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‘Motherland: Fort Salem’ Recap: Season, 2 Episode 2 “Abomination”

Last week, Raelle and Abigail returned from their first deployment with a new power they don’t yet understand but were determined to recreate and Tally, upon learning they had survived, accepted General Alder’s offer to free herself from her new role as a Biddy. The episode culminated in the Unit heading off to War College and that’s exactly where episode 2 picks up.

Izadora and Alder watch as Raelle and Abigail stand in an isolation tank singing, attempting to recreate the event but to no avail. Izadora tells Alder they’ve been at it for days, and Alder is disappointed to learn there’s been no success. She’d hoped to present the new power as a weapon against the Camarilla to the visiting Hague delegation. When the girls emerge, Alder orders them to end their tests and join Tally for their formal training at War College. Abigail and Raelle leave, but Izadora has something more to show Alder. A specimen from the Tarim region where the blast occurred has arrived, the head of the man covered in what looked like mushrooms. Izadora is baffled, there is no human tissue remaining. The Mycelium wall is ominously in the examination room and Alder glances at it before leaving.

The Unit have breakfast as they discuss the suspension of the tests, Abigail wants to continue them but Raelle prefers they figure it out themselves. Tally fills them in that she hasn’t had anymore weird dreams relating to Alder. With that, Abigail gives a run down on War College. They are part of the Sekhmet coven, named for the Egyptian war goddess, and there are already rumors flying. Many witches believe they only got into War College because Abigail’s mother pulled strings. They also notice Penelope, the Vice President’s daughter, eating alone and Tally feels bad for her sudden immersion into witchhood.

Back at a new safe house, Scylla checks in with Willa informing her that she believes that the Camarilla could be behind the rallies. The events are too well funded and organized to just be grassroots, and she’s working on infiltrating the well connected members. She’s befriended Bonnie and Shane, though Willa warns her not to get too attached (low blow, Willa). Scylla wonders why Willa didn’t contact Raelle and we get some answers at lasts to that burning question. Willa was angry at seeing Raelle grow up without her every time she came back from a mission. She believes the Army kept her away from her family because they didn’t approve of her marrying a civilian. Her anger blinded her to everything but the Spree mission. Once they confirmed the Camarilla returned, she felt Raelle would be safer in the Army.

The girls sit in a common room when their Coven leader, M, arrives. They inform them that some training will be as a Coven but most days will be individual, specialized training. As they head to their rooms (Units still bunk together) a male witch named Gregorio approaches Abigail, and she only says hi before leaving. M asks Raelle to stay behind and M informs her that gossip is intel at War College. While they talk, Izadora witnesses a bizarre event with the specimen. Its eyes open and it speaks Raelle’s words as she talks to M, she is somehow connected to it. M wants to make sure Scylla is firmly in the past and Raelle doesn’t have other secrets that could damage the Coven.

Once the Unit is in their dorm room, Tally wastes no time digging for the details on Gregorio. He was Abigail’s Cavalier at her debut, the one Libba “stole.” Naturally this is when Gregorio walks in and he finishes the story. He wasn’t “an object” to be stole, he and Libba were actually together but had kept it secret. Abigail didn’t know, and the reminisce about Libba for a moment. Tally changes the subject, asking about him being a male witch at War College. He snaps at her that she can just say witch, then starts laughing (he has quite the sense of humor). They are summoned to the common room where Alder gives The Unit plus M and Gregorio a speech about the importance of their mission and training as they face their new enemy, the Camarilla.

“I also want to encourage you to embrace the foundational principles of War College. To know you must be constantly seeking the truth no matter where it leads you. To dare to be utterly fearless not just in facing the enemy but also what lies inside you. To will to effect change in the world around you with total control and conscious intention. And to keep silent, you spoke the words in your oath: all secrets keep.”

Meanwhile, Izadora continues her examination by cutting open the specimen to inspect the brain. Inside, she finds not a brain, but the Mycelium. It’s part of their Mycelium, Izadora realizes Raelle and the Mycelium are still connected after she touched it (and she’s not happy about it).

Scylla arrives at the mall for the next memorial, and mentally relives causing these deaths that people are mourning. Either she’s just trying to fit in, or she’s carrying a bit of remorse as she looks around at the result of her actions. Shane gives a moving speech about bringing the Spree to justice. Afterward, Bonnie finds her and as “Justine” (aka Scylla) talks, Anacostia takes the stage as a mourning attendee. She calls out Scylla (though no one knows it), asking if the witch who caused this feels any remorse at all. Anacostia confronts Scylla about her intentions in visiting these memorials. Anacostia is having doubts about the Army and about Alder so she wants in on Scylla’s mission to infiltrate this movement and determine of the Camarilla are behind it. Bonnie and Shane arrive and Anacostia introduces herself as Amelia, a fellow memorial attendee and quickly suggests they all go for drinks.

Freeform/Jeff Petry

Penelope hangs up the phone with her father as Tally walks by and notices her crying. She offers comforting words as she heads to class with Raelle and Abigail. They all take their seats in class, where Adil is also joining them, as the instructor Channing Grafton rolls in late. He’ll be instructing them in Mothertongue, the language that is the root of all other languages. Adil grew up speaking it from birth and it’s how he speaks perfect English though he’s never studied it. (Now I’m wondering how I can enroll in War College.) Certain work can only be done using Mothertongue, so they’ll need to master this new language.

After class, Tally requests permission from Alder to tutor Penelope so she’s caught up for basic training. Alder approves her request and heads to her office to meet with the Hague delegation. There she finds Khalida meeting with them to discuss her and Adil. Khalida intends to tour other Council nations, though Alder asks her to reconsider. The other Council leaders discuss additional reports of Camarilla attacks with their “Witch Plague,” so named because it does not harm civilians. Alder also reveals the technology using stolen vocal cords and they all agree to join forces to eradicate the Camarilla in each of their countries.

In the gardens, Adil fills Abigail in on Khalida’s plans to leave. He asks about her and Gregorio, but she says they were never intimate when he was her Cavalier even though most of those relationships are. Abigail hopes Adil will stay but he doesn’t answer her.

While asleep, Tally has yet another dream of Alder in the jungle with the unknown soldier. She learns that the weapon she witnessed is off canon (an unofficial form of weaponized magic). Alder tells her she needs to reign in that power, and offers to help her with it. They use their power to fend off another attack, but the bell tolls and wakes Tally from the dream. The Coven head to their first class of Off-Canon work with Major Magda Verger. This work is forbidden but the class will teach them now to defeat this kind of magic. She displays the power of sound with an open box that makes the girls feel hot and uncomfortable, but when the box is shut, they are fine. This is a lesson in weaponized sound.

“There are sounds all around us, at all times. Both above and below the range of our hearing. And all sorts of nastiness can be layered into those sounds. They can make you see and do terrible things. You must learn to recognize these sounds and resist them. Learn to identify and destroy their source.”

Verger rings a small bell the takes full control of their bodies. They stand, place covers over their heads, and march in unison to a room where they wake with no memory of how they got there. They are surrounded by sound. Clocks, whistling noises, chirping birds, and Tally quickly shuts the window to stop the birds. She realizes they must find the source of the work. Day one and their training has already begun.

Their speech echoes strangely, all sound is distorted in this exercise. Abigail smashes a box she believes is the origin causing a door to open. She and Gregorio head to it but Tally warns them not to go. Raelle grabs a chiming clock whose hands wind up her arms and attack her. She manages to break free as Abigail questions why Tally isn’t doing anything. But Tally is using her own gift to solve the riddle, she can see the lines of sound around the room. She leads them through a door and into a new room.

Meanwhile, Anacostia, Scylla, Bonnie, and Shane bond over drinks at a bar. Anacostia and Scylla act drunk while Bonnie heads to the bathroom and Shane goes for refills. Now alone, Scylla tells Anacostia needs to leave but there is too much at stake for either of them to leave now. They see a man hand Shane a bundle of cash at the bar.

Now in a room full of dolls, Tally is grabbed and the crew fight off the attacks. Tally again sees the sound but it’s a too late as Raelle and Abigail are attacked from behind and dragged into another room. Tally finds the source, the gas light in the room, and turns it off. Verger congratulates Tally on completing the course, no one has ever done it on a first try.

Raelle and Abigail have been dragged into individual isolation chambers by Izadora, who is furious with Raelle for touching the Mycelium. She tells her she must die for this offense and turns a wheel releasing a gas. Raelle screams for Abigail who passes out and Raelle begins to choke on the smoke which triggers another event. Raelle is surrounded by a bubble-like protection that shields her from the smoke in the chamber.

Izadora joins Alder for a drink and update. The phenomenon is from Raelle alone and she had to believe her life was in danger to trigger another event. Izadora thanks Alder for approving the test and Izadora says Abigail tried to punch her when she learned it was all a test. She also seemed disappointed it wasn’t her own powers aren’t part of the source. Izadora will continue testing Raelle, but Alder warns her to be careful, “She just became one of our greatest assets.”

At dinner, Raelle is angry over the test but Abigail seems distant. Raelle shares that she felt powerful but completely out of control during the event. She tells Tally there will be more testing, and Abigail excuses herself.

Scylla checks in with Willa again to tell her about Anacostia. She’s unsure if she can trust her, and Willa warns her to be careful. Anacostia is still Army. When Abigail heads to her room, Khalida meets her on the stairs and tells her she likes Abigail but Adil will choose his people over her when it comes down to it. She doesn’t want Abigail to get hurt.

Tally begins her mentorship with Penelope in the museum room with photos and the history of the Army. She begins to tell Penelope about Alder but spots an old photo that catches her eye. She can see through the magic used on it to hide a witch in the photo. It’s the witch Tally has been seeing in her dreams of Alder in the jungle.

Motherland: Fort Salem airs Tuesdays on Freeform at 10 p.m. ET/9 p.m. CT.

‘Motherland: Fort Salem’ Stills: Season 2, Episode 3 “A Tiffany”

Episode 2 was a game changer for the Unit as they faced their first day of War College where they got an abrupt awakening about the reality of weaponized Off-Canon work. Additionally, the source of the event in season was finally uncovered and Raelle is less than pleased to learn it solely involves her. We can’t wait to see what episode 3, “A Tiffany,” will involve and the synopsis offers only a few clues as do the brand new images. The full synopsis reads:

“Raelle prepares to show her ability to the top brass, while Abigail struggles with her new role. Tally begins to question her unsettling dreams. Anacostia and Scylla form a plan to infiltrate the enemy further.”

Check out the new images below:

Will Raelle be able to control this newfound power well enough to present it to the upper brass of the Army? The new images don’t offer any clues on that front but it does look like the bond between the Unit remains strong while Scylla and Willa continue their mission to infiltrate the movement and discover of the Camarilla are behind it.

“A Tiffany” airs Tuesday, July 6 on Freeform at 10 p.m. ET/9 p.m. CT.

‘Aftershock’: Sarah Wayne Callies Launches Podcast with Jeffrey Dean Morgan & David Harbour

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Sarah Wayne Callies (Prison Break, The Walking Dead) has partnered with iHeartRadio, Nomadic Engine, and Salmira Productions to launch Aftershock, a scripted thriller podcast!

Callies pulls off a full quartet as the creator, director, producer, and star of the podcast. Alongside her stars Jeffrey Dean Morgan and David Harbour who both serve as executive producers, respectively.

Aftershock takes place in the wake of the largest earthquake in US history.

“The city of Los Angeles is in ruins, hundreds of thousands of people are dead or unaccounted for, and a mysterious island has risen up just off the coast of the city. Cassie Wallace (Callies) and Wayne Sharpe (Harbour) embark on a dangerous journey to the island to save her daughter who is stranded there. However, they aren’t alone. Doomsday preppers, indigenous activists, and a utopian cult all arrive to claim their piece of the new island – and then people start dying.”

The Aftershock cast also includes Tati Gabrielle, Janel Parrish, Russell Hornsby, Rockmond Dunbar, Tovah Feldshuh, Bethany Joy Lenz, Michael O’Neill, Austin Amelio, and EJ Bonilla.

The first two episodes of the 10-part series will premiere on July 14. New episodes will premiere weekly thereafter.

Luke Hemmings Releases Debut Solo Single “Starting Line”

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Luke Hemmings of 5 Seconds of Summer (5SOS) has released his debut solo single “Starting Line” from his upcoming album When Facing The Things We Turn Away From.

Hemmings has been part of 5SOS for the better part of a decade. The band released its self-titled album seven years ago and it’s been a nonstop journey ever since. After a three-year hiatus from releasing music, they released their third studio album Youngblood in 2018 before going on to their most recent addition, Calm, which released early last year.

When Facing The Things We Turn Away From will release on August 13. In a statement on his social media platforms, Hemmings describes the album as “a project that grew out of a year of enforced stillness.” To coincide with the album’s release, Hemmings has also released a line of merch that includes hoodies, vinyl, hats, and more!

“Starting Line” is available to buy and stream wherever you listen to music now!

‘The Simpsons’ Marvel-Inspired Short ‘The Good, The Bart, and The Loki’ Coming to Disney+

The latest The Simpsons crossover has been announced … and it’s burdened with glorious purpose.

The Good, The Bart, and The Loki, which is due to land on Disney+ in a week’s time, will be ushering plenty of mischief into Springfield. The Marvel-themed animated short sees Loki banished from Asgard once again. Now, the God of Mischief must team up with Bart Simpson to face his toughest opponents yet: the Simpsons and Springfield’s mightiest heroes.

The Marvel Cinematic Universe’s trickster behind the horns, Tom Hiddleston, returns as the voice of Loki. He’ll be seen alongside many fan-favorite characters from The Simpsons. Key art was released for the short today, which is heavily inspired by the poster for Avengers: Endgame.

This marks the second The Simpsons Disney+ crossover short, with the first being the Star Wars-themed The Force Awakens from Its Nap.

The Good, The Bart, and The Loki premieres exclusively on Disney+ on July 7 alongside episode 5 of the live-action Loki series. Make sure to follow along with all of our Loki coverage.

‘The Winchesters’: Why We’re Excited To See What the Latest ‘Supernatural’ Spin-off Has in Store

Contributors: Jules, Brianna, Kenedi

Nothing ever really dies on Supernatural, does it? Ever since the announcement that Chaos Machine Productions would be developing a Supernatural prequel about John and Mary Winchester (titled The Winchesters), fans have had mixed reactions to the announcement. Many fans were excited to have the show back in any form, especially with the additional tidbit that Dean Winchester would be narrating the new series. Others were concerned about what the prequel could mean for existing canon, particularly with regards to the rocky patches of John and Mary’s relationship and how the show would stick with established timelines and events. Now that some time has passed since the initial statement was released, we wanted to talk about why we’re excited to see what The Winchesters has in store. From building on the canon we know and love to creating new narrative opportunities with a dream team taking charge, let’s dive in to our hopes and predictions for the series!

Expansion of the Universe

The CW

Throughout its 15 seasons, Supernatural gave fans a lot of lore and hints at creatures within the universe of the show. With the creation of The Winchesters we will once again be diving back into that world with the huge advantage of expanding on the already known universe of the show. We’ve seen angels, demons, wendigos, vampires, werewolves, and more, but this new venture into the past is a chance for us to experience the world we know and love in a brand new light.

Series star Jensen Ackles, who will be one of a few familiar faces at the helm, has expressed his interest in expanding this universe even before Supernatural‘s ending was announced. With this new production team under Chaos Machine, we also can’t rule out the chance to expand even further. If The Winchesters sees some success we might even see the return of other Supernatural-verse storylines and characters as Ackles himself said there are several project in the works (our fingers are crossed for a Wayward-related project!). With Chaos Machine set to deliver content for both broadcast and streaming platforms, we are excited to see what The Winchesters will do with the Supernatural universe and what that success might mean for the future.

The Return of Dean

Jensen Ackles in ‘Supernatural’/The CW

One of the facts we know about this story so far is that one of Supernatural‘s central characters, Dean Winchester, will be making a reappearance as this story’s narrator. However, fans were left wondering … where exactly is he? When we last saw the eldest Winchester in the show’s finale, he was knocking around the newly renovated Heaven (yes, the tears are still flowing). Dean telling this story would require some level of omniscience or outside perspective that he simply wouldn’t have had when he was alive, so a popular theory floating around is that Dean is simply telling this story to someone in Heaven. However, who could this mysterious listener be? Jack learning the story of the people who are essentially his grandparents? Cas catching up with Dean in Heaven after his work was done? A crowd full of his family and friends at the Roadhouse? The possibilities are truly endless. Regardless of what role Dean plays in this story, fans are ecstatic at the prospect of having him back once again — not only for the reappearance of the character himself but also the potential that he represents for other familiar faces to appear onscreen.

John and Mary, Husband and Wife

Amy Gumenick and Matt Cohen in ‘Supernatural’/The CW

John and Mary’s roles in the Supernatural universe are … complicated to say the least. Throughout the show, the audience is presented with multiple depictions of the two characters that are often at odds with each other — something that viewers and this show will have to reconcile.

Up until her resurrection circa season 12, we only see Mary in about three moments throughout Supernatural, one of which is her tragic (and traumatizing) death scene. Sam and Dean spent the majority of their lives with a romanticized picture of their mother in their heads. After Mary died and John became obsessed with his crusade for revenge in her name, he never painted her in a light that was anything but idyllic — likely to help himself and the boys keep belief in their mission. Part of season 12’s main story arc was the boys learning to reconcile the unrealistic picture of Mary that they had in their minds with the very real, very flawed, and very human version of her that returned. It turned out that Mary was a hunter of the grizzliest variety, a Campbell legacy — something that aligns more with the version of her we learn about in “In the Beginning.” She’s not the warm and fuzzy homemaker Dean remembers from his childhood; she’s an independent woman continuing to carry out the family business.

With that being said, Mary did have her flaws that were outside the scope of what the boys could reasonably expect from her as a person. While trying to reconcile the children she left with the men she returned to, Mary did ultimately end up abandoning Sam and Dean both emotionally and physically, siding with the British Men of Letters and avoiding them so that she wouldn’t have to deal with the new reality she had been forcibly thrust into. And while you can’t blame her for feeling out of place in those circumstances, it’s hard not to feel for the boys as they, in some ways, lost her all over again.

And then there’s John. John Winchester is a complicated character due to his neglectful (and frankly abusive) tendencies that were revealed across the years. When Mary’s life was ended on that fateful night that started it all, John lost something in himself and never recovered. Dragging his kids across the country for a dangerous revenge mission, John trained his children like soldiers, putting the burdensome weight of being a hunter on their shoulders extremely early on.

While we mostly learn things about John’s life anecdotally since he died in the season 2 premiere, “In My Time of Dying,” there are moments throughout the series where we learn tidbits of information that pointed out just how hard the Winchester brothers had it as children. Aside from that, simply knowing how much Dean gave up to take care of his little brother illustrates a rather unfavorable picture of John. However, as we see in episodes where the boys travel back in time, John wasn’t always the shell he became after Mary’s death. When Dean meets him for the first time, the audience is introduced to an honest and kind man who cared about his girl. He’s a simple man with a simple life, uncomplicated by the tragedies that await him in the future.

Much like their individual characters, we also see differing depictions of the pair’s relationship throughout Supernatural. At one point, the audience learns that John and Mary were basically tied together for the purposes of fate, tethered to one another by a cupid’s arrow so that Sam and Dean would exist. However, John painted their love as one for the ages. With Dean’s account of their regular fights, we simply don’t know what the pair’s relationship truly looked like from the conflicting narratives. Despite being wrangled together by Heaven, their reunion in Supernatural‘s 300th episode shows a pair of people who deeply care about each other.

The events that occur in the pilot undoubtedly change the course of their journeys drastically. Young John and young Mary were very different people than the ones we come to know in Supernatural, and it will be interesting to see their stories fleshed out in the time before they come to be the characters we know from the show. What quest will the pair undergo with young John’s obliviousness to the supernatural? Will this story paint a different picture than the idyllic relationship that was touted throughout the show? These difficult questions will have to be rectified while remaining canon-compliant, but with the team assembled for this project, we have faith that everything will work itself out.

The Team Behind It All

Jensen Ackles and Danneel Ackles in ‘Supernatural.’ Dean Buscher/The CW

And speaking of that team … If there’s one major reason to be excited about this prequel, it’s the group that is creating it. Robbie Thompson is instantly familiar to Supernatural fans for his role as a writer and producer between seasons 7 and 11. He is responsible for the creation of fan-favorite characters like Eileen and Charlie, and he wrote iconic episodes like “Goodbye Stranger,” “LARP and the Real Girl,” “The Girl With the Dungeons and Dragons Tattoo,” “Don’t Call Me Shurley,” and “Baby” among many others (you can check out our interview with Thompson to hear about how each episode was brought to life).

He was also given the herculean task of writing the series’ 200th musical episode, “Fan Fiction,” which functioned as a tribute to the show’s devoted fanbase. Thompson is adept at bringing a unique voice to existing canon, from his Netflix series Cursed to his work with Marvel Comics. He is well versed in Supernatural canon as well as the fandom, and as a writer who has proven he understands what fans love about the show, it’s certain he will bring that expertise to The Winchesters. Thompson is the perfect writer to co-create this series.

Of course, Thompson won’t be creating the series alone. Jensen and Danneel Ackles will be co-producing the series through their production company Chaos Machine, and this is another reason for confidence. Danneel Ackles is a fan of Supernatural in addition to playing Sister Jo/Anael in the last few seasons of the show. Aside from playing Dean Winchester for 15 seasons, Jensen Ackles has repeatedly discussed his passion for expanding the world of Supernatural beyond the main storyline centering on Dean and Sam. He was a big supporter of the Wayward Sisters pilot in 2018 (including advocating for a resolution to Kaia’s storyline in the final season when Wayward Sisters was not ordered to series), not to mention his support of Castiel’s journey on the show and his frequent acknowledgment of the large cast of recurring characters on Supernatural who added so much to the story.

Even before Supernatural ended, Ackles expressed his desire to continue telling stories within the Supernatural universe in new ways. As he told Michael Rosenbaum in September 2020, “I do feel like this isn’t the long goodbye, right now. I feel like this is a … let’s hang this in the closet for now, and we’ll dust her off down the road a bit.” Ackles, like Thompson, is well versed in what the Supernatural fandom wants to see from a new story. He also has the added advantage of understanding Dean better than perhaps anyone else, and with the character slated to narrate The Winchesters, this perspective will be invaluable. Ackles also directly addressed fans’ concerns that a story centering on John and Mary Winchester’s early years would immediately run into issues with existing canon and what we already know about the state of their relationship, showing that he and the writing team will be expanding the canon we know rather than trying to alter it.

Their third partner at Chaos Machine, Renee Reiff, is a champion for diversity within the industry who has worked with DC Entertainment as a Creative Executive for the brand’s television series as well as being on the board of Warner Bros. LGBTQ+ Business Resource Group (OUT@WB). Reiff recently co-created the group Out In Hollywood to support queer artists and writers in pitching to networks and studios. The group also curated the Out Loud List, which is devoted to spotlighting pilots centering on the stories of LGBTQIA+ individuals. With Reiff’s involvement, it’s clear The Winchesters will center new perspectives alongside Mary and John’s story that we’ve seen so far. Additionally, her work on DC’s many superhero series on The CW make Reiff an expert on navigating fandom spaces much like Thompson, which can only help the series going forward. Chaos Machine as a company is also committed to telling diverse stories, which will undoubtedly carry over to The Winchesters as its first project.

Overall, there are a lot of interesting directions The Winchesters could take that make it an exciting prospect. From the team behind the series to the narrative possibilities, it has a lot going for it as it begins the long process of development. We’re intrigued to see what comes next!

Warner Bros. Studio Tour Hollywood Has Reopened With All-New Expansion

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Warner Bros. Studio Tour Hollywood would like to welcome you back.

For over a year, the Warner Brothers Studio Tour in Hollywood had closed its doors due to COVID-19 health and safety concerns. Now, with vaccines becoming more available, case numbers decreasing, and COVID-19 restrictions lifting across the United States, Warner Bros. Studio Tour Hollywood has reopened its doors and is welcoming the public back for touring.

The elite studio tour that gives movie fans a chance to go behind the lens and learn the secrets of movie magic reopened its doors to the public on June 26 under the guidance of California’s lifted COVID-19 restrictions. But the exciting news doesn’t end there. The studio tour has added a massive expansion showcasing its interactive DC and Harry Potter exhibits.

Warner Bros. Studio Tour Hollywood.

As guests arrive for their tour, they will see an all-new welcome center that expands into a Story Telling Showcase, which gives guests a chance to explore the evolution of Warner Bros’ 100-year history. From there, guests will visit Stage 48: Script to Screen, an interactive sound stage. The sound stage showcases the different stages of film production and will include a Central Park Set from Friends and a replica of Sheldon Cooper’s apartment from The Big Bang Theory.

Warner Bros. Studio Tour Hollywood.

From stage 48, guests will arrive at Action and Magic Made Here, a new grand finale experience that showcases the DC Universe and Harry Potter and Fantastic Beasts series. Guests will enter a Batcave home to costumes and props of DC heroes and villains. In the exhibit, guests will find items from the 1970’s Wonder Woman series, Superman (1978)Batman (1989) films through Justice League, and Wonder Woman 1984.

Warner Bros. Studio Tour Hollywood.

In Action and Magic Made Here, guests will also find a Harry Potter exhibit full of interactive recreations, photo opportunities featuring potion-making, interactive sorting hat, information on creatures from Fantastic Beasts, plus so much more. 

Warner Bros. Studio Tour Hollywood.

Included in the new expansion is the Warner Bros Studio store featuring items inspired by Harry Potter, DC, and all your favorite Warner Brothers films and television shows. Access to the expanded store is only available with a studio tour ticket purchase.

The studio tour is now welcoming families with children 5-years or older. Ticket prices for adults (ages 11 and up) are $69.00, and ticket prices for children (ages 5-10) are $59.00 with ticket packages available.

For more on tours and ticket information, please visit WB Studio Tour Hollywood’s official website.

Nerds Rewatch: ‘Nancy Drew’ Season 1, Episodes 1-3

Hello, Drew Crew! Welcome to the first edition of Nerds Rewatch Nancy Drew, a new series from Nerds and Beyond where we will be rewatching the series from the beginning to prepare for the arrival of season 3 this fall. We’ll be watching three episodes of season 1 per week, then switching to two episodes a week for season 2, ending the week of the season 3 premiere. Never seen an episode and want to dive in? Seen every episode but want a refresher? Either way, we’ve got you covered with both spoiler-free and spoiler-filled discussion of our favorite sleuth and her friends. You can head over to HBO Max to watch season 1, with season 2 arriving on the service July 3.

Under each episode heading you’ll find discussion ONLY of the current episode and the ones preceding it, while at the end of each article there will be a section discussing how the episodes relate to the series as a whole. (In other words: SPOILERS GALORE, YOU HAVE BEEN WARNED). Without further ado, let’s jump right into Nancy Drew season 1, episodes 1-3!

“Pilot”

Robert Falconer/The CW

Written by: Noga Landau, Josh Schwartz, Stephanie Savage

Directed by: Larry Teng (and you can also find him on Instagram for some amazing behind-the-scenes shots of Nancy Drew!)

  • Nancy’s first scene in the graveyard, wearing the same pink dress we see on Lucy Sable as she falls from the cliff, is one of the best shots of the series. It also introduces us to a carefree, popular Nancy that quickly morphs into the angsty young adult we know and love.
  • Nancy and Nick have great chemistry from the moment we first see them together in the garage. Tunji Kasim and Kennedy McMann are great at revealing so much about the state of their relationship with so few lines of dialogue. Their talk later in the truck about Nick’s previously unknown criminal record and his desire to be there for Nancy is sweet, and Nancy’s shock at finding Nick’s manslaughter conviction is that much more heartbreaking because of it.
  • Speaking of Kennedy McMann, she truly is the best possible Nancy Drew. This show needed a strong lead to succeed, and they found one in McMann.
  • Nancy’s arrival at The Claw, and our introduction to George, Bess, and Ace, is shot and acted perfectly. Again — this show establishes so much about the characters in a short span of time, which is essential for any pilot.
  • The discovery of Tiffany’s body is terrifying. Nancy Drew is a horror show more than a mystery, and the jump scare of the fireworks as Nancy finds Tiffany’s body in the parking lot is creepy. The image of a ghostly figure slowly coming up behind Tiffany as she waits unaware by the car is also chilling.
  • The confessional-style scene of each Drew Crew member explaining their alibi (or lack thereof) is very funny and is the first time we see the potential for comedy alongside horror. Ditto for George teasing Nancy and Nick about their not-so-secret relationship and Bess immediately jumping to ghostly conclusions. Ace even gets in a few quick moments of levity and one-liners.
  • You know it’s a Josh Schwartz/Stephanie Savage show when the playlist is teen perfection. The pick of the episode is “Got You (Where I Want You)” by The Flys playing in Nick’s truck when he drives Nancy home. For a full list of every song used on the show, you can check out Tunefind and make your own Drew Crew playlist.
  • Fun fact: Harriet the medium is played by Pamela Sue Martin, who was the original TV Nancy Drew in The Nancy Drew Mysteries back in the 1970s.
  • Nick’s prior conviction for manslaughter and Tiffany being the key witness does make him look suspicious … but as every true crime fan knows, the first suspect is never the right one … right? Nancy sure hopes so.
  • Anyone else think Bess’ trailer is adorable? It’s perfect for a tiny house lifestyle … or pretending you have a rich family.
  • Again, hats off to director Larry Teng for the brilliant blocking of Nancy’s walk through the dark house and the discovery of Lucy’s dress in her attic. The blue lighting contrasting with the bloody dress makes a gorgeous shot. Director of photography John S. Bartley worked on the first three episodes of the series, and his work alongside Teng’s in establishing the look of Nancy Drew is a big reason for why the series’ visuals are consistently excellent.
  • Fun fact: Lucy Sable is played entirely by actress Stephanie Van Dyck, so all those cool shots of her ghostly self are practical effects, not CGI.
  • The town kids singing a song about murder should have been a clue from the start that Horseshoe Bay is a town with way too many spirits and secrets.

“The Secret of the Old Morgue”

Robert Falconer/The CW

Written by: Noga Landau

Directed by: Larry Teng

  • Carson may not always get it right, but it’s clear how much he loves Nancy. Scott Wolf was a great choice for this role, and he and McMann have great chemistry together.
  • Even this early, the banter between the Drew Crew is on point. George in particular has some hilariously cutting comments (“Tiffany Hudson’s not the only thing dead around here”).
  • Dead Lucy coming out of the tree in Nancy’s face is one of the best jump scares of the season. Way to be subtle, Lucy!
  • For those who are curious, Nancy’s mother’s car is a 1963 Sunbeam Alpine Series III. It’s adorable, and I need it to have a name like Supernatural‘s iconic Baby immediately. If Ace can have Florence, Nancy’s car needs a name too!
  • Ryan and Carson working together? And a bloody dress in Carson’s attic? It’s not looking good for these two.
  • Not one person in Horseshoe Bay should be surprised by the existence of ghosts when this seawater bucket ceremony exists. Another fun fact: according to executive producer/writer of this episode Noga Landau, Horseshoe Bay and the many seaside references are due to her love of the classic horror film I Know What You Did Last Summer.
  • I take back what I said about the tree jump scare, Lucy showing up in the car window still makes me jump in my seat, and I knew it was coming this time.
  • Lisbeth has arrived! Were those sparks flying between her and Bess?
  • NOPE NOT THE BREATHING CORPSE IN THE DARK MORGUE THANK YOU VERY MUCH.
  • Ace and Bess’ “platanchor” conversation is lovely. His instant acceptance of her sexuality, combined with his genuine desire to be her friend, is the first indication that there’s more to this “slacker” than meets the eye.
  • “Nancy got arrested, I got a bunch of dead people’s parts.” “Ooo, what parts?” “Nancy got arrested?!” Three different types of people right there.
  • I appreciate how the writers immediately address Nancy finding Lucy’s dress and what she saw as a child with Carson. Whether he’s telling the truth or not remains to be seen, but any other show would have drawn out the secret for several episodes. It also gives us the chance to see Nancy’s personality: direct, to the point, and occasionally misguided in her aim.
  • The Claw should never pass a health inspection, EVER.
  • Leah Lewis is so consistently good, but when she shows George’s vulnerable side along with her tough exterior it’s hard not to fall in love with George. It’s crucial that Nancy addresses how her actions hurt George in high school, and the show doesn’t shy away from showing Nancy in a less-than-flattering light. It’s interesting to see how Nancy reacts to being called out.
  • That slow pan over to Nick’s phone with the missed call is great visual storytelling.

“The Curse of the Dark Storm”

Dean Buscher/The CW

Written by: Jesse Stern and Lisa Bao

Directed by: John Kretchmer

  • Nancy has some theatrical flair calling Nick’s secret cell phone in front of him to confront him about his half-truths.
  • Ace being in the know about all the local legends (and sharing them in the most dramatic way possible) is very on-brand.
  • I know Karen is trying hard to help Nancy out, but the fact that she’s essentially suggesting Nancy frame Nick to get out of her own charges is cold as ice.
  • Nick is immediately sympathetic, even when his motives aren’t entirely clear. Letting him be a step ahead of Nancy is smart writing on a few levels — we see that Nancy isn’t infallible despite her reputation, and we get to see Nick in action.
  • Lucy screaming in the corner of the ceiling is utterly terrifying. I have to give another round of applause to the special effects team for Lucy’s character design and the overall commitment to practical effects — it’s so worth it in scenes like this.
  • There are two major references to the Nancy Drew books in this episode. Tiffany’s clock is a callback to The Secret of the Old Clock while the Lilac Inn refers to The Mystery at Lilac Inn.
  • Nancy defending Nick to Karen is a sign of just how much she trusts him and how her sense of justice works. Even when she could take the easy way out, she won’t if it means doing the unethical thing or hurting someone she loves.
  • Tunji Kasim is a brilliant actor. This episode really helps us get to know Nick as a character, and his monologue about Austin’s death is heartbreaking.
Dean Buscher/The CW
  • Aw, the sun finally came out when Nick told the truth! We love some good cosmic symbolism through the weather.
  • Nancy is remarkably calm for a girl holding $5 million in bonds. I’m with Nick on this one — does this money have strings attached?
  • LUCY YOU GOTTA STOP WITH THE HIDING ON THE CEILING.
  • Bess has Tiffany’s ring … but does it mean she’s a killer?

Portents of Things to Come…

  • It is incredible watching the pilot after seeing the season 2 finale. From Nancy’s references, to how seeing her parents hiding so much from her as a child impacted her later, to watching young Nancy solve Rose Turnbull’s disappearance (as is later expanded on in “The Hidden Staircase” and “The Siege of the Unseen Specter”), this show set up so much of the ongoing mythology from the very beginning.
  • Bess faking an American accent is absolutely hilarious now that we know her backstory.
  • To see Nancy go from declaring that none of her coworkers are her friends to now considering them her family is heartening. That’s character growth, folks!
  • I don’t think we ever see any of the Drew Crew work this much at The Claw ever again. Nancy waiting tables? Ace cooking in the kitchen? What wonder is this?
  • Nancy’s trusty beanie-and-jean-jacket combo makes its first appearance of many!
  • Now that we know that Lucy means Nancy no harm, that ghostly “Nancy!” shout of warning while Nancy searches the Hudson home has a different meaning.
  • Even with Nick and Nancy’s chemistry, the signs are there so early that they don’t work as a couple the way they should. Nick wants something serious, a partner he can share things with and trust. Nancy is just not there yet emotionally and clearly won’t be for some time, especially evidenced by her looking up Nick’s file after telling him she’ll wait for whenever he’s ready. They’re still compelling to watch despite knowing where their relationship ends up, which is down to the great acting by McMann and Kasim.
  • Nancy’s monologue to Nick in the pilot about feeling out of place in her own life is the start of the show leaning into Nancy’s mental illness, which the wraith later exploits in season 2. It’s the start of a long arc that is more fully explored in the second season.
  • Ace trying to put the moves on Bess repeatedly is very funny. I had forgotten how flirty he was with her early on, considering how that relationship is so fully platonic now.
  • Knowing now that Ryan is innocent of Lucy’s murder, it’s interesting to see how hindsight makes him less suspicious than he was when I initially watched. His redemption arc completely changes how I view his actions now. Watching him try to charm the locals with bribes is classic Ryan, as is his arrogant and fumbling approach to asking Carson for help. Also, Lucy haunting him is much sadder now that we know she’s not trying to tell us he killed her.
  • The start of the Carson/Ryan feud (and later, co-parenting relationship). They’ve come so far from Ryan bribing Carson to help him rehab his image. More of this dynamic in season 3, please!
Dean Buscher/The CW
  • The Nancy Drew writer’s room deserves a lot of credit for making every clue matter in the end. Tiffany’s necklace with the medium’s address inside, along with the symbol of the Sea Queen, is great foreshadowing. The fact that George’s bucket portent happened just two episodes into the show proves that these writers are playing the long game with their story arcs. Also, anyone else catch that the harpoon that almost hit George in The Claw is the same harpoon that does eventually hit her in “The Drowned Woman”?
  • The fact that I got a bit teary-eyed seeing Ryan meet Nancy for the first time speaks volumes to how well that relationship has developed.
  • Anyone else laugh at how George was ready to have Nick sent straight to jail for Tiffany’s murder on zero evidence? Oh, how just one season will change all of those ambivalent feelings between them.

What did we miss? Let us know in the comments! Season 1 of Nancy Drew is available now on HBO Max, and season 2 will hit the streamer on July 3. Be sure to catch up on episodes 4-6 of season one for next week’s rewatch!

‘Loki’ Recap: Season 1, Episode 4 “The Nexus Event”

Last week, Loki and Sylvie were stranded on Lamentis-1 moments before its complete destruction, and Loki learned an unsettling fact about the TVA — the employees are formally apprehended Variants.

So, Sylvie has always been the Variant that got away. The history between Renslayer and Sylvie is revealed as a young Sylvie escapes after her arrest on Asgard by Renslayer, just a Minuteman at that point in time. Before her case, Sylvie escaped using Renslayer’s TemPad she swiped from her pocket.

Now, Renslayer must answer to the Time-Keepers about the mess two Lokis have made of the timeline.

After her meeting, Renslayer meets Mobius outside the golden elevators. She tells him that the Time-Keepers blame her for Sylvie almost making it to them. She reminds him that the Time-Keepers are all that stands between the Sacred Timeline and full-scale calamity.

Mobius requests access to Hunter C-20, the rescued Minuteman Sylvie had enchanted, but Renslayer tells him that she’s dead. Her mind had been scrambled too much by Sylvie. Mobius recalls her being fine when they brought her in, but Renslayer informs him of her steep decline after being brought home. Nobody else knows either, and it must remain a secret.

Lamentis-1 is moments away from destruction, and Loki and Sylvie have accepted their fates as well as a Loki can. Sylvie tells Loki that her being born the Goddess of Mischief was enough to set off a nexus event that needed correction.

The universe wants to break free, so it manifests chaos.”

Sylvie

She details how for years she hid in apocalypses with her stolen TemPad. She grew up in the ends of thousands of worlds. Now, she’ll die in one, too.

The TVA is on the hunt for a branching of the timeline in an attempt to find Sylvie and Loki, a visibly shaken Hunter B-15, and Mobius keeping a watchful eye. Hunter B-15 asks Mobius about Hunter C-20, but he keeps Renslayer’s secret and doesn’t tell her the truth.

Reminiscent to what Mobius told Loki upon his arrival at the TVA, Sylvie asks Loki if it’s always their destiny to lose. He assures her it isn’t; no matter what, they always survive, and they find their hands joined. And that small motion causes a large, never before seen branching of the timeline — a nexus event. With that nexus event, the TVA finds them.

Chuck Zlotnick/Marvel Studios

They’re separated as the Minutemen haul them away, Sylvie going with Hunter B-15 and Loki with Mobius. Loki and Mobius’ continue their banter from episodes past, small quips and insults being hurled as Loki is led back into a Time Theater. Mobius refers to Loki as a bad friend, and that one comment alone seems to strike a chord within Loki.

As Loki processes someone actually referring to him as a friend, Mobius opens a red time door. He asks Loki if he has any last words, and Loki tells him that the TVA is lying to him, but Mobius laughs it off and instructs the Minutemen to toss him into whatever lies beyond that portal.

When he lands, he finds himself in Asgard. So this won’t be so bad. That is, until Lady Sif rounds a corner carrying a handful of her hair that had been chopped off her head. (Easter Egg alert!) She tells him that he deserves to be alone and that he always will be before striking him hard enough he falls to the ground. This happens again and again and again.

It’s a time loop prison, and it wears on Loki quickly.

Mobius goes to see Renslayer to ask to speak to Sylvie. She insists he stick to his own Loki; Sylvie is too dangerous. They need to figure out what caused that massive spike in the timeline. On his way back to “his Loki,” Mobius runs into Hunter B-15 in the hallway, and she’s still acting a little off.

So, the time loop prison worked to break Loki down. Mobius finally heads in to get him out (after Loki admits to the fake Lady Sif that he’s a narcissist that craves attention). Mobius’ first question: what did Loki mean when he said that the TVA was lying to him? Loki’s self-preservation instincts kick in, and he refuses to tell Mobius what he wants to know. He knows his time is limited, and he needs to drag it out.

Mobius asks if Loki is working for Sylvie or if they’re partners, and Loki denies both. He refuses to participate, and Mobius threatens to send Loki back to his Lady Sif time loop prison. Then, Loki makes up a story about himself and Sylvie having a long withstanding plan to take down the TVA. Again, Mobius doesn’t buy it. Then, he tries a trick of his own. He tells Loki that Sylvie has been pruned.

As much as he tries, Loki can’t maintain his indifferent facade to hearing that Sylvie is gone. Mobius sees right through him, and accuses him of being romantically interested with this other version of himself (well, he did say he was a narcissist …).

As Mobius continues to berate him about Sylvie (and whatever they have going on), Loki blurts out the truth about the TVA. Mobius wasn’t created; he was plucked from the timeline. And Sylvie can help him access his old memories.

Mobius looks pensive for a moment, but writes off Loki’s claims, sending him back to his time loop prison. However, Hunter B-15 is still having some sort of crisis.

Marvel Studios

She reenters the time theater Sylvie is being held in and opens a time door, taking Sylvie with her.

Mobius is back in Renslayer’s office finishing off the paperwork on Loki. She asks him if he could go anywhere, anytime, where would he go? Mobius tells her he can already do that, but then asks why she wouldn’t let him speak to Sylvie. She gives him an excuse before asking her question again, and he tells her he’s happy where he is. Then, she informs him that the Time-Keepers want to personally oversee Loki and Sylvie’s pruning, and Mobius is invited.

Despite the good news, Mobius still has questions, this time about Hunter C-20. Renslayer is still a locked box and gives him no details. He tells her things seem a little off, and then she gives him a little bit. She didn’t let Mobius question Sylvie in order to protect him. After seeing what happened to Hunter C-20, she couldn’t let that happen to him.

Renslayer has Sylvie’s sword, and when she goes to display it among her collected trophies Mobius, swaps his TemPad for hers. Clearly, he doesn’t buy what she’s saying.

Hunter B-15 has taken Sylvie back to the Roxxmart they found her at, and she wants to know what Sylvie planted in her head. She saw things under Sylvie’s enchantment, and Sylvie tells her that was her life prior to the TVA. Hunter B-15 wants to know more, and Sylvie gives her what she wishes. She unlocks her memories the TVA had locked away.

I looked happy.

Hunter B-15
Marvel Studios

It’s Mobius’ turn to discover the truth. Hidden amongst the shelves, he watches as Hunter C-20 retells what Sylvie had shown her on Renslayer’s TemPad. He also sees Renslayer’s role. Then, he goes to get Loki. He wants to know if Loki truly believes he’s meant to be alone, because if he doesn’t, whatever connection he and Sylvie have is powerful enough to take down the entire TVA. And he wants to help.

Mobius: So, I just have to trust the word of two Lokis?
Loki: How about the word of a friend?

“You can be whoever, whatever you wanna be, even someone good. I mean, just in case anyone ever told you different.” Mobius tells Loki those words he’d always craved to hear.

When they exit the time door, Renslayer is waiting for them. She knows Mobius took her TemPad. Then, Mobius finally answers her question from earlier. If he could go anywhere, he’d go back to whatever life he was living before the TVA took him.

Renslayer commands Mobius to be pruned. From right beside him, Loki sees the closest person he’d ever had to a friend disappear before his eyes.

It’s time to bring the Variants to the Time-Keepers. Renslayer finds Sylvie alone, instructing the Minutemen standing watch outside the door that Hunter B-15 be found. She’s been compromised by the Variant.

Sylvie and Loki are taken down the golden elevator and into the Time-Keeper chambers. On the way down, Sylvie wants to know her nexus event, but Renslayer doesn’t even remember. Or perhaps there was never one at all …

Loki and Sylvie begin a conversation with the Time-Keepers before Hunter B-15 arrives and frees them from their Time Turner collars, and returns Sylvie’s sword to her. A fight ensues, Loki and Sylvie against the Minutemen protecting the Time-Keepers, Renslayer watching on until Sylvie approaches her.

Both Loki and Sylvie gain the upper hand, and Sylvie throws her weapon and beheads one of the Time-Keepers. Then, all three of them collapse. They aren’t real. They’re nothing but mindless androids. Just another lie created by the TVA. So who created the TVA?

As they stand frustrated at their newest dead-end, Loki wants to tell Sylvie something. However, he doesn’t get the chance to before he disintegrates as Renslayer prunes him. Sylvie is furious, forcing Renslayer to her knees with the baton pointed directly at her chest. Renslayer tells her to do it, prune her, but Sylvie knows better.

“You’re Gonna tell me everything.”

Sylvie

The episode doesn’t end there! In a post-credits scene, we see Loki again, waking in the ruins of New York City (with what appears to be Avengers Tower in the background) surrounded by multiple other Variants of himself.

Be sure to keep up with our ongoing coverage of Loki, including episodic recaps, deep dives, analyses, and more! The penultimate episode of Loki, episode 5, premieres July 7 at 12 a.m. PST exclusively on Disney+.

Pride Month Spotlight: Castiel From ‘Supernatural’

Contributors: Jules, Kenedi

Welcome to the final article of our 2021 Pride Month Series! Each day in the month of June, we will be highlighting a different member of the LGBTQ+ community who we think is a great example of representation and dynamic characterization. We will focus on fictional characters, celebrities, and activists alike — the positive voices within the LGBTQ+ community and in mainstream media.

Ever since Castiel burst onto our television screens in a shower of sparks, he has been a fan-favorite character on Supernatural. Viewers loved him for both his quirks and angelic powers, an utterly unique character who instantly brought a fresh perspective to the show. Since his introduction, fans have speculated about whether the character identifies as queer. He is depicted as an outcast from his family of origin who eventually finds a found family and happiness in the love of his life, something incredibly relatable for queer fans. His romantic declaration of love for Dean in “Despair” confirmed fans’ reading of the character as queer, and to close out our 2021 Pride Month Spotlight series, we are taking a closer look at Castiel’s queer journey on Supernatural, the impact Castiel had within the show, and the arguably greater impact he had on a generation of fans and the world.

Cas’ Queer Journey on the Show

The CW

Throughout Castiel’s journey on Supernatural, there were many subtextual clues and narrative choices that hinted at his character’s queerness — something that caused fans to speculate for years on whether or not he could be a part of the LGBTQIA+ community.

From subtle lines like, “He’s in love … with humanity,” to more direct addresses like, “You draped yourself in the flag of heaven, but ultimately, it was about saving one human, right?” and, “Your memories, your little feelings, yes. I know what you hate. I know who you love, what you fear. There is nothing for you back there” — not to mention the countless teasing lines from villains about Cas and Dean’s relationship — it felt obvious to fans that Castiel was queer coded early on in his journey. Cas and Dean’s connection was always palpable — both on-screen and to other characters. The hunter and angel’s “profound bond” was always of note to friends and foes alike, showcased by many lines like the ones above.

Castiel’s time with the Winchesters, especially Dean, lead to a visible transformation over the years. Along with discovering free will (and pop culture), Cas discovered his beliefs, his identity. While this process happened gradually as the angel learned to navigate the nuances of humanity and emotion in general, season 9 (when he has a brief stint as a human) was a very obvious turning point in the angel’s journey of self-discovery. After having experienced what it was like to be human firsthand, Castiel became more compassionate, more attuned with his feelings. This could be seen in moments of increasing vulnerability and honesty for Castiel with lines like “You’re my family. I love you. I love all of you.” This paved the way for his character arc down the line. In accepting that part of himself, he was able to let his love for his family flourish — even more so when Jack came into the picture.

But of course, none of these small nods could hold a candle to Castiel’s beautiful yet heartbreaking confession to Dean in episode 15×18, “Despair.”

“I always wondered, ever since I took that burden, that curse, I wondered what it could be? What my true happiness could even look like. I never found an answer because the one thing I want … It’s something I know I can’t have. But I think I know … I think I know now. Happiness isn’t in the having, it’s in just being. It’s in just saying it …

I know. I know how you see yourself, Dean. You see yourself the same way our enemies see you. You’re destructive, and you’re angry, and you’re broken. You’re ‘daddy’s blunt instrument.’ And you think that hate and anger, that’s … That’s what drives you, that’s who you are. It’s not. And everyone who knows you see it. Everything you have ever done, the good and the bad, you have done for love. You raised your little brother for love. You fought for this whole world for love. That is who you are. You’re the most caring man on Earth. You are the most selfless, loving human being I will ever know. You know, ever since we met, ever since I pulled you out of Hell … Knowing you has changed me. Because you cared, I cared. I cared about you. I cared about Sam, I cared about Jack… I cared about the whole world because of you. You changed me, Dean … I love you.”

In that moment, the enormity of the significance of Cas’ metamorphosis from the cold angel we met 11 years prior to the celestial being who learned how to embrace humanity in the deepest way possible was finally realized. This beautifully written and executed speech confirmed once and for all that Castiel was undeniably in love with Dean Winchester, canonically cementing him as somewhere on the LGBTQIA+ spectrum in the Supernatural universe. Though his sexuality was never specifically labeled, this declaration meant so much to fans across the world who have always seen a part of themselves in Castiel, especially after years of wondering if their suspicions would ever be confirmed.

Cas’ Impact in the World of Supernatural

Jack Rowand/The CW

In the world of Supernatural, love was often seen as a weakness by friends and foes alike — it held too much potential for loss. Consequently, many characters (especially angels) saw Castiel’s ever-diminishing celestial powers as a consequence of the rise of his humanity, his capacity to feel love and other emotions as something that made him lesser. They were wrong. With love — love for Dean, which helped nourish Cas’ love for his found family, humanity, and the world — firmly embedded into who Castiel was as a person (er, angel), Cas managed to turn that very thing that was supposed to make him weak — his identity — into one of his crowning attributes, his greatest weapon against Chuck. Cas’ love was the one thing that was real amidst all of Chuck’s manipulation because Cas was the one thing Chuck could never even partially control.

You know what every other version of you did after “gripping him tight and raising him from perdition?” They did what they were told. But not you. Not the “one off the line with a crack in his chassis.”

– Chuck

While other characters often tried to frame his love as a weakness, an intrinsic character flaw, Castiel was ultimately able to own that love and in a broader sense own who he was, all of which culminated in that confession scene that served as the character’s swan song.

Castiel’s confession shook Dean on such a deep and fundamental level, something that’s clearly demonstrated on-screen in the wake of Cas’ departure. No matter if you interpret Dean as reciprocating Castiel’s feelings or not, Cas’ confession unequivocally had an impact on the elder Winchester; in fact, it was the key that allowed Team Free Will 2.0 to defeat Chuck — in more ways than one. In addition to saving his life, allowing Dean to live to fight another day, Cas confessing his feelings allowed Dean to see himself in a different light. Throughout the show, Dean had long been shackled with the idea that he was a disposable, violent grunt who could only contribute to the world through blood — giving blood for his family and drawing blood from others. Cas’ confession gave Dean the tools to view himself through a lens of love and break free of those hateful, doubtful notions of himself that had burdened him throughout the years. In the moment where TFW beats Chuck once and for all, Chuck tries to control the narrative one last time, saying, “But this, after everything that I’ve done to you… to die at the hands of Sam Winchester … of Dean Winchester, the ultimate killer … it’s kind of glorious.” However, Dean doesn’t accept that.

See, that’s not who I am.

– Dean Winchester

With those simple words, Dean breaks out of the cycle that he had been in for so long and TFW closes the chapter on Chuck’s life by burdening him with humanity — the very thing he’d forsaken. Cas’ confession played a crucial role in this, in that he helped Dean see himself the way Cas saw him and finally realize the type of man he truly was, which helped usher in Chuck’s defeat.

Cas’ legacy of love left other lasting impacts on the show. The angel’s ability to forge his own nontraditional path (from stopping the Apocalypse all the way to co-parenting the Devil’s kid) was an important example of how characters could escape the roles/cycles that fate and society placed them in. As Supernatural progressed, the theme of “family don’t end in blood” grew to be one of its greatest legacies, and Castiel played a key role in showing the impact of found family (arguably being one of the earliest and greatest examples of it in the series). Cas, the angel that was programmed to unflinchingly follow orders, came to learn and eventually embody the very concept of free will (one of the show’s biggest motifs), breaking free of the role Heaven thrust upon him and integrating himself as an ally of humanity and an essential and beloved member of the Winchester clan.

Furthermore, Castiel proved that there were different ways to be a hero than the traditionally gritty, hypermasculine models set by previous generations of hunters. Cas paved the way for characters like the Wayward Sisters, Cesar and Jesse, and Charlie, integrating nontraditional depictions of love and familial structures into “the life.” Though his celestial powers may have declined as a byproduct of his love as he became more and more human, this didn’t make him any less of a formidable weapon. While other characters pointed out how far he’d fallen from the emotionless killing machine we first met (“too much heart”), in the end, the only way he could and did save the world was by unleashing the depth of his love rather than his angelic might.

Cas’ capacity for free will, his constant endeavor to do the right thing, sometimes doing the wrong thing for the right reasons, and the love — which should’ve been impossible — he held for his found family, humanity, and the world despite the obstacles stacked against him was his most profound impact on Supernatural, something fans will never forget.

Cas’ Impact on Fandom/Pop Culture

Katie Yu/The CW

But Castiel’s impact went beyond the boundaries of the series itself, having a profound influence on a generation of fans and indeed fandom itself. He’s an iconic character on par with Buffy, Sherlock, or the Doctor (exemplified by the SuperWhoLock era of fandom that Castiel is one of the biggest symbols for). You couldn’t walk into a Hot Topic in the years following Castiel’s introduction without seeing a wall of Castiel t-shirts and Funko Pop!s. His trench coat and tie were a cosplayer’s dream, and seeing “Castiel” walk around convention halls became ubiquitous. Tumblr was overrun by posts about Castiel, and fans eagerly scoured episode descriptions and tuned in live for episodes in which a Castiel appearance was teased. There are many fans who only began watching Supernatural after seeing Castiel’s character in online fandom spaces and becoming intrigued enough to hunt down the show to catch up.

There was something about Cas that spoke to fans of Supernatural. Fans adored the character so much that they launched the “Save Castiel” campaign when it seemed the angel would be written off the show in season 7. The passion of the fandom for fundraising in honor of Castiel and the actor who brought him to life helped launch Misha Collins’ charity Random Acts, funding acts of kindness large and small worldwide. As we discovered when asking staff members and fans their thoughts on Castiel’s enduring popularity on the 10th anniversary of his arrival in Supernatural, Castiel means the world to fans regardless of their sexuality. Castiel’s otherness spoke to fans who felt the same way in their own lives, whether they identified as queer or not.

But as a queer-coded character from early on, Castiel especially spoke to queer fans. His “otherness” comes in the form of his being an angel and thus not human, much like the queer-coded sci-fi monsters of the past. Castiel’s role in the narrative made queer fans predisposed to claim him as one of their own even before being provided with textual evidence later. By the time “Despair” made canon what fans had long suspected and hoped for, Castiel was already a queer icon in fandom. As previously discussed, while Castiel’s declaration of love makes him unambiguously queer, there is a lot of room for interpretation of what that specifically means for Cas. This means legions of LGBTQIA+ fans can truly see themselves in Castiel.

But most importantly, Castiel caused a real-world effect that had a tangible impact on the lives of LGBTQIA+ individuals with or without a connection to Supernatural. Fans have long used Castiel’s iconic lines on posters and even dressed up as the character at Pride marches. The impact of seeing an angel of the Lord who initially symbolized conformity (and religion) openly accepting all sexual orientations on screen cannot be overstated, as evidenced by the fan reaction to Castiel’s words in “Meet the New Boss.”

“And who says you speak for God? You’re wrong. I am utterly indifferent to sexual orientation. On the other hand, I cannot abide hypocrites like you, Reverend.”

– Castiel

Queer viewers, many of whom started watching the series when they were discovering their own sexuality as teenagers and young adults, fully embraced Castiel and the love he represented, with some even choosing his name as their own. As of this writing, The Castiel Project in the character’s honor has raised $64,000 to support The Trevor Project, a massive fundraising effort that goes to show how much Castiel meant (and continues to mean) to fans.

Castiel was a beacon of hope to the fans who saw themselves in him. If this angel who came off the line with a crack in his chassis could love and be loved for exactly who he was, so could they. Castiel’s love is what saves the world within Supernatural in the end, and his impact as a character is felt in the real world just as strongly. As we wrap up our Pride Spotlight series for the year, it seems fitting to end on Castiel, our angel of Thursday whose profound bond with humanity (and the hunter who taught him to love it) truly did change the world for the better.