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‘6 Underground’ Is Almost Here and It Looks Explosive!

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Courtesy of IMDb and Netflix

6 Underground promises all the effects we are used to when director Michael Bay gets his hands on a movie. If the trailer lets us know anything, it’s that the movie will not disappoint. Combined with the humor that has become the calling-card for Ryan Reynolds, 6 Underground absolutely looks like it will be the action flick of the holidays this year.

Reynolds plays the role of “The Mastermind,” a tech-billionare who fakes his own death and assembles a team of operatives to take down a brutal dictator. Recruited onto his team are Manuel Garcia-Rulfo as “The Hitman,” Adria Arjona as “The Doctor,” Ben Hardy as “The Skywalker,” Corey Hawkins as “The Operative,” and Mélanie Laurent as “The Spy,” all with their own strengths and weaknesses, and they sure make an interesting team. Following the footsteps of “The Mastermind,” they all fake their deaths, blend in with the world, and become ghosts — all to try and take down a dictator so awful they are willing to lose everything they have.

6 Underground premieres in select theaters December 11, and you will be able to stream it on Netflix staring on December 13. Watch the trailer below!

Why Adam Driver Should Win an Academy Award for ‘Marriage Story’

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Courtesy of ‘Marriage Story’

You’d best know Adam Driver from his role as Adam Sackler in HBO’s GirlsStar Wars as the vengeful Kylo Ren, or for his Academy Award nominated Flip Zimmerman in BlacKkKlansman. 

This year, Driver has a new role in Marriage Story released on Netflix December 6, which is garnering much attention and for good reason. Driver is at the helm alongside co-star Scarlett Johansson, where the two play Charlie and Nicole, a married couple who are navigating through an impending divorce. The story takes you through the start, and how their divorce proceeds to include lawyers and the custody of their 8-year-old son, Henry.

First, let us start by saying that Johansson nails her role. She takes writer and director Noah Baumbach’s script and only elevates it in a way Johansson can do. The whole supporting cast is incredible, including Laura Dern, Ray Liotta and Alan Alda.

However, we want to talk about Driver specifically in this article. In Baumbach’s story, the writing leads to more of an empathetic turn towards Charlie. However, what Driver does with the character really takes Charlie to a whole new level. The writing is spectacular, but it’s the little nuances that Driver brings to the role that really makes Charlie stand out.

In the scene where Charlie is served divorce papers is when we get our first example of Driver’s dedication and small nuances that make this character so riveting. When he receives the divorce papers and Johansson’s Nicole is in the kitchen awaiting his response, you can see the wheels turning on Driver’s face; you can watch the character thinking and analyzing, and that’s something only a skilled and incredible actor can portray. Driver leaves all of his emotions in his expressions, and you can see what he’s thinking without him saying it.

In the room where Charlie is having a side-bar with his lawyer during mediation, you really see Driver’s anger come out in a way we haven’t seen his character do so yet. Driver has such a way of delivering lines and telling stories that are unique to him. It’s the way we get lost in a character of his, and how he can change his tactics and delivery to exactly what each portrayal needs. Specifically in Star Wars, we see Driver’s character get angry … all the time. However, it’s a completely different anger and delivery in his performance as Charlie that you can see just how much he studies and throws himself into each character differently. He gets emotional and you can read all the tells on his face, and specifically in this scene, he takes a long pause where he puts his hand over his mouth — almost as if he’s catching himself before he says something he’ll regret — but the delivers the line anyway, “I should have never let her come out here with Henry.” Driver has stated in interviews that they stuck heavily to the script without improvisation, and it just goes to show how much thought his technique through, and how believable he is as an actor to deliver these lines in such a way that makes the audience think he really did come up with them.

Image courtesy of ‘Marriage Story’

One last scene in particular that really sets the tone for Driver in this film is where he and Johansson square off in a scene in Charlie’s apartment. As you watch it, you realize that with all of the heavy dialogue and heavy emotion, it’s one continual shot. No shot changes, no breakup of the dialogue — these actors did an incredible job in one shot. The emotion that radiates off of these two really makes you feel like you know them and their story. Driver once again delivers the scene with such emotion and small nuances that you can feel the tension radiating off him, and when he breaks down and cries, you really believe him and are hanging onto every word he says — even in a time where you’re not supposed to like his character.

Towards the end of the film, Driver sings “Being Alive” and it’s such a soft and vulnerable moment for Driver and the character. His delivery — which is very Broadway-like — really drives home the feeling of Charlie’s divorce. Also towards the end, Henry discovers Nicole’s letter to Charlie from the beginning of the film, where she wrote down all the things she loved about Charlie. Watching Driver read that, and his emotions changing as he reads through and reads the last line — there’s not enough words to praise Driver here. It’s the part in the film where we really let go of the emotions and cry alongside him.

Overall, this film really showcases Driver’s talent. He’s an incredibly dedicated and talented actor. He’s vulnerable in all the right places. It’s so easy to read his emotion, to look into his eyes and feel what the character is feeling. He draws you in, scene after scene, and leaves you really rooting for Charlie. Marriage Story in itself is a heavy story, and Driver takes the audience along for the ride and only elevates Charlie.

There’s a lot of buzz already for Driver being a favorite to not only get nominated for an Academy Award, but to win it. After seeing Marriage Story, there’s no one else who deserves it more.

‘The Blacklist’ Season 7 Episode 9 Recap: “Orion Relocation Services”

If you missed last week’s recap and would like to catch up, you can read it here.

This episode begins nine weeks ago, with a couple moving from their home to DC when their realtor asks them to go inside to sign some paperwork. The realtor assures them of their items’ safety as two of the movers suddenly suffocate the couple with plastic bags. The bodies are rolled in a carpet and taken into a truck. The realtor calls Katarina with her new identity, Madeline Tolliver. Katarina tells her driver Berdy that it seems they will be neighbors with Keen after all.

In the present time, Liz is sending Agnes to school and sees Maddie (Katarina). Liz invites her to coffee after she drops off Agnes. Katarina and Berdy discuss Skovic’s methods as we see Skovic explaining what he is going to do, find memories. Katarina walks in and hands him something, and he tells Ilya that Katarina wants him to go back to 1991 when Katarina reached out to him, and he found out she was alive.

Liz opens her door, expecting Katarina, but it’s Red and Dembe. They sit down for coffee, and Red tells Liz that a woman from Paris has kidnapped a dear friend. We see Ilya getting sedated as he tells Katarina that she doesn’t have to do this. Liz asks the name of the woman and he continues that this friend has information that this woman will do anything to get. He says they have a lead, Orion Relocation Services. Liz says she deserves to know her name if she is going after Red’s friends or them. Red asks about the FBI keeping a lookout for her, and Liz changes the subject back to Orion Relocation Services.

Liz briefs the team on Orion Relocation Services. She tells them they kill innocent people and give their identities to their clients. Liz says they have a lead on a Sofia Burke, who is requesting Orion’s services. We see Sofia talking to the realtor from the beginning saying she needs to disappear. According to Aram, Sofia is a jewel thief, her partner, who tried to steal the “Dresden Green,” is awaiting trial in Brooklyn. Cooper sends Ressler and Park to Brooklyn to investigate. Aram gives Liz an envelope from the Hoover Building that has a flash drive inside. She tells Aram that Agnes saw a dead body at the park the other day. There was a birthday party happening at the same time, Liz and Aram watch the video of the birthday party. They see two men walking towards the restroom in the background.

Skovic, Ilya, and Katarina are in her apartment as Skovic prepares to extract Ilya’s memories. He tells Ilya not to fight because it will only make him relax more. He tells Ilya to breathe and picture himself as a young man on the day he found out Katarina was still alive. We start to see a glimpse of young Ilya from 1991 as Skovic tells him to open his eyes. Suddenly, we see the young Ilya’s eyes open.

Liz shows the video from the park to Cooper and says that she sent the screengrab to FBI offices around the world, and no one can ID the two men. A woman is seen cutting her hair and telling someone on the phone to liquidate everything. Liz asks about Burke’s partner, and he says that the partner gave a name, Richard Potash. Red is about to meet with him at a restaurant he frequents, and Liz tells Cooper she is attending. She wants to know how these men are connected to her daughter.

Liz and Red arrive at the dinner, and Red finds Potash. He introduces himself as Raymond Reddington and introduces Liz as Lydia Dart, a client of his. Liz tries to start a conversation with Potash when the chef Rasmus Ray tells everyone to take their seats. He explains that they will be enjoying their meal, without prejudices, in the dark. “Is this for real?” “Well, it certainly just got interesting.”

Back at Katarina’s apartment, Ilya, who is guided by Skovic, recalls the day he found out Katarina was alive. Older Ilya and young Ilya are standing side by side as he watches his 1991 self and Katarina chat. He had heard about her suicide in Cape May but was relieved to know she was alive. He recalls the plan they made about impersonating Reddington, but he remembers it didn’t work out as they thought. He says that the plan involved Katarina, Dr. Koehler, and himself. Katarina asks, “who was under the knife,” but suddenly, Ilya’s blood pressure spikes because he is guarding the memory. Skovic wants to bring him out, but Katarina refuses and suggests letting him rest.

At the dinner, dishes are getting served as Red, and Liz tells Potash they want him to reach out to Sofia Burke to try to steal the “Dresden Green.” Potash says he would need to make a call. The chef’s next dish is to kill an endangered owl but is stopped by Reddington, who turns on the light and says he is taking the owl. He calls Lydia (Liz) and gives Potash a look as he turns the lights back off.

Liz and Red are waiting at a restaurant for Sofia. Sofia walks in and says that she won’t try to steal the Dresden again. Red has her sit and explains that he needs information about Orion Relocation Services. She pretends not to know, but when Dembe brings a briefcase full of money, she seems willing to talk. Liz gets a call from Agent Dentry in Baltimore about the picture of the man from the park as Sofia explains to Red that Orion finds someone who is moving that has no family and is the same age, ethnicity, etc. with the person who needs to disappear. We see the woman who is packing her items and is the next victim. Red asks for the name of her new identity, and she says it’s Denise Young.

Liz gets the name of the man, Tommy Petrov, but Agent Dentry says he answers to Motya Morozov. The agent tells her he was shot and was hoping she knew why. Red tells Dembe that they need to find Denise Young, and to help find Ilya, he needs help from the person who needs to stay away from him, Liz. Red says they have a lead when Liz comes out and mentions Morozov. She asks if he was looking for her mother, and Red says he was before he shot him. Liz asks if they find the woman in Paris will all of this end, he hopes so.

At Katarina’s apartment, Skovic updates her on Ilya’s condition and suggests an unorthodox method to help recall the memory. Skovic tries once again to have Ilya recall a memory, this time in Belgrade, at a cafe. Older Ilya is seen at the cafe as he is guided by Skovic to remember, but he resists. Suddenly, a hand reaches over, and it’s Katarina. She is sedated and trying to get through to Ilya. Katarina tells him that she knows that he met with Dom. Ilya and Katarina are seen looking at young Dom and young Ilya as they talk. Ilya said it was dangerous for them to meet, and Dom said that the plan for Reddington didn’t work. It only angered people after her and created the Townsend Directive, by Neville Townsend. Ilya says he can’t help, and Townsend will not stop looking for Katarina, but Dom reminds him he made a promise to Masha and Katarina. Dom says they will stop looking if Katarina dies. “You want me to kill your daughter?” “I want you to hear my plan.”

The team gathers in Cooper’s office, surprised that the Russian Vory was involved. Liz feels she should move because the Russian Mob is after her family. Ressler assures her the FBI is watching, as Park comes in with some information on Denise Young. She found several but only one matching the description given from Sofia of a woman trying to escape abuse. Cooper sends Liz and Ressler to her house while Park and Aram try to warn her of trouble.

Young Dom and young Ilya are in the car, watching an inn across the street. Dom said that Ilya could get to her. Ilya said that he couldn’t do it, but Dom said it was to protect Masha. Young Katarina is seen leaving the inn as older Katarina and Ilya are retelling what happened from their perspectives. Ilya asked a favor of Katarina, to meet Dom at Volkov Station. Her husband, at the time, tried to stop her and was angry knowing she was still involved with her past. The Townsend Directive were all gathered with guns to try and kill Katarina as Ilya and Dom watched. Pyotr, her husband, insisted on coming and gets in the car when suddenly, the car explodes. It is very emotional for Katarina as she remembers, and Ilya keeps apologizing. Back at the scene, residents from the inn run out just as the Townsend Directive tried to finish the job. Ilya said it had all gone wrong. A phone is heard ringing, and it’s older Katarina’s. Liz had called to have her watch Agnes until she gets home. Liz tells Katarina that there was a dead body at the park, and men were after her. Katarina asks who, but Liz can’t explain. She needs someone she can trust, and Katarina says she will keep Agnes safe.

Young Dom and young Ilya are in the car arguing. Dom says that instead of showing her death, they showed Katarina alive, and now Masha is a target. Ilya says he had no idea as older Ilya is seen in the backseat. Young Ilya says they need to tell Reddington what happened, but Dom refuses. Skovic asks why Red has to know, and Ilya says that he is part of it. Katarina becomes angry that Ilya was protecting him when he was supposed to protect her, and now she is being hunted after losing everything that day. Ilya begins to seize, and Skovic stops the seizure. Katarina tells him she wants the truth, but Skovic says she can’t get it if he is dead.

Liz and Ressler are on the way to Denise’s house and are on the phone with Park and Aram. Aram explains that Young has seemingly hidden from them. Park said that she couldn’t get ahold of Reddington, and gave him the address before she called them. Denise is with Bisset, the realtor, and says she can’t wait to leave because of the memories there. There is a shotgun in case her ex tries to come back. She grabs her keys as one of the moving men try to suffocate her. She sprays him with pepper spray and runs to grab her shotgun. The realtor instructs the other man to help one another as she grabs a knife to kill Young. Red and Dembe arrive on the scene and hear gunshots. Dembe shoots both the moving men. Red is upstairs and finds the realtor woman on the floor with a gunshot wound. He gets out a picture of Katarina and asks where she is, but the woman dies before providing answers. Liz arrives and insists on the woman from Paris’ name, but Red says he must leave because of shots fired in a residential neighborhood.

Liz is at Red’s apartment, asking Red to come to identify the woman from Paris from the Orion files at the War Room. Red agrees, and the team searches through all the records. Liz happens upon her nanny and flashes to all their interactions. Liz hides the file under her jacket and tells the team she has to relieve her nanny. She gets home, and Katarina is sitting drinking wine. She asks about the men from the park, but checks on Agnes first. She grabs her gun, puts a silencer on it, and she comes out of the room. Liz tells Katarina that the men at the park weren’t after Agnes; they were after her. “Maddie Tolliver would never kill anyone. But Katarina Rostova would.” Katarina says she can explain, but Liz points her gun. Liz asks why she shouldn’t kill Katarina, and she says, “I’m your mother.”

You can watch the promo for next week’s episode below!

The Blacklist airs Fridays at 8 p.m. EST on NBC.

‘Free Guy’ Has Entered the Game

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Image courtesy of ‘Free Guy’

Are you sick of superhero movies? Too bad, because the trailer for Free Guy looks so good you will want to see it no matter what.

Guy is just your standard guy. He wakes up, goes through his morning routine, and goes to his job at the bank while dodging gunfire, robberies, and flamethrowers, just like everyone else.

Until one day, during one of the usual bank heists, he starts questioning if there isn’t more to life than helping customers and dropping to the floor with his hands over his head. Queue a struggle with the bank robber, and Guy discovering a world that is so much more than he ever thought.

Starring Ryan Reynolds, Jodie Comer, Joe Keery, Lil Rel Howery, Utkarsh Ambudkar, and Taika Waititi, this movie definitely looks like it will be a fresh breeze next summer. Check out the trailer in it’s entirety below, and catch Free Guy in theaters on July 3!

The 2020 Golden Globe Nominations: The Full List

Awards season is upon us! This morning at 8 a.m. ET the Hollywood Foreign Press Association revealed their picks for the 2020 Golden Globes. The 77th Golden Globes, hosted by Ricky Gervais, will take place Sunday, January 5, 2020.

The Golden Globes are not always indicative of Academy Award contenders, but we suspect to see many of these films throughout awards season in the coming months. The Two Popes, Marriage Story by Noah Baumbach, and The Irishman by Martin Scorsese are leading the way for Netflix with a combined 15 nominations — with Marriage Story leading the entire cinematic field with five.

Also making a few appearances is Todd Phillips’ Joker, including Best Director for Phillips and Best Actor in a Motion Picture — Drama for Joaquin Phoenix. And Apple nabbed its first nominations for its new series The Morning Show.

Also an interesting turn of events, broadcast TV earned zero nominations, with Netflix and HBO holding 17 and 15 respectably, with newcomer Apple TV+ gaining three. And even more shocking is the single nod to HBO’s Game of Thrones, with Kit Harington being the sole nominee for the series with Best Actor in a Drama Series.

Ellen DeGeneres will also be honored with The Carol Burnett Award and Tom Hanks is set to receive the Cecil B. DeMille Award.

You can see the full list of nominations below:

Best Motion Picture — Drama

1917

The Irishman

Joker

Marriage Story

The Two Popes

Best Motion Picture — Comedy

Dolemite is My Name

Jojo Rabbit

Knives Out

Once Upon a Time in Hollywood

Rocketman

Best Motion Picture — Foreign

The Farewell

Les Miserables

Pain and Glory

Portrait of Lady on Fire

Parasite

Best Supporting Actor — Motion Picture

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

Best Supporting Actress — Motion Picture

Kathy Bates, Richard Jewell

Anette Bening, The Report

Laura Dern, Marriage Story

Jennifer Lopez, Hustlers

Margot Robbie, Bombshell

Best Director — Motion Picture

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

Bong Joon Ho, Parasite

Sam Mendes, 1917

Todd Phillips, Joker

Best Screenplay — Motion Picture

Marriage Story

The Two Popes

Once Upon a Time in Hollywood

Parasite

The Irishman

Best Actress in a Motion Picture — Drama

Cynthia Erivo, Harriet

Scalett Johansson, Marriage Story

Saorsie Ronan, Little Women

Charlize Theron, Bombshell

Renee Zellwegger, Judy

Best Actress in a Motion Picture — Musical or Comedy

Ana De Armas, Knives Out

Awkwafina, The Farewell

Cate Blanchett, Where’d You Go Bernadette

Beanie Feldstein, Booksmart

Emma Thompson, Late Night

Best Actor in a Motion Picture — Drama

Christian Bale, Ford vs. Ferrari

Antonio Banderas, Pain and Glory

Adam Driver, Marriage Story

Joaquin Phoenix, Joker

Jonathan Pryce, Two Popes

Best Actor in a Motion Picture — Musical or Comedy

Daniel Craig, Knives Out

Roman Griffin Davis, Jojo Rabbit

Leonardo DiCaprio, Once Upon a Time in Hollywood

Taran Egerton, Rocketman

Eddie Murphy, Dolemite Is My Name

Best Original Score — Motion Picture

Motherless Brooklyn

Little Women

Joker

1917

Marriage Story

Best Motion Picture — Animated

Frozen 2

How to Train Your Dragon: The Hidden World

Lion King

Missing Link

Toy Story 4

Best Television Series — Drama

Big Little Lies

The Crown

Killing Eve

Morning Show

Succession

Best Television Series – Musical or Comedy

Barry

Fleabag

The Kominsky Method

The Marvelous Mrs. Maisel

The Politician

Best Miniseries or Television Movie

Catch-22

Chernobyl

Fosse/Verdon

The Loudest Voice

Unbelievable

Best Actor in a Miniseries or Television Movie

Christopher Abbott, Catch-22

Sacha Baron Cohen, The Spy

Russell Crowe, The Loudest Voice

Jared Harris, Chernobyl

Sam Rockwell, Fosse/Verdon

Best Actress in a Miniseries or Television Movie

Michelle Williams, Fosse/Verdon

Helen Mirren, Catherine the Great

Merritt Wever, Unbelievable

Kaitlyn Dever, Unbelievable

Joey King, The Act

Best Supporting Actor in a Series, Miniseries or Television Movie

Alan Arkin, The Kominsky Method

Kieran Culkin, Succession

Andrew Scott, Fleabag

Stellan Skarsgård, Chernobyl

Henry Winkler, Barry

Best Supporting Actor in a Series, Miniseries or Television Movie

Alan Arkin, The Kominsky Method

Kieran Culkin, Succession

Andrew Scott, Fleabag

Stellan Skarsgård, Chernobyl

Henry Winkler, Barry

Best Supporting Actress in a Series, Limited Series or Television Movie

Meryl Streep, Big Little Lies

Helena Bonham Carter, The Crown

Emily Watson, Chernobyl

Patricia Arquette, The Act

Toni Collette, Unbelievable

Best Actor in a Comedy Television Series

Ben Platt, The Politician

Paul Rudd, Living With Yourself

Rami Youssef, Rami

Bill Hader, Barry

Michael Douglas, The Kominsky Method

Best Actress in a Comedy Television Series

Christina Applegate, Dead to Me

Rachel Brosnahan, The Marvelous Mrs. Maisel

Kirsten Dunst, On Becoming a God in Central Florida

Natasha Lyonne, Russian Doll

Phoebe Waller-Bridge, Fleabag

Best Actor in a Drama Television Series

Brian Cox, Succession

Kit Harington, Game of Thrones

Rami Malek, Mr. Robot

Tobias Menzies, The Crown

Billy Porter, Pose

Best Actress in a Drama Television Series

Jennifer Aniston, The Morning Show

Olivia Colman, The Crown

Jodie Comer, Killing Eve

Nicole Kidman, Big Little Lies

Reese Witherspoon, The Morning Show

Pedro Pascal’s Mustache: A Scientific Analysis of Power and Greatness

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Fine folk of the internet, we are gathered here today to discuss an important topic. It’s a topic of art, of beauty, of grace. It’s a reminder of all things good in the world, a beacon of hope.

It’s Pedro Pascal’s mustache.

In recent years, Pascal has paved a searing path in the film and television industry with the impressive range of his acting skills. Bounty hunting space dad, sultry prince, DEA agent … the list goes on. And a frequent flyer on Pascal’s journey to stardom has become a beloved icon — the mustache.

Join us now as we scientifically break down the properties of the many aliases of this great mustache.

Kingsman: The Golden Circle

Featuring: Agent Whiskey’s “I Know I’ve Got a Lasso, But the Mustache is the Real Weapon”

Courtesy of Twentieth Century Fox.

Important Qualities:

  • Adequate distraction to whip out the lasso
  • Technically counts as a third weapon when double-fisting revolvers

Scoville Rating:

  • Piquant

The Mandalorian

Featuring: The Mandalorian’s “Use Your Imagination” aka “We Know It’s Under There”

Courtesy of Lucasfilm/Disney.

Important Qualities:

  • Mysterious
  • Top secret
  • Probably made of beskar
  • Definitely very clean

Scoville Rating:

  • Sizzling (probably)

Game of Thrones

Featuring: Oberyn Martell’s “If I Can’t Seduce You, My Mustache Certainly Will”

Courtesy of HBO.

Important Qualities:

  • Radiates power
  • Actual royalty
  • Clearly even the Mountain was jealous of it

Scoville Rating:

  • Spicy

Triple Frontier

Featuring: Francisco ‘Catfish’ Morales’ “This Mustache Deserves an Even Split from the Heist”

Courtesy of Netlix.

Important Qualities::

  • Gives off real “Trust me, I can fly this thing” vibes
  • Looks even better with a baseball cap
  • Rivals the value of the money lost in the heist, honestly

Scoville Rating:

  • Hot

Prospect

Featuring: Ezra’s “Better the Arm Than the ‘Stache, amiright?”

Courtesy of IMDb.

Important Qualities:

  • Decent bargaining tool when a teenage girl is pointing a gun at your face
  • Goes great with a space suit

Scoville Rating:

  • Roasting

Narcos

Featuring: Javier Peña’s “Yes Sir, I’ll Negotiate With That Mustache”

Courtesy of Netflix.

Important Qualities:

  • Looks great with aviators
  • Truly an absolute Look™
  • This mustache single-handedly took down Pablo Escobar

Scoville Rating:

  • Scorching

And now, we’re now going to take a moment to pour one out for Pascal’s missing mustache in the upcoming Wonder Woman 1984. Listen, it’s fine, rumor has it the mustache was on holiday in Bermuda during filming and couldn’t catch a flight back in time. Or maybe it was just asking for a little too much money this time around. It’s almost to the point of earning its own opening credits line at this point, after all.

So there you have it, what is arguably the best and most powerful mustache of the decade, courtesy of the one and only Pedro Pascal. An inspiration to facial hair everywhere.

‘Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn’ Posters Released

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Image courtesy of ‘Birds of Prey’ Twitter

The character posters for the upcoming Birds of Prey movie are now released. The new posters feature Harley Quinn (Margot Robbie) and her hyena, Black Canary (Jurnee Smollett-Bell), Huntress (Mary Elizabeth Winstead), Cassandra Cain (Ella Jay Basco), Renee Montoya (Rosie Perez), Roman Sionis (Ewan McGregor), and Victor Zsasz (Chris Messina).

Birds of Prey will follow the antics and emancipation of Harley Quinn after she realizes that Joker truly doesn’t love her, that she deserves better and is the real evil genius between the two, and leaves the Joker for good. When a new crime lord Roman Sionis, also known as Black Mask, causes trouble and turns Gotham upside down looking for Cassandra Cain (Basco), Harley Quinn and a few others appear on his radar. The women with her are Renee Montoya, Dinah Lance/Black Canary, Helena Bertinelli/ Huntress, and more work together to protect Cassandra.

Jordan B. Gorfinkel and Chuck Dixon created the Birds of Prey comic and released in 1995. The first comic was called “Black Canary/Oracle: Birds of Prey.” It is also the name of the all-female superhero team and later is led by Barbara Gordon, who goes by the name Oracle who is friends with and was partners with Black Canary.

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn will be out in the theaters on February 7, 2020, you can watch the trailer below.

Nerds Gets Cheery: Watch An Angel Get His Wings In ‘It’s A Wonderful Life’

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Image courtesy of ‘It’s A Wonderful Life’

Welcome to our ninth article in our Nerds Gets Cheery series! During the month of December, we are recommending some of our favorite holiday films to get you in the spirit of the season. Today, we travel to Bedford Falls and meet Mr. George Bailey, a man convinced he has nothing to offer to the world. But over the course of one magical night, he will discover that his life has meant more to many than he will ever know.

It’s A Wonderful Life is a classic movie, widely regarded as one of the best films of all time. Even though its setting in in the past, the story is timeless, and James Stewart as George Bailey is one my favorite performances of all time.

The film opens with Clarence, a guardian angel whose newest mission is to save George, who is contemplating suicide on Christmas Eve after a string of bad luck. He believes he is worth more to his family dead than alive, and in order to show Clarence how to save George, Clarence is shown flashbacks of George’s life. As we watch the positive effect George has had on his wife Mary, his children, and indeed his entire town, we see just how awful it would be to lose him. It is now up to Clarence to earn his wings and convince George that his life is worth living by showing him a world in which he never existed.

Image courtesy of ‘It’s A Wonderful Life’

There are so many beautiful moments in It’s A Wonderful Life, from George’s dance with Mary that ends in the pool to George’s neighbors heartwarming efforts to help him, to the lovely final scene with George’s family and friends singing “Auld Lang Syne”.

via GIPHY

My personal favorite scene comes when George is trying to impress Mary and they share a sweet moment:

George: What is it you want, Mary? What do you want? You want the moon? Just say the word and I’ll throw a lasso around it and pull it down. Hey. That’s a pretty good idea. I’ll give you the moon, Mary.
Mary: I’ll take it. Then what?
George: Well, then you can swallow it, and it’ll all dissolve, see … and the moonbeams would shoot out of your fingers and your toes and the ends of your hair … am I talking too much?

Man on Porch: Why don’t you kiss her instead of talking her to death?

George Bailey: You want me to kiss her, huh?

Man on Porch: Ah, youth is wasted on the wrong people.

via GIPHY

But the reason this movie is one of my favorites is its message that every life is important, and that if you have faith you can never be truly lost. As Clarence says to George:

“Strange, isn’t it? Each man’s life touches so many other lives. When he isn’t around he leaves an awful hole, doesn’t he?”

So if you’re looking for an uplifting and heartwarming film this holiday season, look no further than It’s A Wonderful Life!

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‘Knives Out’ Snags Three Golden Globe Nominations

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Image courtesy of ‘Knives Out’

Knives Out is still taking the world by storm since its Thanksgiving release. It opened with a shocking $70 million worldwide over its debut weekend, and now it’s here to carve up awards season.

After three Critics Choice Awards nominations yesterday, they can now add three more to their impressive growing resume. The Golden Globes have nominated them for Best Motion Picture — Musical or Comedy, Best Actress in a Motion Picture — Musical or Comedy for Ana de Armas, and Best Actor in a Motion Picture — Musical or Comedy for Daniel Craig.

This is only the beginning for this dynamite film in the 2020 nominations, so expect more from them soon.

Knives Out is currently playing theaters, with more worldwide releases opening in the coming weeks.

Adam Driver Nominated for Golden Globe for ‘Marriage Story’

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Courtesy of ‘Marriage Story’

The Golden Globe Award nominees were announced this morning, and Adam Driver was nominated for Best Actor for his role in Marriage Story.

Driver stars alongside Scarlett Johansson (who was also nominated) in an ultra-realistic film about the hardships of divorce. The film is now available to stream on Netflix.

This is Driver’s second Golden Globe nomination, as he was previously nominated for his role in BlacKkKlansman. The Golden Globe Awards will take place on January 5 at 8pm EST on NBC.