Monday, October 6, 2025
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‘The Expanse’ Recap: Season 6, Episode 3 “Force Projection”

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In this episode of The Expanse, Marco goes after the Roci, Filip confronts his father’s ways, and The Roci makes their escape. Keep reading for what happens in “Force Projection.”

Naomi Confides in Holden

Holden leaves ship controls to Clarissa while he heads to his quarters to get some shut eye. Naomi is up and waiting for him, she tells him they can talk about what happened to her. She froze up; for a moment it felt like she was back on the Pella escaping Marco and Filip. She says she feels humiliated but Holden asks her if he did all the things she had done, would she be embarrassed for him? He pivots the conversation to the Barkeith and requests her help at making sense of all the data that Bobby could gather for him.

Filip Confronts His Father

Filip is upset that the news is calling Marco and crew cowards. Marco wonders why he cares and Filip says it’s because he told the people of Ceres it was their new capital but instead they abandoned them. Marco just told the people what they wanted to hear when they needed to hear it, which fires Filip up. They left the people of Ceres with barely enough to survive. Marco interjects to remind him they left the inners with a problem they have to deal with. He also acknowledges he thinks it speaks wonders that he wants to do well by the Belters on Ceres. But they have different motives, caring more for themselves than the Belt itself.

Marco’s Plan in Action

While in orbit, The Pella catches sight of another ship nearby. Analyzing it, Marco determines it’s the Roci and he wants to strike, now. He turns over weapon controls to Filip. While in battle, two of his ships back down after being hit, leaving just the Pella and the Rocinante to fight it out. For a moment, the Roci is losing, but Bobby suggests giving them something else to worry about. It will distract them long enough to get a hit on and take them out.

Their comms are down but once rebooted, Holden contacts Marco to get him to surrender. Of course, he says he’d rather die than be at the end of Holden’s leash, so Bobby fires a missile. Just then, Filip makes himself visible and Naomi cries. As the missile is about to make contact, Holden disarms it, making it look like a dud.

The Pella retreats, which would normally signal a win if it was anyone but Marco. Marco insists on finding a new pilot and relieves Filip of his duties after he once again stands up to his father.

New episodes of The Expanse premiere Fridays on Prime Video.

‘The Witcher’ Recap: Season 2, Episode 8 “Family”

Blood is not always thicker than water, and the season 2 finale of Netflix’s The Witcher proves it. Sometimes, our true family are the people we choose are our family. The finale will make you feel a wide range of emotions — frustration, fear, sadness, etc. — but ultimately leaves fans excited for season 3. The season 2 finale is full of vengeance, plotting, fighting at Kaer Morhen and two monumental reveals, so lets dive in.

The Elvish Finale

Dara, it turns out, has been acting as a Redanian spy, communicating with Dijkstra about everything happening with Nilfgaard in Cintra. Because he decided to stop being a spy right before baby Fiona was murdered in her crib, Dara blames himself for the murder and assumes it was one of Dijkstra’s agents. Francesca, who is always empathetic to the elves, reassures Dara that her baby’s death was not his fault, though angry and grieving the death of her child, decides to leave Cintra for Redania to seek justice. Once in Redania, Francesca uses her magic to murder what can be safely assumed every single baby in the city. As Francesca seeks justice for her people and not just her baby, this will likely not be the last brutality we see from the elves.

Istredd is captured by the elves in Redania, and in a bid to save his life and help the elves reveals Ciri’s status as Hen Ikeir, or Elder Blood. Francesca’s hope is restored with this information, as she believes Ciri could be used to restore the elves to their position as the rulers of the Continent. The elves have officially joined the hunt for Ciri.

The North Muddles

In the previous episode, Tissaia and Vilgefortz receive a visit from Dijkstra, who is seeking to warn them of Ciri’s power and the destruction it could bring to the world. Tissaia, recognizing that Ciri’s power would be too much for the Brotherhood to sufficiently handle, chooses to call on King Foltest, King Henselt, and Queen Meve to decide what should be done about Ciri. While the four of them agree that Ciri should be eliminated at all cost, as well as anyone who chooses to protect her, King Vizimir of Redania wishes to combine kingdoms through marriage so that he can assume control of Cintra and solidify Redania’s place as the strongest kingdom in the North. Essentially, the Northern kingdoms cannot come together to form one plan of action that works best for everyone, which will no doubt lead to back-stabbing and double-agents at play … if they’re not already.

Redanian Intelligence

One of the two big reveals of the episode (unless you’re familiar with Witcher lore through the books or video games) is that the owl everyone in Redania has been talking to is actually one of the oldest, most powerful sorceresses on the Continent, Phillipa Eilhart. Phillipa is the court mage for Redania and a polymorph, meaning she can change her shape to that of an animal, in this instance an owl. We learn that Phillipa and Dijkstra are indeed in cahoots together, which cannot bode well for anyone in their path.

Emperor Emhyr’s New Groove

The arrival of Emperor Emhyr means Fringilla and Cahir need to scramble to an excuse as to why things in Cintra have been going so poorly and come up with a way to impress the White Flame soon. The result is that the two spend a truly embarrassing amount of time telling Emhyr that it was always their plan to turn the elvish against Redania and thus killing the elvish baby was always in their plans. Unfortunately for the pair, Emperor Emhyr was actually the one who called for the baby to be murdered, so they spent all that time lying to his face for no reason. Emhyr has the pair carried off for their treason.

The second of the two big reveals of the episode (again, unless you’re familiar with Witcher lore) is exactly why Emperor Emhyr is so set on capturing Ciri and what he wants with her. In the final moments of the episode Emperor Emhyr turns to reveal his face … and he is none other than Duny, Ciri’s actual biological father.

Voleth Meir vs. Kaer Morhen

Keeping Ciri distracted in the dark recesses of her mind with the friends, family, and home she lost so long ago back in Cintra, Voleth Meir wreaks havoc in Kaer Morhen, traveling the halls to murder Witcher after Witcher as they sleep. While Vesemir instructs the remaining Witchers to drink what elixirs they can to prepare for a fight against the Voleth Meir-possessed Ciri. Geralt arrives in time to convince Vesemir to try to coax the entity out of Ciri before resorting to killing the young princess. The fight is not going well, despite Jaskier and Yennefer providing jasper stone and the Witchers giving it mostly everything they’ve got.

Voleth Meir uses Ciri’s power to scream at the Witcher medallion tree, causing it to split in half revealing a monolith. The monolith inside shatters and activates a portal, drawing basilisks into Kaer Morhen. The Witchers are back to fighting with the arrival of the basilisks, taking an absolute beating as Geralt continues trying to coax Voleth Meir out of Ciri or reach Ciri, wherever she is. While Jaskier tells Geralt of the jasper stone, Vesemir takes the opportunity to attack Ciri/Voleth Meir, though it is to no avail as the wounds heal immediately. Geralt realizes they’re approaching this situation in an entirely wrong way as Voleth Meir reveals she loves to feel the hatred pouring from him.

Yennefer’s Sacrifice & Ciri’s Homecoming

Geralt, choosing to take a more emotional and gentle approach, turns his effort entirely to trying to reach Ciri, begging her to return to them and telling her that they all need her. Even Lambert, perhaps the most unlikely of the Witchers to, chimes in with a positive comment and plea to Ciri to return to them. Vesemir also joins in on the pleas, apologizing for trying to kill her. Yennefer finally joins the fight and, seeing what is happening, chooses to sacrifice herself (temporarily) to lure Voleth Meir out of Ciri. She slits her wrists, distracting the entity with her pain so the Witchers can continue repeating positive affirmations to Ciri to pull her out. Even Yennefer, historically selfish, uses a mind connection to tell Ciri to let her give her everything she has. Ciri, finally hearing Geralt and taking his words to heart as he tells her that they are her family now, chooses to leave her birth parents and the Cintra great hall to return to Kaer Morhen. This pushes Voleth Meir out, who takes sanctuary in Yennefer’s body.

The Wild Hunt

Ciri must tap into her power quickly to open a portal so they can expel Voleth Meir and be rid of her once and for all. Unfortunately, things don’t go exactly to plan and Yennefer, Geralt, and Ciri are all pulled into the portal as well. They reemerge into an unfamiliar red world, and Voleth Meir exits on her own vocation. The trio is fast within the sights of The Wild Hunt, who are racing toward them on horseback and beckoning for Ciri to join them. Ciri grips hands with Geralt and Yennefer, and the trio is teleported back to Kaer Morhen. Not only is the trio safe, but we also get the first real glimpse of Ciri’s teleportation powers and the fact that she can do so between worlds.

What Is Destined Cannot Be Avoided

Yennefer has her powers back following her sacrifice and Voleth Meir entering her body. Geralt, still hurt by Yennefer’s betrayal, tells her that he doesn’t forgive her but that she does need her. Yennefer and Geralt come to the agreement that they should train Ciri together, therefore solidifying the fact that the three are a family. The pair reassure Ciri that not only will they train her, but they will protect and help her as well. After all, what is destined cannot be avoided, and it shouldn’t be.

The Witcher season 2 is streaming now on Netflix.

Nerds Gets Cheery: ‘Silver Skates’ Is a Charming Tale of Star-Crossed Lovers

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Welcome to another day of Nerds Gets Cheery, a festive series in which we’re looking back on some of our favorite holiday films and television episodes during the most wonderful time of the year!

Today, we’re taking a look at Silver Skates, a dreamy Russian period film that’s overflowing with romance and adventure. Directed by Michael Lockshin in his feature directorial debut with a screenplay from Roman Kantor, Silver Skates first premiered at the 42nd Moscow International Film Festival in 2020. Netflix later acquired the rights to the film, which landed on the streaming platform earlier this year, making it the first Russian film to be released in the Netflix Originals category.

Set in Imperial St. Petersburg, Russia in 1899, just before Christmas, Silver Skates follows the story of Matvey Polyakov (Fedor Fedotov) — a poor, petty thief with an undoubtedly pure heart — and Alisa Vyazemskaya (Sofya Priss) — the wealthy daughter of a major dignitary. While Matvey falls in with a gang of slick, ice-skating pickpockets in order to make money to help his sick father, Alisa fights back against society’s conservative views as she dreams of higher education and a career in science. There’s an immediate connection that sparks between the two star-crossed lovers, but many obstacles lie in the way of their happiness together. The film pulls inspiration from Romeo and Juliet and Mary Mapes Dodge’s 1865 novel Hans Brinker, or The Silver Skates. 

It’s hard to believe that this was the first major film work for both Fedotov and Priss, as the two bring both of their characters to life in such a charmingly endearing way, full of the earnest passion of youthful love. Together, they share a magnetic, palpable chemistry which elevates the emotion of the film’s climax to unprecedented levels.

While the enchanting story of Matvey and Alisa is front and center, Silver Skates is packed with a talented supporting cast including Kirill Zaytsev, Yuri Borisov, Aleksei Guskov, Severija Janusauskaite, Yuri Kolokolnikov, Timofey Tribuntsev, and Alexandra Revenko. Their respective characters contribute to the film’s entertaining and vivacious energy, with a particularly captivating performance from Borisov as Alexey Tarasov.

Romance isn’t all that this film has to offer, because there’s also an undercurrent of political commentary about social classes and women’s rights at the turn of the 20th century. Matvey’s newfound pick-pocket friends specifically target the rich, fueled by Marxist ideology as they wax poetic about the undeserving nature of the aristocrats they’re surrounded by. Meanwhile, Alisa’s story extends beyond the circumstances of her romantic endeavors with Matvey. Despite the fact that her father’s only concerns for her future are sending her into a loveless marriage with Count Arkady Trubetskoy, the brilliant Alisa pursues her love of science with a headstrong determination that has a wonderful payoff when the film comes to a close.

As if that wasn’t enough, Silver Skates is also a just a truly magical visual feast straight out of a fairytale (with a fabulous soundtrack, to boot). St. Petersburg is a snowy winter wonderland, complete with a picturesque network of frozen canals and rivers and a festive Christmas market on the ice. There’s a heavy emphasis on ice skating throughout the film — including high speeds and many trick maneuvers — which is incredibly entertaining and satisfying to watch thanks to Lockshin’s lively yet graceful directorial style (and some excellent slo-mo moments).

Overall, Silver Skates is the perfect watch for those looking for a festive, fun period romance. And if you’re able to watch with subtitles, do yourself a favor and watch the film in its original language, Russian.

Silver Skates is currently streaming on Netflix.

Merry Christmas Eve and Happy Holidays to all of our readers! Stay tuned tomorrow for our final installment in the 2021 edition of Nerds Gets Cheery.

‘Riverdale’: New Season 6 Trailer Released

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With Riverdale currently on hiatus, it’s time to look past “Rivervale” and look forward to the remainder of season 6. The CW has released a new trailer for upcoming episodes in the new year and we are finally going to be dealing with the curse that Cheryl invoked upon Betty, Archie and Jughead. Check it out below!

It looks fans are going to be in for quite a ride, and after Rivervale, anything can happen. Don’t miss the return of Riverdale season 6 on Sunday, March 6 at 8 p.m. ET/7 p.m. CT on The CW! Check out our other coverage on the series, including episodic recaps, here.

‘9-1-1: Lone Star’: New Synopsis Released for Season 3, Episode 2 “Thin Ice”

Season 3 of FOX first responder series 9-1-1: Lone Star is almost here and the network has released the synopsis for the second episode of the season, “Thin Ice.” As the ice storm continues in Austin, Tommy, TK and Nancy try to rescue a little boy, which is where we will get T.K. falling into the frozen pond that has been teased multiple times. Meanwhile, Paul is trapped and Owen tries to save a man who has been stabbed.

The full synopsis for “Thin Ice” reads:

“As the unexpected arctic cold front and ice storm continues to cause havoc in Austin, Tommy, T.K. and Gillian race to rescue a young boy who has fallen in a frozen pond. Judd and Mateo work furiously to help a trapped Paul, and Owen takes drastic measures to save a man who has been stabbed and left for dead in the snowy hill country.”

Guest cast for the episode include: Billy Burke as Billy Tyson and Julie Benz as Sadie.

Stay tuned for photos from “Thin Ice,” which airs Monday, January 10 at 8 p.m. ET/7 p.m. CT on FOX! Check out our other 9-1-1: Lone Star coverage here.

‘Hawkeye’ Review: A Splendidly Action-Packed, Festive Adventure

It’s been a busy year for Marvel Studios, one jam-packed with countless film and television releases. And as 2021 comes to a close, Hawkeye‘s festive, action-packed finale arrived to close out the year alongside the theatrical release of Spider-Man: No Way Home.

Hawkeye sees the return of Jeremy Renner’s Clint Barton and the highly anticipated introduction of Kate Bishop, portrayed by Hailee Steinfeld. It’s Marvel Studios’ most grounded series yet, even more so than the global adventures of The Falcon and The Winter Soldier. And yet, despite the lack of super-powered individuals and flashy superpowers that have come to define much of what the Marvel Cinematic Universe has to offer, Hawkeye is an absolute masterpiece from start to finish.

To start, I’d like to propose a raise for whatever brilliant soul in the writer’s room that pitched the idea to have the show take place in the days leading up to Christmas. While it would still be an entertaining and enjoyable endeavor, even without moments like seeing Clint accidentally stuck inside of the iconic Rockefeller tree, the holiday spirit embedded in the episodes — and the classic “I’ll be home for Christmas” attitude — gives the show an undeniable charm. This interacts exceedingly well with Hawkeye’s humorous undertones, which are heavily carried by way of Clint’s sarcasm, Kate’s goofiness, Yelena’s deadpan jokes, and the unfettered chaos that is the Tracksuit Mafia.

The show’s plot unfurls intuitively as a result of Kate’s accidental run-in with the Tracksuit Mafia. And although it should feel busy juggling the introduction and budding team up between Clint and Kate with Ronin, the Tracksuits, Maya Lopez, Kingpin, Eleanor Bishop, Jack Duquesne, and Clint’s family, in reality all of these threads weave together to create a pretty seamless story. There’s even still time in between for so many other fantastic things, like Lucky the Pizza Dog, Rogers the Musical, Clint’s foray into the world of LARPing, and plenty of dangerous trick arrows.

Marvel Studios

Despite the fact that Jeremy Renner has been a staple of the MCU and the Avengers since his (small) first appearance in Thor, Clint has never been directly front and center in the various stories that have unfolded in the franchise. He was always limited to being a key supporting player, and his lack of superpowers often meant he fell to the wayside against his larger than-life-colleagues. Similar to Sam Wilson’s journey as seen in the MCU up through The Falcon and The Winter Soldier, Hawkeye proves yet again that great stories about heroes don’t need to be about epic powers and cosmic battles. In the words of Kate Bishop, “You showed me that being a hero isn’t just for people who can fly or shoot lasers out of their hands. It’s for anyone who’s brave enough to do what’s right, no matter the cost.”

As a long-time Clint Barton fan, it was very gratifying to see a story focused on him, and it was even better that it pulled inspiration from Matt Fraction and David Aja’s incredible comic series (and speaking of that, can we all just stop to appreciate those beautiful opening credits?). Renner has an extensive acting career outside of his time as the MCU’s (first) resident archer, and it really shows here, because he steps into the spotlight and carries Hawkeye with a practised ease.

Admittedly, going into the first two episodes, I wasn’t sure where Hailee Steinfeld’s portrayal of Kate Bishop would land for me in comparison to the existing character from the comics. That being said, I was more than happy to eat my words as she gracefully hit her stride by the third episode, delivering what was undeniably a fantastic performance wrapped in a bow. Steinfeld’s determined, humorous, and pure-hearted approach in her portrayal of Kate is exactly the type of young hero that the MCU needs in its lineup for Phase 4 and beyond.

In the comics, Kate Bishop is one of the leaders of the Young Avengers, a team whose members have slowly and quietly been trickling into the MCU. They were formed after Avengers Disassembled, a storyline that depicted the upheaval of the Avengers’ existing roster — sound familiar? In the wake of the dissent that began in Captain America: Civil War, which was later followed by the stinging losses in Avengers: Endgame, the time is ripe for a group of well-meaning kids to team up to try and save the world themselves. It remains to be seen if this is in the cards for Marvel Studios, but I feel entirely confident that Steinfeld can and will lead the charge as an integral pillar of the team.

Florence Pugh’s Yelena Belova was an instant fan favorite following her introduction in Black Widow, quickly establishing herself as a promising facet of the future of the MCU at a time when new heroes and villains are popping up left and right. Fans were right to be excited about her imminent return in Hawkeye, because her dry-wit humor and the self-assured way that Pugh carries herself in this role fit like a glove within the show. Utilizing her character as a side plot to the Tracksuit Mafia business added necessary depth to the show, but it also provided some much needed closure for both Yelena and Clint.

While it was satisfying to finally see Natasha Romanoff fully in the spotlight in Black Widow, fans were still disappointed at the lack of funeral and overall fanfare around her tragic and heroic death in Endgame. Hawkeye may be a show about Clint Barton and Kate Bishop, but it’s also an emotional tribute to Natasha and a reminder that she hasn’t been forgotten. Viewers were able to get an up close and personal look at the grief, guilt, and residual trauma that Clint still feels over losing his best friend and the pain that the loss has inflicted on Yelena. Even though Yelena’s mission was initially fueled by rage, together the two were able to finally commiserate over the loss of Natasha.

Alaqua Cox and Fra Fee in Hawkeye
Chuck Zlotnick/Marvel Studios

It’s hard to believe that Hawkeye was newcomer Alaqua Cox’s first acting role. From the moment Maya Lopez was revealed at the end of episode 2, Cox hit the ground running as a strong, fierce character, commanding attention in all of her scenes. Now, I’m more excited than ever to see Cox return to the MCU to lead her own series — Echo — which Hawkeye did an excellent job at setting the stage for. A frequent scene partner of Cox, Fra Free was also fantastic in the role of Kazi Kazimierczak. Together, the two shared an obvious chemistry that made their tragic story hit hard by the finale.

Overall, Hawkeye once again serves as solid and undeniable proof that Marvel Studios can easily carry over the momentum of its success with its mammoth blockbuster titles to the small screen as well as it continues to pursue its collection of Disney+ Originals. Hawkeye stands its ground as a formidable entry for Phase 4 of the MCU, and now we can only hope that a well-deserved second season is in the cards for Clint Barton and Kate Bishop.

All six episodes of Hawkeye are now streaming, only on Disney+. Catch up on all of our series coverage, including episodic recaps and more.

HBO Max Releases 2022 Teaser

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With the new year just around the corner, HBO Max has dropped a teaser featuring many of their originals and exclusives coming in 2022.

HBO Max is ready for the new year as it offers fans glimpses into their favorite returning shows and much anticipated new series, from Peacemaker and Pretty Little Liars: Original Sin to Westworld and Euphoria. HBO Max’s 2022 lineup certainly shines in this special sneak peak, particularly in the first glimpses at the much anticipated Game of Thrones prequel and the Elizabeth Olsen drama Love & Death.

Check out the teaser below and be sure to stop by for all the updates on your favorite HBO Max projects as we move into the new year.

Michael Keaton to Join ‘Batgirl’ Film

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Michael Keaton will be returning as the caped crusader in more than just the upcoming Warner Bros.’ film The Flash, as he joins the cast of the upcoming HBO Max film Batgirl.

According to The Hollywood Reporter, The Flash will be Keaton’s first time back in the suit in nearly 30 years. He first played Batman in the 1989 Tim Burton directed blockbuster of the same name. Although he also reprised the role in the 1992 sequel Batman Returns.

Both films were met with critical and financial success, and changed the face of the superhero film genre. Although when Keaton was cast in the role many fans were skeptical given his comedic background. However, he used that background to his advantage and became one of fans’ favorite iterations of the character.

Batgirl does not yet have a set release date, but fans can catch Michael Keaton in his cape and cowl next November and you can continue to check back here for all the Batgirl news as it emerges.

‘The King’s Man’ Review: A Stumbling Journey for the Franchise

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Warning: This review contains major spoilers for the film!

After years of delays, Matthew Vaughn’s The King’s Man has officially landed in theaters. Given the success of the Kingsman franchise, a prequel film about the mysterious origins of the first independent intelligence agency was bound to happen sooner or later. But did we need it? Well, that’s a loaded question.

To make things clear before we dive in, The Secret Service and The Golden Circle hold high rankings amongst my favorite films, so I went into The King’s Man expectant and eager. Armed with the promise of seeing Vaughn’s signature style traipse through major historical events flanked by an impressive cast with a promising story, there was much to be excited about. Unfortunately, The King’s Man, while fun, entertaining, and amusing at times, is undoubtedly the weakest entry in the franchise by miles.

Now that’s not to say that there isn’t anything to enjoy about the film. Everyone loves a good villain, but there’s something exceptionally entertaining about a “flock” of seedy characters pulled straight from the history books. I would argue that the Shepherd and his heinous, scheming flock were actually more interesting than the protagonists this time around. Rhys Ifans as Grigori Rasputin is easily one of the best performances that the film has to offer, bringing the Russian mystic back to life in a truly incomparable, hysterical, and downright deranged way. Matthew Goode’s descent into wide-eyed, bloodthirsty madness following the reveal of his true identity as the Shepherd was also excellent. Meanwhile, Daniel Brühl put on a compelling performance, subtly making the most of his screen time as the controlled yet conniving Erik Jan Hanussen (and I’m absolutely here for a potential sequel with him as a lead).

The King's Man still
20th Century Studios

Much of the issue with The King’s Man is that it’s missing the undeniable charm of the two prior Kingsman films. This can potentially be blamed on a mixture of the main cast not finding the same seamless chemistry as Colin Firth, Taron Egerton, and Mark Strong and also the limitations of the time period. Ralph Fiennes, Gemma Arterton, and Djimon Hounsou all found their individual stride and key moments in the movie but never quite hit it together. (And it really didn’t help that Harris Dickinson’s Conrad Oxford was downright bland.) While the first two shine with their vast assortment of gadgets that make them feel like quirkier, edgier Bond movies, The King’s Man is set during World War I, meaning all of that neat technology is still decades upon decades away. It was fun to see teases of what’s to come though, like when Orlando stashed knives in his shoes to help him climb up the side of the icy mountain.

And speaking of the time period, the film’s Kingsman-esque outrageous moments served as reminders of the franchise that this film was born from, but they couldn’t save the tone and pacing from occasionally stumbling throughout as the film dipped into themes of war. As a result of the aforementioned issues, Vaughn’s signature directorial style that makes Kingsman so great fell to the wayside, popping up every now and then instead of carrying the movie with a consistent rhythm. Credit is absolutely due for the directing and choreography of the film’s various fight scenes, though. Leave it to Vaughn to create one of the most mesmerizingly chaotic, strange, and epic fight scenes ever with none other than Grigori Rasputin.

So while The King’s Man has its moments, there’s an obvious feeling of disconnect between it and the prior films. It lacks the frenetic, captivating flow that kept viewers on the edge of their seats from start to finish in The Secret Service and The Golden Circle.

Overall, the origin story’s struggling momentum does still manage to reach a satisfying payoff at the end when the Kingsman officially gather around the table for the first time, and we see the first introduction of the iconic Arthurian code names that have become a staple of the franchise. And when all is said and done, most importantly, I know I’m still on board for any future Kingsman entries that Vaughn has on deck.

(Also, the fact that the Kingsman’s current day oft-uttered phrase about shoes, “Oxfords, not brogues,” was originally meant to be a principle of their integrity, “Oxfords, not rogues“? Brilliant, just brilliant.)

The King’s Man is now playing in theaters.

‘The Witcher’ Recap: Season 2, Episode 7 “Voleth Meir (Deathless Mother)”

The penultimate episode to The Witcher season 2 had a lot to offer, including revealing the real monster of the season. Ciri has been whisked away by Yennefer who has her own plans for the Child of Destiny. Geralt suspects these plans and seeks out the help of old friends to return his child surprise to his side. At the same time, the relationship between the elves and Nilfgaard comes to a crash.

Return To The Beginning

Ciri and Yennefer arrive via portal to Lilja, Adon and Zeke’s hut from season 1. Ciri, once considering this place to be a safe space, realizes that is not the case. Rience has been to the hut already in search of information on Ciri, leaving no survivors. It’s not the first time someone who has helped Ciri has died and certainly won’t be the last and Ciri is immediately consumed by grief and guilt, concerned for Geralt’s safety now that they are not together. Yennefer uses Ciri’s vulnerable state to convince her that Geralt might have been captured by Nilfgaard and held in Cintra, conveniently where the black door she needs to sacrifice Ciri is.

Bridges Collapse

On the road to Cintra to supposedly reunite with Geralt, Yennefer and Ciri come upon a collapsed bridge. Yennefer takes this as another moment to witness Ciri’s power and teaches her the incantation to raise and repair the bridge, though it soon becomes clear Ciri is not ready for this level of magic as she begins to bleed from her eyes. Ciri, unable to handle less than perfection, screams in frustration and we see the pair transported to the other side of the bridge. The pair share a telekinetic moment where Ciri discovers Yennefer’s true intentions with her — but Yennefer tells her to run away if she wants to because she no longer feels capable of handing Ciri over. Ciri, full of frustration, screams that she cannot trust Yennefer, which alerts Nilfgaard to their presence.

Following the birth of the first elvish baby in a long time, the elves have decided they would rather not fight for Nilfgaard, as they now have found hope within their own community and do not wish to be swallowed up anymore.

Fringilla’s Patience Runs Thin

Fed up with the continued brutishness from Hake, Cahir and company, Fringilla seeks out the advice of her Uncle Artorious in Aretuza. Artorious essentially becomes an echo chamber for Hake and Cahir, also telling Fringilla that he is glad she has realized she is not that powerful and is, in fact, out of her depth. Taking this as a threat and seeking to prove she is powerful and remind those around her why she shouldn’t be scorned, Fringilla uses a potion to paralyze Hake, Cahir and company. Paralyzing them is only temporary which simply isn’t enough, and Fringilla chooses to slowly kill Hake and company slowly. She chooses to spare Cahir, only so he can rave about her to Emporer Emhyr when he arrives.

Jaskier’s New Friends

Meanwhile, Geralt leaves the temple to seek out Jaskier who is currently locked up and part of an acapella group featuring himself and two literal mice. Completely forgetting his number one hit “Burn, Butcher, Burn”, Jaskier immediately embraces Geralt and the two share a tender hug. After making Geralt apologize for leaving him on the mountain back in season 1. The pair set off in search of Yennefer and Ciri, not before Jaskier reveals to Geralt that Yennefer vanished while muttering about a hut, confirming Geralt’s suspicions: they’re dealing with the Deathless Mother, Voleth Meir. She has been on the Continent since the conjunction and feeds on despair making her very old and very dangerous.

Jaskier isn’t the only friend from the mountain Geralt is reunited with, as the pair soon happen upon Yarpen Zigrin and his band of dwarves who decide to join them on their mission to rescue Ciri.

Voleth Meir

It is only about a day of bliss for Francesca and Filavandrel with their new baby before everything goes sideways, as one should probably expect by this point on the Continent. Voleth Meir, who feeds on despair, warned Francesca that if the elves remained aligned with Nilfgaard that her baby would be safe. Unfortunately, the elves decided earlier this episode that they no longer wanted to fight for Nilfgaard. Francesca is punished for this decision and their baby, Fiona, is murdered in the night. The pair are immediately overcome by grief and it’s clear that any amount of remaining alliance between the elves and Nilfgaard is over considering Francesca is definitely going to seek revenge for this.

Rescue Mission

The convoy lead by Geralt and consisting of Jaskier and a band of dwarves eventually catch up to Ciri and Yennefer who are fighting off Nilfgaardians outside of Cintra. Geralt naturally saves Ciri, immediately turning to fix his blade against Yennefer’s throat. Jaskier is instructed to return to Kaer Morhen with Ciri, who ultimately listens to Geralt despite not wanting to be separated from him again. Geralt, despite feeling betrayed by her, sets off with Yennefer in search of Voleth Meir. However, the pair are too late as the Deathless Mother has been set free after consuming enough despair from Yennefer, Ciri, Francesca and Fringilla and is on the search for the perfect vessel. Unfortunately, the perfect vessel is Ciri.

The Witcher season 2 is streaming now on Netflix.