasses, I think the entire crowd was immediately on board for whatever Charlie had in store. And boy, did he deliver.  His stage presence was impossible to ignore, his charismatic and cheeky personality coming through as he belted out songs with addictive hooks and choruses, joking, “Are you ready for some rock and roll? Give me half an hour and then you will have it,” to chuckles from the crowd.  Charlie, however, was very equipped to deliver that rock n’ roll himself, despite his quip, and his 7-song set list grabbed my full attention. I have been listening to his latest EP, Let Me Go, released on June 13, consistently since Saturday. “Reckless Lovers” might be one of my new favourite songs. I encourage you to go and check him out. 

Just after 9, the main act took to the stage to ecstatic energy from the crowd. Fronted by the original founder of The Black Crowes, Chris Robinson, and backed by Brad Whitford (guitar) and Buck Johnson (keys) of Aerosmith; Rob DeLeo (bass) of Stone Temple Pilots; Jason Sutter (drums), formerly of Smash Mouth (among a vast selection of others); and, of course, the man himself, Joe Perry (guitarist) of Aerosmith.  

The JPP is not a new project by any stretch of the imagination. This is a group that has been around since the early 80’s, following Joe’s initial stint with Aerosmith. There is a lot of history in this group – multiple members over the past 40 years, but the current iteration came together after the retirement of Aerosmith, and this group has put together a great lineup of songs for their current tour. 

This was a no-nonsense kind of rock show. There was no fluff, no pomp, this was a down-and-dirty night of great music. A 19-song setlist, including a mix of Aerosmith, STP, Black Crowes, and original songs across the nearly 2-hour set. I have been an Aerosmith fan for many years, so getting to hear songs like Mama Kin had me bouncing around in the photo pit, as it came up near the very start of the night. The setlist also included “Vasoline” and “Interstate Love Song” of Stone Temple Pilots fame, and “Twice as Hard” and “Jealous Again” by the Black Crowes. There were, of course, a few Joe Perry originals scattered throughout the setlist as well, “Won’t Let Me Go” and “Fortunate One”. The night concluded with a cover of “The Train Kept A-Rollin’” (a Tiny Bradshaw Cover), and the quintessential Aerosmith hit, “Walk this Way”.  

Overall, a great night of Rock n’ Roll.  Perfect way to spend an evening. If this tour is stopping in your city, be sure to go and see these monsters of rock as they put on a master class of live music. 

See photos below:

Aaron Mahnke Announces New Fiction Podcast ‘Havic Town’ Featuring Jewel Staite, James Callis, Felicia Day, Ray Wise, and Misha Collins

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Aaron Mahnke, with his company Grim & Mild, as well as iHeartRadio, has announced a new fiction podcast titled Havoc Town. It’s a supernatural audio thriller set in the same universe as Bridgewater and Consumed.

The stellar cast includes Jewel Staite, James Callis, Felicia Day, Ray Wise, Crystal Lee, Robin Bloodworth, Hannah Fierman, and guest starring Misha Collins as his character from Bridgewater.

Here’s the synopsis:

In peaceful Havock, New Hampshire, the lore runs deep: tales of blood fever and a mad preacher keep the tourism industry humming. 

Corinne Abbess was just living her life—running the family bar and caring for her dying father—until a blood-soaked madman appeared in the streets wielding an ax, pulling her into a dark legacy 200 years in the making.

Violence. Plague. Family secrets. And a charismatic stranger who might not be who he seems. As the town falls under the grip of a mysterious illness known as the Blood Fever, Corinne discovers disturbing parallels with an uneasy past. 

Welcome to Havoc Town, a new supernatural thriller set in the same universe as the award-winning hit fiction podcast, Bridgewater and the chart-topping Consumed.

Havoc Town premieres tomorrow, August 19. You can listen to it on Apple Podcasts, iHeartRadio, Spotify, or anywhere you listen to podcasts.

‘Limitless: Live Better Now’ with Chris Hemsworth – Interview with Contributing Expert Dr. BJ Miller on Pushing the Boundaries of Pain

In the new season of Limitless: Live Better Now with Chris Hemsworth, Dr. BJ Miller returns to guide the actor through one of his toughest challenges yet: building a tolerance for pain. Known for helping Hemsworth confront mortality in season one’s episode on acceptance, the palliative care physician now takes Hemsworth to South Korea to explore Eastern approaches to pain and discomfort. 

Throughout the episode, Hemsworth confronts the line between distress and danger, questions the macho instinct to “push through,” and learns to see pain not as weakness, but as a normal part of life.

Read on to find out how this philosophy helped guide Miller’s appearance on the show, and how he invited Hemsworth – and viewers – to rethink how we define strength, endurance, resilience, and pain.

You’ve worked with Chris on Limitless before, with the other episode being about acceptance and tying in your work as a palliative care doctor. What stood out most as different or special about this episode?

Dr. BJ Miller: From the first season?

Yes. [Note: Miller’s season one episode revolved around acceptance, especially around aging and death.]

It’s similar in that we’re putting Chris into some extreme situations, and he’s learning ways to cope. So there are a lot of similarities [in that way], but versus trying to get someone to accept mortality –  or at least kind of acknowledge it, work with it – that’s a little abstract still. I mean, none of us – depending on what you believe – has died yet, so preparing for something that none of us have done yet is one thing. But in this season, preparing for pain or working with pain is something we’ve all experienced. So in this way, it’s a different approach. [It’s] a little bit more accessible, a little less abstract.

As I mentioned, you’re a doctor. And in this episode, you and Chris go to South Korea to explore Eastern approaches to pain. From your perspective as a Western-trained physician, what are some of the differences between Eastern and Western medicine when it comes to understanding and treating pain?

The big one is that in Korea – and probably most any culture older than the US – is that pain is acknowledged to be a fact of life. It is part of the deal. And so right out of the chute, acknowledging the normalcy of pain as something that you work with in life is very importantly different from thinking that pain is this exotic animal that is coming to get you and that if you do everything just right, maybe you can avoid pain. That’s a major distinction and has a lot of fallout. I think the Western way ends up leading to a lot of shame and embarrassment and a sense of weakness for feeling something that otherwise is so normal. 

Through your work in end-of-life care, you’ve spent time with patients at their most vulnerable. What are some lessons your patients have taught you about pain and how the body reacts during that time?

I guess a big one would be just how wildly different we are. So, yes, we’re all human. Yes, we all have joys and sorrows, and there’s a sort of uniformity or universal nature of the human experience. You might say universal themes, but then there’s this wild variation of how any of us experience these themes. And so the joy for me – or the fascination for me – being a physician and treating pain over the years has been to see how wildly different people respond to it and handle it, the meaning they make from it, et cetera. So I guess it’s these wild variations on very normal themes. 

You dealt with immense pain after your accident. How did your relationship with pain evolve through your recovery, and how do you live with it now? [Note: Miller was electrocuted by a power line during his sophomore year of college, resulting in him losing both legs below the knee and his left arm below the elbow.] 

We’ve all had pain since a very young age, one way or another, or experienced it. But I had my injuries when I was 19 – electrical burns, which are a particularly painful experience. So I watched myself early on try to resist, try to grit my teeth, to be unkind to myself. I thought, “If I hurt this much, I must be weak.” Or if I’m crying, that must be some sort of character flaw. And so early on in my pain experience, I was at odds with myself. I was at odds with my reality. And I was desperate. I would seek quick fixes and seek to kick the pain out of my experience. But eventually I got it clear that this was part of the ride, and this was going to be part of my life going forward. And so rather than trying to keep this intruder out of my house, it became more like, well, okay, if you’re not leaving, you might as well pull up a chair. I got with it and said, like, let’s figure out how to do this together. And dropping my own resistance to my pain had a paradoxical, or ironic, effect of actually lessening the pain. I think for a lot of us, that was a big lesson: that so much of the volume of our pain comes from our resistance to it. Not 100%, but a lot. And so that was a big lesson that I learned over the first couple of years. 

In the show, we see how much the mind shapes what the body can endure. From your experience, how much of pain tolerance is mental? I noticed how in the show, you’ve almost trained your own brain to endure more pain.

So with all pain, there’s a distinction to be made between the mind and the brain. So all pain, most researchers would say, lives in the brain. Tells the brain to get involved. It’s just a signal. It’s an electrical signal moving through our nervous system. It’s our brain that decides whether it’s a threat or not. Add in our history and our narratives and our emotional state, and the brain produces what ends up being the sensation. And so there are many ways to affect that sensation. How we think, how we train our minds. And the mind is not an organ as much as a sort of narrative-making piece of consciousness. And so, by framing your pain and watching the stories you put around the experience, you can modulate the experience. And so I think in this way, your mind can really color the experience. And as you do meditation and other things, you can train your mind to get better at that. But again, I want to say that while the mind can color the experience in dramatic ways for sure, the mind is not so powerful that it can necessarily turn off the pain. And I also don’t want to leave anyone with the notion that if you’re hurting, well, it’s your fault because you didn’t find a narrative that works for you. So my point here is that you can affect experiences with your mind, but I don’t want to send a signal that it’s your fault if you’re hurting.

Yeah, I was particularly thinking about the scene in the show at the Korean BBQ restaurant where you lasted with the hot pepper longer than Chris did.

Yeah, yeah! And part of that just may be our wiring. He may actually have a different volume, or a signal that’s super loud for him in his nervous system. But to your point, I have kind of gotten into spicy food and into training myself over time to tolerate more. And I think the trick there is, you get the memo that this pain is not going to hurt you physically. It’s not a threat to your safety. And once you really understand that, then you can just play with it as a sensation and it’s not a threat. 

When pain isn’t something you can control, like with chronic pain, what tools or mindsets do you recommend to people to adapt?

I think one thing to make sure of is whether this pain represents a threat to you or not. So that’s a good way to use the medical system. A lot of doctors aren’t very good at treating your pain, and there’s some pain we just can’t take away, but doctors can also be pretty helpful through physical exams and imaging other things, and making sure that it’s not a threat to your safety in some way. And so once you know that pain is not actually a threat to your safety, it may still hurt my hell, but then you can settle into it. You can talk to yourself through it. You can tell yourself that this is not going to kill you, this is not hurting you. You are safe. And if you get that memo of safety, your nervous system can relax, and then you can start working with the story weaving around that pain – what it means, what it doesn’t mean. You can take care to get really good sleep. You can take care in the rest of your life, so your social life is in check. So loving people in your circle who can share the pain with you. But if it’s a threat to you, it may be really important to not move. If you’ve got to say, a pain in your neck and you’re not sure whether it’s a threat, it’s a good idea to not move. But once you know that there’s not a threat, then sometimes movement is exactly what you need to mitigate the pain. So I think the major inflection point is threat or no threat? That gives you your marching orders. If it is a real threat, then you should stop what you’re doing and figure this out, period. 

In the show, Chris mentions that he has mild scoliosis, and some of these challenges are extremely demanding on his spine. Were there ever concerns about the risk of injury? In a case like this, how do you weigh pushing limits vs respecting your body’s signals?

It’s a great question. It’s not always clear. Reading pain can be very difficult. It hurts. But there can be clues [as to whether] there’s actual injury involved. One would be if the pain lingers beyond the event or the moment or the hours [following]. If you’re more sore the next day, then it’s a little bit more likely that you’ve actually done some harm or some injury, even mild injury. There are qualitative differences in the pain. Sometimes, if pain onset is very quick and you’ve just done some sort of physical activity, then maybe be a little bit more ginger and careful until you can assure yourself that you didn’t do any harm. But to your question, it’s actually really tricky to know whether pain represents a threat or not. So acute pain, listen to it. Stop what you’re doing. Rest. And if the pain goes away very quickly, you’re probably fine. If the pain lingers, then you might want to get it checked out. 

Chris is known for being tough, even when things hurt. What are your thoughts on the pressure, especially for men, to “push through pain” and be macho about it?

It’s a really important question, and I think we get ourselves into a lot of trouble by overdoing it. And Chris suggested that he’d done that over the years – that pushing through the pain, gritting through it. Almost like seeking pain was a badge of manliness and honor. So I think that the message for men is that we’ve got to get out of the idea that bearing pain is strength and feeling pain is weakness. We’ve really got to watch the stories we tell around pain. And that’s a cultural note as well as an individual note. And I would just say that tears are not weakness. Feeling pain is not weakness. It’s a normal human experience. So listen to your body and stop trying to override it. 

Limitless is all about pushing boundaries in different aspects of life. And pain is a part of life. What is the biggest lesson you hope audiences take away from the episode?

That all pain is real. Some of its emotional nature, some of its existential nature, some of its physiological in nature. And any two people experience pain differently. So be careful of the projections and the judgments that you cast around your pain or anybody else’s.


Limitless: Live Better Now with Chris Hemsworth is streaming on Disney+ and Hulu today, and airs nationally August 25 on National Geographic.

Photos: Bilmuri and John Harvie at History Toronto

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It was a very sweaty Wednesday in the dead of summer when Bilmuri and John Harvie rolled
into Toronto as part of their Summer Slammer Summer Tour on July 30. Redundant tour names aside, this was one of the best shows I’ve been to this year. With only the two artists on the bill, the crowd was able to concentrate all their energy on the stars of the show.

As of noon on Tuesday, I must admit that I had never heard of John Harvie. However, this
bandana-wearing, Harvey’s-eating (a Canadian burger chain), Nashville boy really won me over
almost immediately when I pulled up his Spotify page. Much like the headliner, John has a bit of a
jumbled musical style. I mean this in the most complimentary way; it was quite refreshing to
listen to pop-punk mixed with 90’s rock, with a little country, and a dash of the kitchen sink. Despite saying that he was suffering from a bit of a “scratchy throat”, his voice was pitch-perfect
and clear throughout his set. I was taken by his ability to get the crowd involved and singing
along. Something that most everyone was happy to do, especially when he covered Puddle of
Mudd’s 2001 hit “Blurry” mid-way through his set. His upbeat energy kept rolling through his
entire set of 10 songs, which included his most recent release, “Hackysack!”, which was released
two weeks ago, and ending with a highly audience-involved version of “Bleach (on the rocks)”. The level of participation by the crowd only spoke to how well John and his band managed to get the crowd hyped up for the evening. Having the 2000+ member crowd singing along at full volume. Following his set, John could be found at his merch stand, taking the time to speak with fans who came over to meet him. A truly genuine artist who took the time to speak with kids, teenagers, and adults alike. I look forward to the next time he and his band swing through Toronto.

Following that stellar opening act, Bilmuri took the stage just after 9, the foursome, led by
Johnny Franck is completed with touring members: Gabi Rose on Saxophone and backing
vocals, Reese Maslen on Guitar, and Xavier Ware on Drums. I would love to be able to find a
way to label Bilmuri’s style, if only to be able to give people an accurate description, but I find
myself at a loss: ElectroCountryRockJazzMetal? One song will be reminiscent of Post Malone
country, mixed with metal breakdowns and the occasional “Blegh” — and just when you think
you’ve figured it out, the Sax drops in with an obviously jazz-influenced melody, which just throws
your stylistic thought process out the window. Two songs later, you’re listening to 80’s synth rock,
with a scattering of Weezer-esque guitar and pop-punk vocals. It is SO MUCH FUN. When
attempting to describe the style to a friend, I told them they had to listen to at least 5 songs to
even begin to understand the mix.

Bilmuri (pronounced and being a play on Bill Murray) has been an active project since 2016.
Frontman Franck was the original clean vocalist for Attack Attack! Early in his career, he struck out
on his own nearly a decade ago in order to explore his unique and fascinating style. His 16
song set list on Wednesday was a high-energy explosion of well-known Bilmuri hits, including
ABSOLUTELYCRANKINMYMF’INHOG, newest release More Than Hate, and older hit
80/20Skybeef. There were inflatable pink pigs being tossed around the crowd; Johnny
complimenting the crowd on the number of “thicc boys” at their show, and how, despite their
“American”-ness, that this crowd, ironically Canadian, was the loudest they had had thus far on
tour. Gabi’s sax skills, Reese’s guitar, and Xavier’s drumming as the backing for this show were
phenomenal from start to finish. Franck allowed each member of his band to shine throughout
the setlist, with scattered solos and spotlights on their talents.

This was the 20th show for me this year, and it was right up at the top of my ratings for the year.
A fantastic night. I encourage everyone to see this band when they come to a city near you.

See photos below!

Photos: Louden Swain at the Troubadour

Louden Swain, comprised of Rob Benedict, Billy Moran, Michael Borja, and Stephen Norton, rocked the Troubadour in Los Angeles on June 27. It was a jam-packed show with three opening acts: The Uninvited, Zachariah & The Lobos Riders, and Nour Khodr.

The band hosted a VIP, which consisted of early entry to the venue, a pre-show meet & greet, and a photo with the band.

For the show, Louden Swain brought the house down (as usual), performing a diverse set list. Their set included some older songs, newer songs, fan-favorites, and even a brand new song called “Two Times”.

There were a few familiar faces in the crowd to support them, including Alex Calvert and Ruth Connell. All had their families in the audience as well, and it was a fun atmosphere to see everyone together to dance and sing along. It was a fantastic show, and they were on their A-game all night!

f you’re thinking of seeing a Louden Swain show for the first time or again, they’ll be in Chicago, September 4th at Beat Kitchen, right before the Creation Entertainment Road So Far Convention.

Get tickets here for Loden Swain’s Chicago show here!

See photos from the show below:

‘Tokyo Ghoul’ Special Coming to Theaters This July

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Sink Your Teeth: A Tokyo Ghoul Celebration is headed to theaters for one day only.

The film, released by Crunchyroll, will feature six key episodes from season 1 of the series — episodes 1, 5, 8, 10, 11, and 12.

©Sui Ishida/Shueisha, Tokyo Ghoul Production Committee.

Ken Kaneki is a loner. In a world where ghouls—human-like creatures who survive on human flesh—and people are at war, his biggest concern is which novel to pick up next. But when a date with the mysterious Rize turns deadly, a lifesaving operation horrifyingly transforms him into a human-ghoul hybrid. Can he find his place in a society where it’s hunt or be hunted?

On Monday, July 21, catch the special feature in theaters. It will be available in Japanese with subtitles, as well as dubbed in English.

Tickets are on sale now.

All three seasons of Tokyo Ghoul, as well as Tokyo Ghoul √A and Tokyo Ghoul:re, are available to stream on Crunchyroll.