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‘Supernatural’ Writer Spotlight: Andrew Dabb

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Images courtesy of The CW/Warner Bros.

Supernatural has had many writers over the last 14 seasons, but Andrew Dabb is one of a handful that have remained with the show and continue to write kickass episodes week after week. He joined the show in season 4 and became the showrunner along with Robert Singer at the end of season 12. He is also one of the executive producers.  Dabb has written or co-written over 40 episodes during his tenure so far. That is a lot of writing!

Trying to narrow the scope of this article to three episodes was a big challenge. Dabb has given us so many wonderful episodes chock full of drama, suspense, and occasionally humor. Before I enlighten you on the episodes I have chosen, let me list a few of the episodes Dabb has worked on, and you will see my dilemma.

  1. Season 5, episode 16, “Dark Side of the Moon“:  Co-written with Daniel Loflin, Sam and Dean are shot and sent to heaven with the angel Zachariah hot on their trail. This is where we learn that Dean “wuvs hugs,” and we get glimpses of the boys’ younger years.
  2. Season 6, episode 7, “Family Matters“: Also co-written with Daniel Loflin, Castiel examines Sam and determines that he has no soul, confirming Dean’s suspicions that something is very wrong with his brother.
  3. Season 12, episode 1, “Keep Calm and Carry On“: Written by Dabb, Sam is held hostage and tortured by Woman of Letters Lady Tony Bevell, while Dean is reunited with their mother, Mary.
  4. Season 13, episode 10 “Wayward Sisters“: Co-written with Robert Berens, Sam and Dean are missing in Apocalypse World and a team of badass female hunters led by Sheriffs Jody Mills and Donna Hanscum come to their rescue and save their bacon. Oh, and bonus: there is a flame thrower.

So let’s have a look at the episodes I chose to highlight.

Season 6, Episode 18, “Frontierland”

Dean (Jensen Ackles) and Sam (Jared Padalecki) in “Frontierland”. Image courtesy IMDB.com

In this episode Dabb co-wrote with Daniel Loflin, Sam and Dean are looking for a way to destroy Eve, the Mother of all Evil. To do this, they need phoenix ash. Never having heard of a real phoenix, their research leads them to Samuel Colt’s journal where they find that Colt faced and killed a phoenix. The only way to get the necessary phoenix ash is to go where they know one will be: Sunrise, Wyoming, in 1861.

With the help of Castiel, the boys travel back in time to the Old West. Sam is less than thrilled with the idea of time travel but Dean is absolutely ecstatic with the plan. He has always loved the idea of the west, of cowboys and Indians, heroes and villains. It’s like Christmas and birthdays all rolled into one fantastic trip for Dean.

Images courtesy of The CW/Warner Bros.

This is the reason I like this episode so much. Dabb and Loflin let us see the child inside the hunter. Dean never had a childhood. From the moment his mom died, Dean became an adult and a surrogate parent to Sam. Birthdays and holidays were spent somewhere on the road. Maybe their dad would be there but most likely he wouldn’t. Dean’s job was to take care of his little brother. He tried to make sure that Sam had some sort of childhood while giving up his own.

Seeing Dean’s absolute joy when they arrive in Sunrise just makes this episode for me. It has everything a western  should have: cowboys, horses (or rather, Sam on a really small horse…or did he just make the horse LOOK small?), saloon girls (the reality is something much less than Dean dreamed of), a bad guy (the phoenix they’re looking for), and a gunfight where the hero saves the day.

If that’s not enough for you, we get Dean saying to Sam, “Cause you know me, I’m a posse magnet. I mean, I love posse. Make that into a T-shirt.”

Season 4, Episode 6, “Yellow Fever”

My next choice is a firm fan favorite. “Yellow Fever” is a Monster of the Week episode that has Sam and Dean investigating mysterious deaths in a small town. The episode opens with Dean running for his life from a ferocious, bloodthirsty, tiny Yorkshire Terrier.

As the episode proceeds, we learn that the victims apparently died from extreme fear; they were literally scared to death. While attending the autopsy of the last victim, Dean is inadvertently exposed to what is causing these people to die: ghost sickness. As time goes on, Dean’s behavior becomes more erratic, and it becomes obvious that the boys must destroy the ghost responsible for spreading the sickness before Dean succumbs to it himself.

This episode gives us something that we get all too infrequently in the Winchesters’ world — laughter. While the story behind the history of the ghost and his victims is tragic, the comedic moments with Dean are absolutely hilarious. Who could forget that scene in the mill when Sam opens the locker and the cat jumps out? Dean’s scream and mad dash out of the mill still make me laugh. Or when Sam finds Dean in the front seat of the Impala rocking out to “Eye of the Tiger”? Priceless.

Images courtesy of The CW/Warner Bros.

A good writer can sprinkle comedy into the midst of tragedy without losing the suspense or the drama. Dabb and Loflin achieved this brilliantly in this episode. They left us in no doubt that the consequences for Dean were dire if the boys didn’t succeed in disposing of the ghost. But they also made us laugh. These lighter moments only enhanced the darker aspects.

Season 13, Episode 23, “Let The Good Times Roll”

For my final episode, I wanted to focus on a story that was written solely by Dabb. I also wanted an episode that showcased Dabb’s dramatic writing talents.

Dean (Jensen Ackles), Castiel (Misha Collins) and Sam (Jared Padalecki) in “Let the Good Times Roll”. Image courtesy IMDB.com

Unlike the title suggests, this episode is not full of “good times.” AU!Michael has partnered with Lucifer to open a portal allowing him to follow the AU refugees and the Winchesters back to their timeline. There is a confrontation at the bunker that ends with Lucifer stealing Jack’s grace and fleeing with Sam and Jack. What comes next changes everything. Yes, we finally get the death of Lucifer, but to accomplish this and save his family, Dean makes the ultimate sacrifice. He fulfills his destiny as Michael’s vessel.

When Dean unfurls Michael’s wings in that church, we are witnessing one of the most dramatic scenes of the entire season. At the end, after Lucifer is defeated, Sam and Dean are smiling. They realize that it’s over — the enemy that has been a part of their lives for so long is vanquished and, for a moment, they are happy and hopeful for the future. Then that hope is ripped away as Michael takes control of Dean and disappears. The episode ends with Team Free Will facing an uncertain future as Michael!Dean walks freely around town, on his way to who-knows-where.

Images courtesy of The CW/Warner Bros.

For me, this episode was an emotional roller coaster. This is what excellent writing can do. It gives the actors the tools they need to keep us on the edge of our seats, constantly wondering what will happen next. I’d imagine that for a writer, working on a show like Supernatrual for years is both a blessing and a curse. Keeping a show fresh and the audience engaged while respecting what has happened to the characters in past episodes is a large undertaking.

Andrew Dabb heads up a group of amazingly talented writers that continue to surprise and amaze me and keep me tuning in week after week. It’s the art of storytelling, and the writers of Supernatural do it very well.

Thank you for reading our Writer Showcase series – we hope you enjoyed it! Please give your favorite writer some love in the comments below!

 

‘Brooklyn Nine-Nine’ Season 6, Episode 3 Recap: “The Tattler”

Andy Samberg as Jake Peralta and Melissa Fumero as Amy Santiago in ‘Brooklyn Nine-Nine.’ Image courtesy of Vivian Zink/NBC.

Last week’s episode of Brooklyn Nine-Nine transported us back to the 80s with the origin story of Hitchcock and Scully. And this week’s episode takes us up one decade to the 90s as Peralta and Gina get prepped for their 90s-themed high school reunion by donning their “super fresh” high school attire: denim sweatshirts and JNCO jeans. However, all the reminiscing brings back an unpleasant memory for Peralta – his rejection by the coolest guy in school, Brandon Bliss, for tattling on him about his plan to steal a school van to go buy some booze. This earned Peralta the nickname of “The Tattler,” despite Peralta maintaining that he was not the one who ratted out Bliss.

Holt walks in on Terry, Hitchcock, and Scully listening to an FM radio competition, where listeners have to call in and guess what makes the crinkling sound the radio hosts played. Holt initially judges them for their lack of productivity while they crinkle everything in the breakroom trying to match the sound, but his competitive nature takes over and draws him in to the game.

Stephanie Beatriz as Rosa Diaz in ‘Brooklyn Nine-Nine.’ Image courtesy of Vivian Zink/NBC.

Meanwhile, Rosa seeks out Boyle’s help with a relationship problem. Boyle is overjoyed (or “so juiced he’s drowning in it”) to learn more details about Rosa’s personal life. Rosa explains that she has been dating two people who recently learned about the existence of each other when they both tagged her in photos on social media. (We also learn through this exchange that Rosa regularly goes to brunch and has her own handmade jewelry business.) Her romantic partners are forcing her to choose, and her normally decisive nature is failing her and she cannot choose. Boyle is eager to help, claiming that because Boyles are “an indecisive people,” they have developed a foolproof series of questions that can help make any decision.

At the high school reunion, Peralta, Santiago, and Gina run into Peralta and Gina’s old band member (played by Paul Rust) from their high school ska band “Skalvester Skallone.” (Their one song was “Stop or My Mom Will Ska.”) They catch up, learning that their old friend is still trying to “make it” in the music industry, but ultimately it comes back around to “The Tattler” incident, with Peralta proclaiming his innocence and his high school friend claiming otherwise. More and more people get involved, with Peralta growing louder and more insistent, until he realizes he’s not as over it as he’s claimed to be. Santiago and Peralta decide that they have to get to the bottom of this and solve the mystery of who was really “The Tattler.”

While they go off to investigate, Gina has been wandering around the reunion, making wild claims about her successful life. (She wrote all the Thor movies, she was the architect of the Freedom Tower, etc.) She eventually runs into an old classmate-turned-tech investor named Quentin (played by Yassir Lester). She pitches him an app called Todddddler (“How many ‘d’s are in the spelling?” asks Quentin. “………five,” replies Gina), which is, according to Gina, “Tinder for Toddlers,” so that parents can set their kids up on playdates with kids that meet their desired coolness. Quentin loves the idea and offers to fund it, and Gina finds herself in over her head.

Andy Samberg as Jake Peralta and Melissa Fumero as Amy Santiago in ‘Brooklyn Nine-Nine.’ Image courtesy of Vivian Zink/NBC.

Back at the precinct, Holt is fully invested in the crinkle game. They have decided that the sound must be a yogurt being opened, and Terry is on the phone waiting to give his answer. Unfortunately, they are wrong. It turned out to be a bag of potato chips being opened (which was Hitchcock’s first guess). Holt is disappointed but admits, “I enjoyed myself. I can’t wait to go home and tell Kevin, ‘You can have fun, without being productive.’”

Rosa answered all three hundred and nine of Boyle’s questions but her two partners (dubbed “Couscous” and “Quinoa”) are still dead even. So Boyle hoists her upside down so that “all the blood can rush to her decision center,” in a pose that his family calls “the upside down coward.” This doesn’t work either, but the long process and Rosa’s refusal to choose has left one of her partners so frustrated that they break up with her, making the choice for her. Boyle claims this as a victory for his method.

At the reunion, Peralta and Santiago have broken into the administrative offices of the school and are digging through the old attendance files on the school computer, in an attempt to find which football player had class with Bliss and told him that Peralta was the snitch. (Peralta’s perfect attendance gets Santiago very……excited.) Once they find him, they drag him into a classroom full of science projects and interrogate him. He claims that he witnessed Peralta tell the principal and describes the exact outfit that Peralta was wearing. Peralta then realizes who the real “Tattler” is — it’s Gina. (After all, Peralta “stole” Gina’s whole look junior year, right down to the long hair and earring.)

Peralta confronts Gina just as she has made an agreement with Quentin, sabotaging her newfound success. She tells him that she told on Bliss to save Peralta’s future, because he was becoming close with a bad group of guys, and if she hadn’t intervened and they had gotten caught stealing a school van, Peralta would not be a cop today. She says that she is responsible for his “origin story” and that the only reason she did not confess sooner was because she did not want her best friend to be mad at her. (And she did not want everyone at school to call her a “Tattler.”)

Peralta and Gina make up, and then Peralta goes to Quentin to convince him to still work with Gina. Unfortunately, it turns out that Quentin was also lying like Gina was, and he cannot actually invest in her app. Peralta tells Gina that it is now his turn to be her “origin story” and that she has outgrown the Nine-Nine — she needs to quit, so that she can pursue her larger dreams and ideas. She decides that she will.

And so we must begin saying our heartfelt goodbyes to “one of the greats,” Gina Linetti!

(Chelsea Peretti announced in October of 2018 that she would be leaving the show after six episodes in the sixth season but that she would be back occasionally for guest appearances.)

Brooklyn Nine-Nine airs Thursdays at 9 p.m. on NBC.

Zac Efron Stars in ‘Extremely Wicked, Shockingly Evil and Vile’

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Zac Efron as Ted Bundy in “Extremely Wicked, Shockingly Evil and Vile.” Image courtesy of IMDB.com.

Zac Efron is playing Ted Bundy in Extremely Wicked, Shockingly Evil and Vile, which will premiere this weekend at the 2019 Sundance Film Festival.

Efron is known for his musical work over the years, such as the High School Musical series, Hairspray, and The Greatest Showman. He also has a fair amount of comedy work under his belt. Movies like Neighbors, Dirty Grandpa, and Baywatch showed us that Efron is talented in multiple genres. But his new role as notorious serial killer Bundy is unlike anything we have ever seen from him before.

The movie is told from the perspective of Elizabeth Kloepfer (Lily Collins), Bundy’s longtime girlfriend, which ensures viewers will get interesting insight into Bundy’s personal life, outside of his notoriety as a killer. The announcement of the movie’s premiere follows Netflix’s release of Conversations with a Killer: The Ted Bundy Tapes, which began streaming on January 24th. Both works were directed by Joe Berlinger.

Watch the trailer for Extremely Wicked, Shockingly Evil and Vile below!

The CW Orders Untitled ‘Nancy Drew’ Pilot

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“Nancy Drew and The Secret of the Old Clock,” written by Caroline Keene. Published by Grosset & Dunlap.

It was recently announced that a currently untitled Nancy Drew pilot has been greenlit by The CW. The only information so far about the pilot is that it will be set between the 18-year-old popular character’s high school and college years. A mystery will keep her home bound

The pilot is being written by Noah Landau, who has most notably written for The Magicians. Josh Schwartz and Stephanie Savage will executive produce the pilot, and they have both previously worked on Dynasty and Runaways. Tapped to co-executive produce the pilot is Liz Rowinski (Runaways).

Sophia Lillis as Nancy Drew in “Nancy Drew and the Hidden Staircase.” Image courtesy of IMDB.com.

There have been many television and film adaptations of the teen detective, who first made her debut in the 1930’s with the classic book series. There was a made-for-TV movie starring Maggie Lawson set during Nancy’s college years. A 2007 film adaptation was made starring Emma Roberts. And currently, a modern take on Nancy Drew and the Hidden Staircase will be released this year, which will star Sophia Lillis (IT, Sharp Objects) as Nancy Drew.

With comic books providing a massive inspiration to the many shows currently airing on The CW, it is important to note that Dynamite comics recently released two modern series featuring Nancy Drew. The first series, Nancy Drew and the Hardy Boys: The Big Lie, written by Anthony Del Col, followed Nancy Drew as she helped Frank and Joe Hardy get off the hook as the prime suspects of their father’s murder, as well as to find the real killer. Shortly after, Nancy got her own comic series with Nancy Drew #1, which was written by Kelly Thompson and illustrated by Jenn St-Onge.

Rob Benedict on ‘NCIS: New Orleans’ Starting February 12!

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Rob Benedict – Courtesy of Emily Cole, Staff Editor

We’ve previously reported that Rob Benedict is a guest star on NCIS: New Orleans, and now we have more information! As we exclusively confirmed, Rob will be appearing in at least two episodes (we think he’ll appear in more as he’s still filming).

Rob will be playing Liam Somers, who is Hannah’s former partner. He’ll first appear in the episode “Conspiracy Theories” which will air on Tuesday, February 12, at 10/9c on CBS.

 

 

Teaser Trailer Released For Kripke Project ‘The Boys’

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Promo shot from The Boys, a new series coming to Amazon. Courtesy TheBoys on Twitter.

Eric Kripke, creator of Supernatural and Timeless, is show running for a new series coming to Amazon Prime in Summer 2019 called The Boys.  It’s an R-rated series based on the comic books of the same name. Seth Rogen (Neighbors, The Disaster Artist), and Evan Goldberg (Preacher) will be executive producing along with creator, Garth Ennis (Preacher, Constantine).

The Boys was written by Kripke’s inner “jaded, cynical adult,” a stark contrast to the “wonder-struck child” side of him that wrote The House With The Clock In Its Walls, released in late 2018. He spoke to Entertainment Weekly in an interview in September 2018 about the juxtaposition of the two:

I would mention often to my colleagues I couldn’t be working on two things that are more polar opposite than these two things in that it was always a transition.  I gotta get myself into my mind frame for The Boys, which is very, very gritty and very adult, and then sometimes the next day suddenly I had to switch and be ready to work on House, which is tapping into the curious wonder struck child that I remember being.

Based on a team of super-powered CIA agents charged with keeping superheroes in line, The Boys takes current superhero trope and spins it on its head into something refreshing but dark and disturbing.

A teaser trailer was released on January 25th for the show, which will star Karl Urban (Star Trek), Elisabeth Shue (CSI), Erin Moriarty (Jessica Jones, Driven), and Simon Pegg (Shaun of the Dead). Check it out below and keep an eye out for more updates!

 

 

‘Superpower Dogs’ to be Narrated by Chris Evans

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Chris Evans via IMAX

Superpower Dogs is an IMAX Experience film that is opening in IMAX theatres on March 15. In this movie, IMAX shows moviegoers the life and experiences of five extraordinary dogs helping humans and saving lives. Of course, when there is a movie showcasing how ‘super’ our four legged friends are, it only makes sense to have Chris Evans- dog lover and Captain America- narrating.

The movie showcases several incredible dogs including Holly and handler Cat who work search and rescue in Florida. Then there is Reef and handler Ferruccio who work water rescue in Italy. Henry and their human partner Ian who work avalanche rescue on Whistler Mountain in Blackcomb, British Columbia Canada. Ricochet is an Emotional Support dog in San Diego, California and their human Judy. And, finally Tony and Tipper who work in endangered species protection with the Kenya Wildlife Service.

There is also a series of books created based on this movie; Superpower Dogs, Superpower Dogs: Halo and Superpower Dogs: Henry. The books are full of color pictures and their stories, and also have behind the scenes pictures from the making of the movie. Also, on the Superpower Dogs website is a place for people to share stories and pictures of their own dogs. This is a great way to celebrate all that our four-legged friends bring to our lives and the lives around them.

Check out the trailer below!

‘The Magicians’ Season Four, Episode One Review: “A Flock of Lost Birds”

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(Left to Right) Summer Bishil (Margo/Janet), Arjun Gupta (Penny/DJ Hansel), Trevor Einhorn (Josh/Isaac), and Jade Tailor (Kady/Sam) in the season premiere of The Magicians. Image courtesy of SYFY.

Our intrepid gang of misfit magicians is back! Season four of SYFY’s The Magicians aired on Wednesday, January 23, launching the first season of the show to completely depart from their source material (Lev Grossman’s trilogy). It is fitting then, as they start on this new adventure, that the gang gets a fresh start of their own – in the forms of new identities, memories, (and seen through the occasional reflection) bodies.

Taking off from the cliffhanger that ended an absolutely stellar season three, Alice is locked in Library jail, Margo, Penny, Josh, Kady, Quentin, and Julia have had their memories and identities wiped in a sort of Wizard Witness Protection, and the Monster has possessed Eliot and is trying to track them down and murder them in retaliation for their attempt on his life. Oh, and The Library has control of all magic, which they dole out at their miserly discretion. So all in all, things are going great.

Sam Cunningham (Jade Tailor) investigates a hedge witch. Image Courtesy of SYFY.

Photo Credit: Image Courtesy of SyFy

Because it’s The Magicians, and they can never pass up the chance for some cheeky meta commentary, each of our mind (and body) wiped magicians have been given a new, sometimes broad, genre for their character arcs. Kady/Sam now exists as an undercover cop a la your typical crime procedural, Margo/Janet is now the Miranda Priestly-esque center of her own Devil Wears Prada, Josh/Isaac is a sad sack Uber driver, and Penny has become a hilarious Anti-Penny in the form of vaping, Taylor Swift loving, DJ Hansel. Quentin/Brian is a bookish professor, and also the first one tracked down by the Monster and has now become the timid, shell shocked companion it was craving while it continues its killing spree.

The Eliot Monster and Quentin/Brian get the least amount of screen time, merely setting the stage for what is sure to become a major storyline throughout the rest of the season. Hale Appleman is absolutely transformed as the Monster, giving the sort of superb performance that lets you know Eliot is not home right now. (And might never be home again.) Because the Monster storyline is mostly being saved for later, that meant we got the rare treat of an episode driven by Kady (now Sam).  “Cast” as a detective in this new life, she stumbles upon a hedge witch and later, after some sleuthing, a comic book detailing her and the others’ fake lives (titled “A Flock of Lost Birds” which is also the name of the episode), and is the first to realize they aren’t who they think they are. It was a delight to see Jade Tailor as Kady/Sam drive the story and take charge. And perhaps, Dean Fogg who cast this protection spell on them, wanted her to be the one to figure it out – after all, why make one of them a detective if you don’t want them to solve the mystery?

A blood-spattered Monster (Hale Appleman) gets some ice cream. Image courtesy of SYFY.

Speaking of Dean Fogg, he is giving Julia/Kimber the chance at Brakebills she never got (in another fun meta sequence mirroring Quentin’s letter and discovery of Brakebills, right down to Todd dressed in Eliot’s exact outfit waiting for her arrival) out of guilt for what happened to her when he rejected her in her other life. Curiously, she is incapable of doing magic; whether that is because of the spell she’s under or because she used it all up remaking the seven keys that Alice destroyed in the season three finale remains to be seen.

Meanwhile, Margo/Janet  keeps getting messages from an Ember projection about an impending, but as of yet unknown, apocalyptic peril for Fillory that as High King she needs to stop. Margo/Janet is the most similar to her pre-memory wipe self. She is the boss bitch of her magazine, she brings back her fabulously accessorize her eye patch, and she knows how to flawlessly deliver an F-bomb. Ultimately, the Ember Projection zaps her to Fillory to solve the problem, leaving her stranded and memory-less in the middle of the Fillorian woods. But, it’s Margo, and if there is one thing we know about her, it is that she is going to handle her shit and look stunning while doing it.

Alice (Olivia Taylor Dudley) hatches a plan. Image courtesy of SYFY.

And finally, this brings us to Alice and the Order of Librarians. Alice is the only one of the original group to retain all of her memories, but unfortunately for her, she is locked in Library Jail for breaking her promise to them. Her hidden companion in the next cell turns out to be Santa of all people who tells Alice what she has been desperately needing to hear – that she is still a “good” person. I personally disagree with this, because 1. No one in the world of The Magicians is actually good, that’s part of the point of the show. It follows a group of spoiled, disaffected assholes and watches them be forced to grow up and become better. And 2. Alice is *Jean-Ralphio voice* the woooooooooorst. But regardless, his words bolster her enough to start puzzling out her means of escape…..via hiding a large cockroach in her mouth. Olivia Taylor Dudley does some really great, for lack of a better word, “mouth” acting in this scene.  Without overdoing it, she makes the audience uncomfortably aware that there is a large, disgusting bug in her mouth that she is trying to keep hidden while the head librarian waxes on a very long monologue. It’s also satisfying to see Alice experience guilt and fear over her actions and decisions from the last season. She’s no longer a sociopathic niffin, or a power-hungry and still pretty sociopathic post-niffin, she’s focused on trying to save her friends from the Monster. It’s possible this season will have a redemptive arc for Alice, if she manages to break out of Library Jail.

Overall, it is the start of a fun, twisted, dark, meta, tongue-in-cheek, new chapter for The Magicians, which basically, is everything we’ve come to expect from the show. We may be heading into Lev Grossman-less waters, but I feel confident about the shenanigans that showrunners Sera Gamble and John McNamara have in store for season four.

The Magicians airs Wednesdays at 9pm on SYFY.

‘Supernatural’ Writer Spotlight: Davy Perez

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Images courtesy of The CW/Warner Bros.

Davy Perez joined the writing staff of Supernatural in 2016. His first writing credit for the series is season 12’s “American Nightmare.” Since that episode, he has written or been executive story editor for 30 more episodes, which include “Lily Sunder Has Some Regrets,” “A Most Holy Man.” and last night’s “Damaged Goods.” Before he worked on Supernatural, Perez worked on Fargo and anthology series American Crime.

Perez does not have as many Supernatural writing credits as the other writers featured in this week-long showcase. But this is precisely why I wanted to spotlight his work. His episodes are always memorable, because his writing delivers dialogue that can be heartbreaking with a moment of hilarity thrown in unexpectedly, or it can be relaxed and smooth and then suddenly interrupted by sheer terror. And it’s seamless and believable every time. He simultaneously gives the primary plot points the attention and care they require, while also portraying the characters we know so well in a light that is all his own. And the three episodes I have picked to review here reflect those talents.

Season 12, Episode 12 – “Stuck in the Middle (With You)”

Sam (Jared Padaleck), Castiel (Misha Collins), and Dean (Jensen Ackles) take a ride. Image courtesy IMDB.com

In season 12’s “Stuck In The Middle (With You)” (which was directed by the beloved Richard Speight, Jr.), Mary asks her boys and her friend Wally for help with killing a demon. But we ultimately learn that she has lied to her family and is working on behalf of the British Men of Letters to retrieve the Colt from Ramiel, Prince of Hell. Her selfish and reckless actions endangered everyone around her, and she almost got Castiel killed in the process.

Perez tells this harrowing tale in a compelling way, all while matching the pace of Speight’s unique directing style. The opening scene at the diner grabs the viewer’s attention instantly, because the dialogue is hilarious and beautifully timed. Mary tries to keep everyone focused on the task at hand, while Dean imparts dating advice to Cas who is being hit on by the waitress. (The upside to dating a waitress, Dean shares, is that “they always smell like food.”) And while Sam is impatiently waiting to access the free wifi, Wally is ordering extra cheese on his burger to “carbo-load.” (“Cheese is not a carbohydrate,” says everyone at the table simultaneously.)

Once everyone agrees on their plan of action, the excitement does not stop. And, as is often the case with a Winchester hunt, things do not go as planned. Wally is killed, Dean saves Sam’s life with only a few seconds to spare, and Crowley arrives unexpectedly and throws a wrench into everything.

Nestled within this action-packed story, though, is a poignant morsel of writing that is unforgettable. As Castiel lay bleeding in a barn, his death seemingly imminent, he tells his family exactly how he feels about them, in no uncertain terms. And in this scene, Perez gifts Castiel with arguably the most heartfelt and beautiful words he has ever spoken on the series.

Look, thank you. Thank you. Knowing you, it…it’s been the best part of my life. And the things that…the things we’ve shared together, they have changed me. You’re my family. I love you. I love all of you. Just please…please, don’t make my last moments be spent watching you die.

Images courtesy of The CW/Warner Bros.

This episode was thrilling, shocking, humorous, and heartbreaking. And it was Perez’s writing that made it such a successful roller coaster of a ride.

Season 13, Episode 6 – “Tombstone”

Castiel (Misha Collins) and Dean (Jensen Ackles) help with an investigation. Image courtesy IMDB.com.

Another remarkable episode from Perez was “Tombstone,” the sixth episode in a season fraught with main character death, Nephilim angst, and alternate universes. This is also the episode that gave us Castiel’s “I’m your Huckleberry” and the term “Team Free Will 2.0,” which is a reference to the team of Sam, Dean, Cas, and Jack.

The boys (all four of them) go to Dodge City, Kansas, to investigate some grave robberies. Their findings lead them to discover that a ghoul is feasting on the dead and has assumed the identity of one of Dean’s favorite gunfighters, “Mysterious” Dave Mather, who died 130 years earlier. Mather is ultimately tracked down at the local mortuary and killed by way of decapitation.

In many respects, “Tombstone” has a lighthearted feel to it that is, in large part, thanks to Dean’s joy that his best friend Castiel is alive and back in his life. Sam’s spirits are uplifted seeing his brother so happy, and Castiel has some fun taking part in the investigation, adorably introducing himself to the local sergeant as “Val Kilmer.”

But during a shootout with Mather, Jack accidentally kills an innocent bystander, and this moment sends him off the emotional deep end. The guilt he feels from causing someone’s death convinces him that he is destined to be evil, like his biological father. The guys try to tell him that unfortunate events are just a part of the hunting life, but it isn’t enough to convince Jack that he is worthy of sticking around.

Images courtesy of The CW/Warner Bros.

Certain that he will ultimately harm those that he loves, Jack moves them out of his way with his powers and leaves the bunker.

This episode is a great example of how Perez can expertly carry forward and expand a significant plot line, while at the same time present the characters we know so well in a unique way. The script was able to present a joyous and, at times, hilarious story, as well as convincingly deliver Jack’s upsetting turning point and shocking departure at the end. Perez balanced all of these necessary elements effortlessly.

Season 13, Episode 11 – “Breakdown”

Sam (Jared Padalecki) is held hostage. Image courtesy IMDB.com.

Perez’s “Breakdown” has a “Monster Of The Week” feel to it, although there is no monster — at least, not one of supernatural origins. A network of deranged humans kidnaps victims and holds online auctions, so monsters can bid on the victims’ body parts. A distraught Sheriff Donna Hanscum (recurring guest star Briana Buckmaster) has learned that her niece Wendy is missing (the network’s latest victim), and she calls on the Winchesters to help locate her. Unsurprisingly, the boys rush to her side.

“New” Doug (Brendan Taylor), who we haven’t seen since season 11’s “Plush,” also takes part in this story, and we learn that he and Donna are now in a relationship and living together in Stillwater. Doug is also blissfully unaware of the truth about this world — that monsters are real, and his girlfriend is a proficient vampire killer. And this set-up gives us several funny moments, as everyone tries to navigate their way through their efforts to find Wendy, while keeping Doug safe and oblivious about nearly everything that is really going on.

Meanwhile, Sam is lumbering through a deepening depression that is a result of losing Jack, his mother, and Kaia. His behavior is conspicuously unusual for him: he stays in bed into the late morning hours, not wanting to face the day; he shows up late to an interrogation, which I have never seen him do before; and at times, he treats Donna with little concern for what she is going through, speaking to her in terse, blunt sentences without noticing how his words might be causing her more harm than good.

The entire episode is set at a frantic pace, and the ending delivers an unexpected gut punch so shocking, that fans today are still hoping to see some resolution to it, almost a year later.

Once again, Perez competently carries a major multi-episode plot point (this time, Sam’s struggle with grief and despair) with ease, while featuring our beloved characters in a new light. In “Breakdown,” he introduces us to a Donna that we have never met before — someone who is tormented and scared and almost without hope. She believes she is partly to blame for Wendy’s disappearance, and she has an apologetic tone when she asks the boys for help, which is downright heartbreaking to hear. She is also teeming with anger (understandably so), and the interrogation scene between her and the vagrant preacher is striking and scary. Seeing Donna – our adorable, happy-go-lucky, beloved Donna – drowning in anguish and hopelessness was difficult to watch.

But in the end, Donna finds Wendy alive, Sam is rescued by Dean from becoming a prized auction possession, and all is well….

…until is isn’t. Donna’s final scene could not have been anticipated by anyone. Frightened beyond belief after having been turned (albeit temporarily) into a vampire, and learning that he is in love with a monster hunter, Doug tells Donna that he cannot be a part of her life any longer. He does not ask her to change for him; rather, he leaves her to allow her to live her life as a “damned hero,” as he calls her. This shatters Donna into a million pieces, and we witness Doug walk out of the hotel room and, presumably, out of our lives forever.

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Perez has given us only a handful of Supernatural episodes, but each one has thrived on his powerful and memorable writing style. Series regulars and guest stars alike are given dialogue and scenes that are simultaneously Supernatural and unlike anything we have seen before. And last night’s “Damaged Goods” was yet another illustration of Perez’s talents, where we saw the storylines of Donna, Nick, and Mary expertly weaved together with the primary Dean-versus-Michael narrative.

Stick around for the final part of our series tomorrow, where we will be exploring some of the best moments from Andrew Dabb!

‘Supernatural’ Season 14, Episode 11 Recap: “Damaged Goods”

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Images courtesy of The CW/Warner Bros.

What’s in the book?!

This is the question that everyone has been asking for a solid week, since Billie visited Dean and laid out for him just how completely he screwed things up for himself by jumping back and forth between worlds.

Damaged Goods” was directed by Phil Sgriccia and written by Davy Perez. The episode takes us from Lebanon to Hibbing and beyond, and there are burgers, mustachioed pinups, and even a “Winchester surprise.”

Spoilers are ahead, so beware!

The episode opens on a demon who is tied to a chair and being interrogated by Nick. He is still searching for any information he can find about his family’s murders and about Abraxas, the demon who killed them. We learn that the captive demon used to work with Abraxas, until Abraxas was captured by a hunter.

After being threatened with an angel blade, the demon gives up to Nick that the hunter who captured Abraxas is currently in Hibbing, Minnesota. Nick thanks her for the information by killing her anyway.

At the bunker, Dean is grabbing some reference books from a storage room and has packed a duffel bag, presumably for a trip. He finds Sam in the library, where Sam is feverishly trying to figure out how to rid Dean of Michael, safely. Dean thanks Sam for his efforts, which understandably confuses Sam. Dean then tells his brother that he wants to take a trip to see Mary, who is currently staying at Donna’s cabin. When Sam starts to get prepared to leave with him, Dean says that he wants to go alone, so he can spend some one-on-one time with his mother. Dean then hugs Sam and leaves.

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At Donna’s Minnesota cabin, Mary is on the phone with Sam, and she is excited that Dean is on his way to see her. She tells Sam that she and Bobby have decided to spend some time apart, and she has been at the cabin by herself for some time. Sam then confides in Mary that he is concerned for Dean, because of the hug that he gave him earlier. Mary thinks this is sweet, but Sam explains that they hug “…only when it’s literally the end of the world.”

While he is on the phone with his mother, Sam makes his way to the storage room where Dean was earlier. He sees the empty spaces on the shelves where the books used to be, and he realizes that Dean may have an ulterior motive to visiting their mom.

Dean has now made his way to Hibbing and is chowing down on the “best burgers ever” with Sheriff Donna Hanscum. While they’re eating their lunch, Donna tries several times to ask Dean how he is doing, but Dean deflects and interrupts and asks her his own questions. Eventually, Donna calls him out on this, because she knows that he does not want to talk about the archangel who is “hitching a ride up there in [his] noggin.” (God bless Donna and her precious midwestern accent.) Dean tells her that he will make it through and for her not to worry. He hugs her goodbye and leaves. Donna is visibly concerned.

At Donna’s cabin, Dean pulls up in the Impala. He finds Mary in the backyard doing some target practice with pumpkins. Mary is glad to see her son and tells Dean that she would be happy to call Sam to join them, to make it a true family reunion. Dean pushes back slightly and says that he wants to be selfish with his “mom time.” Mary again suggests that Sam should join them, and Dean bluntly says, “I don’t want Sam here.”

He assures Mary that there is nothing wrong between him and Sam and that he is just “hangry” and starving. (This conversation is taking place about 20 minutes after eating lunch with Donna, remember.) He suggests that Mary make “Winchester Surprise” for dinner, a family meal that Mary refers to as “a heart attack on a plate.” Dean requests extra cheese on his, and he sends her off to the store to buy the fixins.

As soon as Mary leaves, though, Dean’s true purpose about making this trip becomes clear. He takes his duffel bag to the adjacent barn/workshop and looks around to take a mental inventory of the tools and supplies available to him. (He also sees a poster of a shirtless hunk in a cowboy hat, a mustache, and not much else.)  Dean puts on an 8-track of The Guess Who’s “No Time” and gets to work. He welds and saws and hammers …something together, although it is unclear at this point what he is building.

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At the grocery store, Mary loads the supplies into her truck, with the help of a store employee, and leaves. That store employee is then confronted by Nick, who has arrived in a blue van looking for Mary. The employee doesn’t tell Nick that he knows who Mary is or where she lives. Nick leaves the parking lot upset, and as soon as he is gone, the employee calls someone – presumably Mary – on his phone to warn them about Nick.

We now see Nick driving down a road at night, and he passes a police cruiser, who immediately turns on its lights as soon as it passes him. The cruiser turns around in the distance and catches up to Nick and gets him to pull over. The cop gets out of the cruiser, and we see that it’s Donna.

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The next scene shows Nick handcuffed and pushed up against the side of his van. Donna explains that the van he is driving was reported stolen a few weeks earlier. She takes a digital thumbprint from Nick and learns his real identity. While she is busy reading the display on her fingerprint scanner (with her back turned to Nick…what the crap, Donna?!), Nick escapes from his handcuffs using a paper clip, and he begins fighting her. Ultimately, he grabs her taser and knocks her unconscious with it.

Mary returns to the cabin with the food, and Dean starts to make dinner. Meanwhile, Sam calls Mary to check on things, and Mary tells him that she is worried about Dean and she needs more time to spend with him. She tells Sam not to come up to the cabin. Sam says he won’t, and he hangs up the phone, places the phone in his car console, and continues to drive like a bat out of hell toward Hibbing.

During dinner, Dean is telling Mary funny stories from when he and Sam were younger… about failed dinners that Dean made for everyone and how upset John would get because of how bad they were. Mary is remorseful that she was not present for so much of her sons’ lives, but Dean reassures her that he and Sam are so very thankful that she is there now. She then tells Dean that he can talk to her about whatever it is he is going through. Dean says to her that he simply does not want to talk about anything.

Later that night, while Dean is adorably snoring on the pull-out couch, Mary quietly walks out of the cabin and toward the barn/shed where Dean had been working earlier. She goes inside and looks around to find the books that Dean had brought with him. Mary sees blueprints of the structure that Dean is building, and it appears that she has figured out what Dean is planning to do, even though we still are left in the dark about it.

While Mary is searching the barn, the camera shows us Donna, who has been left in her cruiser unconscious. She begins to awaken from the assault.

Eventually, Mary leaves the barn. But she is immediately confronted by Nick, who has located her.

Inside the cabin, the still-snoring Dean is awakened by a ringing cell phone. It is Donna, who is calling to warn him about Nick. Dean rushes outside and runs into Sam, who has finally arrived. He tells Sam that Nick and Mary are both missing.

Away from the cabin, Nick has Mary tied up in his van. He explains to her that he learned that she was the hunter who fought Abraxas all those years ago. At first, Mary tells Nick that she killed Abraxas, but after being threatened, she admits to him that she successfully trapped the demon in an Enochian puzzlebox. And she agrees to take Nick to where the demon is currently being stored.

Donna has made her way to her cabin and meets up with the Winchesters. She gets a call over her radio that Nick’s van has been spotted 45 minutes away at a storage facility. The boys and the sheriff hightail it that way, hoping to save Mary in time.

At the storage facility, Mary shows Nick the set of lockers where Abraxas is stored. She does not offer more help than that, so Nick has to break each lock until he finds the puzzlebox. When he does, he demands that she open it, but she refuses. She also reminds him that a demon needs a host. And without that, Nick won’t even be able to communicate with Abraxas.

Nick’s solution is to kidnap and tie up the storage facility employee, so Abraxas will have a host. Mary still refuses to open the puzzlebox for Nick, so he takes a power drill and drills an opening into the box. This is successful, and the demon smoke escapes and finds the tied-up employee.

Images courtesy of The CW/Warner Bros.

When Abraxas wakes up in his new vessel, he immediately recognizes Mary. Nick starts asking him why he killed his family. Abraxas says he will answer his questions, but only after Nick kills Mary. Mary scoffs at this suggestion, until Nick grabs a knife and walks toward her to complete his end of the trade. But just when he is about to attack Mary, Sam, Dean, and Donna arrive to stop him and save Mary.

However, Nick takes this opportunity to break the devil’s trap that is holding Abraxas, and the demon takes control of the situation. Abraxas then tells Nick that he killed his family, because he was following orders — Lucifer’s orders. When Nick asks why his family was chosen, the demon tells him that it was a random assignment, like throwing a “dart at a phonebook.”

Abraxas then turns around to start attacking everyone, but Nick approaches him from behind and stabs him with the angel blade. With Abraxas dead, Nick makes like he is going to kill everyone else there. But Donna shoots him in the leg, disabling him, and everyone is then safe.

Outside the storage room, Mary confronts Dean about what she found and that she has figured out what Dean is building in Donna’s shed. And she tells him that, if he does not tell Sam what his plans are, then she will.

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Back at the shed, Dean brings Sam up to speed on his plans. Dean has been building a special box that is secured and warded sufficiently enough that, once inside, not even an archangel can escape. Sam admits that he has heard of such boxes, but that they are supposedly impossible to build. Dean tells him that he has successfully built one and wants to use it to trap himself with Michael — forever. He explains to Sam about the visit from Billie and that this is the only way to save this world. Otherwise, Michael will burn it all down.

Sam then reveals the anger that has built up since Dean left for Donna’s cabin. Sam has realized that Dean was on a suicide mission of sorts and had made no time or opportunity to say goodbye to him on his “farewell tour.” Dean admits that he knows Sam is the only one who could have talked him out of this plan, and he did not want Sam to have a chance to do that.

Dean then says, “Now you can either let me do this alone, or you could help me. But I’m doing this.”

After much hesitation, Sam says, “All right.”

Tune in next week for the 12th episode of the season, “Prophet And Loss,” which will air on The CW at 9/8c.