Thursday, September 25, 2025
Home Blog Page 7

‘9-1-1’ Recap: Season 8, Episode 13 “Invisible”

0

This Thursday’s episode of 9-1-1 has some of our favorite first responders feeling a bit unseen. As Eddie’s journey to mend his relationship with his son continues, Hen finds herself frustrated when an important day is forgotten by those closest to her– connecting with an unlikely individual along the way.

Here’s a recap of everything that goes down in “Invisible”.

Archie’s No Good, Very Bad Day

A good chunk of this episode centers around a character named Archie. It opens with him getting laid off from his fast-food job, then returning to his apartment (which he shares with his cousin, more on that in a moment), and cleaning. He manages to get stuck in the compartment built into his bed, accidentally trapping himself underneath the mattress in the bed frame. After a moment, his fiancee comes home, but before she can hear him yelling for help, it’s clear she is… not alone. In fact, she is cheating on him with his cousin, and Archie is forced to bear witness as he’s stuck inside the bed.

After managing to call 9-1-1, the 118 shows up to the rescue. They force their way into the apartment after their knocks go unanswered due to the loud music playing inside. They promptly interrupt the confused couple on the bed, saying they got a call from the address, when they hear Archie’s muffled pleas for help. This makes for an awkward interaction, but the 118 manages to get Archie out with minimal damage– physically, at least.

A bit later in the episode, we meet Archie yet again. This time, as he’s changing a flat tire on his car, a small part rolls underneath a semi-truck (yes, this is probably going exactly where you expect). The truck begins to move, and he is stuck between the wheel and the bottom of the truck in a position that is sure to make you cringe.

In true 9-1-1 fashion, the 118 is miraculously called to his aid again. Hen (Aisha Hinds) immediately realizes it’s the same guy from the last call, but she’s (somehow) the only one on the team to make the connection. After they successfully pull him out from under the truck, she checks him out to make sure he isn’t injured, and he confides in her that he feels invisible in every aspect of his life. She gives him advice, telling him not to let himself go unseen. “It’s okay to take up space in this world,” she tells him, serving as a much-needed reminder for many.

Disney/Christopher Willard

Our final encounter with Archie comes in the form of the biggest emergency of the hour. After waking up to his car being towed– while he’s inside– he opens the door and falls out as the tow truck leaves him in the middle of the road. Holding onto everything he has left, he’s bumped into by three guys running to try and catch up with a passing bus. This triggers his anger as he reflects on every other experience that has made him feel invisible, and he impulsively pulls out a knife and brings it onto the bus, threatening the passengers and driver.

As Athena (Angela Bassett) and her colleagues pursue the bus, Maddie (Jennifer Love Hewitt) tells her everything she knows at dispatch. On the bus, Archie can’t bring himself to hurt anyone, only keeping the suspense with loose threats and a weapon in hand. He monologues to his hostages, clearly echoing what Hen told him previously. This is his way of making himself seen.

When the bus hits an LAPD-placed spike strip, it lurches, causing Archie’s knife to penetrate right into the stomach of one of the passengers by accident. Not long after the bus is stopped, the 118 shows up to help with that and any other potential injuries on board. As the situation is described to the team, Hen slowly begins to realize that the suspect is Archie. She asks that she be allowed onto the bus to try and talk him down, insisting that he isn’t a danger, and she’s strapped into a protective vest before announcing her presence to Archie, who lets her onto the vehicle.

He’s clearly terrified of the repercussions of his actions, thinking that he will immediately be taken down by the officers outside if he leaves. Hen assures him that as long as he lets the hostages free he will be safe, convincing him to let them all off so it’s just the two of them left.

Attempting to talk him into getting off the bus with her, Hen admits that her speech to him before was actually meant for herself. Despite this admission, Archie still insists that she has been the one to save him every time, inherently making him feel seen. Eventually, she persuades him to put the knife down, and they slowly exit the bus together.

As they make their exit, Archie reaches into his pocket to pull out what appears to be a gift for Hen. Thinking he’s making a move to pull a weapon the officers begin firing at them, and Hen quickly moves to protect herself and Archie from the bullets, saving him one last time. The “gift” turns out to be a keychain from his old job, and he is promptly arrested by Athena, putting a period on his streak of bad luck.

Disney/Ray Mickshaw

Happy Birthday, Hen! (Or… Not?)

Early on in the episode, we learn that it’s Hen’s birthday (that makes her an Aries if anyone was wondering). Pretty quickly, we also learn that her wife, Karen (Tracie Thoms) and their two kids have seemingly… forgotten? They leave the house without an acknowledgment of the special day, but soon after, Athena calls to wish her friend a happy birthday. Even Hen’s mother gives her a call… but only to ask if she can borrow her car.

Hen arrives at her shift at the 118, and surely her friends have remembered what day it is, right? Wrong. Even when Bobby (Peter Krause) steps up to make a big announcement, she’s sure it’s about her, with him exclaiming, “It’s H.E.N. Day!” Not Hen as in Hen Wilson, but H.E.N. as in High-Efficiency Nozzles that need testing at the station. Needless to say, she’s disappointed yet again.

During her speech at their second call with Archie, she lets slip that it’s her birthday and that she’s upset nobody remembered. The team quickly realizes their mistake, scrambling to make it up to her, but the damage has already been done.

Hen comes home to a guilt-ridden Karen, and a bunch of gifts showing up at their door from her teammates. Karen nervously tries to make light of the situation, but Hen is still (understandably) upset that nobody remembered her birthday (besides Athena, of course). Her mom even shows up at the house with the kids in tow and a cake, which still doesn’t make her feel any better. Then, to make matters worse, her mom makes a comment about how “silly” she is for being upset about the situation. This only hurts her more, and she decides to spend the rest of the night alone.

Disney/Ray Mickshaw

It’s after this that Hen gets caught up in the bus hostage situation, saving the day and putting her in a better mood despite the high stakes of the event. She was able to be a hero, not just for the people on the bus but for Archie as well.

Following that call, Bobby and Athena come to the Wilson house for a birthday dinner. She declares it the “best birthday” ever and forgives them for their poor memory. As Bobby brings the food out, Buck (Oliver Stark) comes inside the house covered in dirt. We learn he’s agreed to do all of the Wilsons’ yard work out of guilt, and he doesn’t stay for dinner, wishing Hen a happy birthday and leaving the two couples to their meal.

The episode ends with the four sharing a toast to Hen, making her feel loved all around.

Eddie Dads-Up

Meanwhile, Eddie (Ryan Guzman) is still in Texas dealing with his own set of problems. Although last week, we saw a sweet reconciliation between him and his son Christopher (Gavin McHugh), he’s still struggling to find his place as his father again.

While on FaceTime with Buck (of course), he admits that he hasn’t yet brought up the idea of Chris, who’s been living with his parents, moving back in with him. He’s been waiting for his son to ask, even going as far as buying tickets to a basketball game for that weekend to try and win him over. His parents and Chris show up at his house for dinner, bringing takeout despite the fact that he’s been cooking (for almost eight hours, mind you). As they eat, his parents brag about Christopher’s accomplishments at school, and although he’s proud of his son, it’s clear Eddie feels on the outside of his life still. Right when he’s about to bring up the basketball game, his parents inform him that Chris has a big chess tournament that weekend instead. Eddie wants to be there to support him, but according to his mother only one parent is allowed to be there and his father is already planning on attending. This disappoints Eddie, who is feeling replaced in Christopher’s life by his mom and dad.

Disney/Christopher Willard

A bit later, Eddie runs into his mother at the grocery store while shopping for a delivery order. Eddie brings up the chess tournament, asking if there’s a chance he can go instead of his father. She guilt trips him into changing his mind, basically saying chess is Chris and his grandfather’s special thing. Again, Eddie is disappointed, not only for letting his mom get to his head but because it seems as though she and his dad have taken over the parental roles in Christopher’s life.

While on a call with Buck (again), his best friend asks about the basketball game, unaware of the chess tournament. When Eddie explains the situation, Buck tells him to show up anyway, because he is his father. These past couple of episodes have shown Eddie coming to Buck with his problems, and Buck offering sincere advice that helps Eddie and Christopher build their bond back up. He states that Eddie needs to “Dad-Up”, and says nobody can stop him from being there to support his son.

Taking Buck’s advice, Eddie shows up at Christopher’s chess tournament. When he checks in, he’s informed that Chris’s father is already there, referring to Eddie’s dad. This doesn’t sit well with him, but he watches Chris play from afar. During an intense sequence of Chris playing chess, he grows nervous, with his grandfather watching and pressure building, until he throws up all over the board. Eddie quickly jumps to his aid, wanting nothing more than to be a comfort to his son. He waves off his own father as he tries to help, bringing Christopher to the bathroom to get cleaned up.

Christopher explains that he got nervous, admitting to Eddie that he hates chess and only plays because he wants to please his grandparents. During this conversation, Eddie realizes he is the most important adult in Chris’s life, taking the reins again as his father. Instead of asking his son to move back in with him, he tells Christopher that he’s going to be living with him again. In a touching moment, Chris asks, “You’ll be my dad again?” to which Eddie hugs him and says, “I’ve always been your dad, and I’m gonna start acting like it.”

Eddie shows up at his parents’ house with Christopher in the car, leaving his dad at the chess tournament. He declares, much to his mother’s dismay, that Chris is coming to live with him again. As he gathers Christopher’s belongings, he states his role as the father, telling his mother that she and his dad are not his son’s parents and he gets the final say in every decision that is made. We’ve been waiting for Eddie to stand his ground, and he does it with confidence and grace. He says Christopher hates chess, and that he’s been so concerned with pleasing them that they haven’t even noticed, echoing his experience as a kid. We also learn that Eddie was a ballroom dancer in his youth, only disliking the hobby when his parents turned it into something unenjoyable.

Disney/Christopher Willard

The Eddie and Chris storyline in this episode ends with him thanking his mother for being there when Chris needed him, but stating, “Now, he needs me.” Eddie takes Christopher home, starting a new chapter in both of their lives.

This episode sees Hen and Eddie dealing with their own struggles of seeming invisible in the lives of those they love but ends with them feeling more seen than ever.

Catch new episodes of 9-1-1 on Thursday nights at 8/7c and stream the next day on Hulu.

‘Fire Country’: Season 3, Episode 18 “Eyes and Ears Everywhere” Synopsis Released

The synopsis for season 3, episode 18 of CBS’ Fire Country has been released. The episode is titled, “Eyes and Ears Everywhere” and is set to air on Friday, April 18.

Here’s the synopsis:

“Eyes and Ears Everywhere” – The station 42 crew responds to a routine house fire that escalates into a dangerous situation for one of their own, on FIRE COUNTRY, Friday, April 18 (9:00-10:00 PM, ET/PT) on the CBS Television Network, and streaming on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the episode airs)*. 

The episode was written by Nick Spates and was directed by Freddie Highmore. Fire Country stars Max Thieriot, Billy Burke, Kevin Alejandro, Diane Farr, Stephanie Arcila, Jordan Calloway, and Jules Latimer.

Here are some photos from the episode:

‘Tracker’: Synopsis Released for Season 2, Episode 16 “The Mercy Seat”

0

The synopsis has been released for season 2, episode 16 of Tracker. The episode is titled “The Mercy Seat” and is set to air on Sunday, April 13.

Here’s the synopsis:

“The Mercy Seat” – Colter helps an old friend with a search and rescue mission for two missing sisters in the snowy Montana wilderness. Meanwhile, Reenie gets a visit from a new client that challenges her morality, on the CBS Original series TRACKER, Sunday, April 13 (8:00-9:00 PM, ET/PT) on the CBS Television Network and streaming on Paramount+(live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after the episode airs)*.

The episode was written by Elwood Reid & Sharon Lee Watson. It was directed by David Barrett. Tracker stars Justin Hartley, Fiona Rene, Abby McEnany, and Eric Graise.

‘The Rookie’: Synopsis Released for Season 7, Episode 14 “Mad About Murder”

ABC has released the synopsis for season 7, episode 14 of The Rookie. The episode is titled “Mad About Murder” and is set to air on Tuesday, April 15, at 10:00 p.m. EST.

Here’s the synopsis:

Tim receives a strange message, launching a larger investigation into the dark web. Meanwhile, Celina works to take down a popular podcast, and Miles helps update the department’s training videos.

The Rookie stars Nathan Fillion, Alyssa Diaz, Richard T. Jones, Melissa O’Neil, Eric Winter, Mekia Cox, Jenna Dewan, and Shawn Ashmore. You can watch episodes on demand and on Hulu the day after they air.

‘9-1-1’: Synopsis Released for Season 8, Episode 13 “Invisible”

0

ABC has released the synopsis for season 8, episode 13 of 9-1-1. The episode is titled “Invisible” and is scheduled to air on Thursday, April 3, at 8:00 p.m. EDT.

Here’s the synopsis:

After the 118 responds to several calls from the same person, Hen steps in to offer them advice. Meanwhile, Eddie confronts his parents and takes a big step in his relationship with his son.

Below are some photos from the episode:

Teaser Trailer Released for ‘Five Nights at Freddy’s 2’

0

The first peek at Five Nights at Freddy’s 2, the sequel to the hit Five Nights at Freddy’s has been released!

The films are based on Scott Cawthon’s game series, and Five Nights at Freddy’s 2 is directed by Emma Tammi. It stars Josh Hutcherson, Elizabeth Lail, Piper Rubio, Mckenna Grace, and Matthew Lillard.

Five Nights at Freddy’s 2 is produced by Jason Blum and Scott Cawthon.

Watch the teaser trailer below! Five Nights at Freddy’s 2 hits theaters on December 5.

Photos: Whitechapel at Danforth Music Hall in Toronto

0

Are you ready to get capital “H” Heavy? What comes to mind when the words “Death Metal” are uttered? For me, I tend to imagine very low, guttural vocals, offered up with growls and aggression; and a very specific tuning – “Deep and Low” which gives the genre its very unique sound.  I also tend to imagine band names made with vividly morbid imagery, and posters and t-shirts with comically illegible writing (this is my favourite part, if I’m being honest!).  

There is a lot to be said about the Death Metal genre (and its many sub-genres), and Tuesday night’s show at the Danforth Music Hall in Toronto was a master class for anyone (including myself), who was maybe not as familiar with this specific piece of the metal genre previously.  

The first band to hit the stage on Tuesday was Alluvial, an Atlanta-based foursome made up of Tim Walker (bass), Wes Hauch (Guitar), Kevin Muller (Vocals), and Zach Dean (Drums). They started off the evening with a blast of some downright dirty tracks. While their set was short, with only 7 songs, they made the most of it to the gathering crowd of Toronto fans. Formed in 2016, the band has 2 full-length albums, in addition to a more recently released EP.

200 Stab Wounds was the second band to hit the stage, and as much as I was unsure I would be able to differentiate much between the sounds, 200 Stab Wounds had a much different sound to Alluvial, while not compromising their spot in the death metal genre. A faster tempo, and a higher tuning (barely, but noticeably), made their set undeniably different from the previous set.  Steve Buhl (Guitar/Vocal), Ezra Cook (Bass), Owen Pooley (drums), and Raymond Macdonald (Guitar), from Cleveland Ohio, formed in 2019, really managed to get the crowd going, and the stage was being set for the final 2 bands on the docket for the night. 

There is nothing quite like a local band to really wake the crowd up, and Toronto’s own Juno-nominated Brand of Sacrifice was just what the night needed to get the fans really frenzied. If the 1500-capacity venue wasn’t quite full prior to BoS hitting the stage, there was no denying it as soon as this quintet got started. Formed in 2018, Brand of Sacrifice is made up of Kyle Anderson (Vocals), Liam Beeson (Guitar), Michael Leo Valeri (Guitar), Andrew Kim (Bass), and Chason Westmoreland (Drums). The crowd surfers were up for the challenge and made quick work of soaring over the crowd (making the photo pit at the front a bit of a danger zone!).  Despite a medical emergency stopping the show 3 songs into their set, which was handled with respect and speed by the band and the staff at The Danforth, pausing the energy for 15 minutes while everyone quietly and patiently waited, the interruption did not dim the excitement once the show restarted. Kyle’s energy on stage is that of a warrior with his tactical vest and long dreadlocks, he truly embodies the image of what I would stereotype a “metal singer” to look and sound like.  He was also gracious and extremely friendly, having had the opportunity to chat with him briefly during the break. I later found him standing in the foyer of the venue, gladly taking photos and chatting with fans who were lined up for a chance to say hi. A class act, this is a band I have every intention of keeping my eye on in the future. 

At 9:35 p.m., the 20-year veterans of the Deathcore genre, Whitechapel, hit the stage. Based out of Knoxville, TN, and named after the East London district where Jack the Ripper committed his crimes, Whitechapel is a household name within this scene. My initial headline for this article was penned: “My next-door neighbour just came out and wiped the floor with my face”; Phil Bozeman, the frontman of this exceptional band, is quite literally the most unassuming-looking man. Not only would I not pick him out of a crowd, but I would absolutely not expect him to unleash the most inhuman-sounding growls. If you need another visual, imagine the Flerken from the Marvel Cinematic Universe; it was the immediate image I had in my head once the show started.  

Made up of 6 members, there are a lot of talented “noise makers” on the stage at a Whitechapel show. Phil Bozeman (vocals), Ben Savage (lead guitar), Alex Wade (guitar), Gabe Crisp (bass), Zach Householder (guitar), and Brandon Zackey (drums). Outfitted with demonic statuettes, the stage was set for what would be an amazing lesson in Deathcore. They have a repertoire of 9 studio albums (and numerous additional releases), to draw on – however, this tour was in support of their most recent release “Hymns of Dissonance” which came out on March 7, 2025.  They came out of the gates with two new songs “Prisoner 666” and the title track “Hymns of Dissonance”, winding through a setlist of 15 songs that traced their history and celebrated their future. 

Overall, this was a night to remember and I recommend you catch this tour if you have the chance.

See photos below!

‘9-1-1’ Recap: Season 8, Episode 12 “Disconnected”

0

This week’s episode of 9-1-1 marks the 118th episode of the series, a milestone only fans of the show will understand the significance of. This installment also finds Maddie grappling with the effects of her trauma and kicks off Eddie’s arc in Texas.

Here’s a recap of everything that happens in “Disconnected”.

Maddie Loses Her Voice

In this back half of the season, Maddie (Jennifer Love Hewitt) has been put through the wringer. In the course of just a few episodes, we’ve seen her abducted, nearly killed, and forced to listen to her brother’s boy problems.

Five weeks after her kidnapping, she’s now facing the potential long-term effects of that trauma both physically and mentally. The episode opens with her starting a seemingly normal shift at dispatch, but quickly turns into something much darker. The voice she’s speaking to over the phone morphs into her own, and blood begins to gush from her neck as her coworkers go about their business. When the scene cuts to Maddie waking up in a panic, we realize it’s a nightmare.

In the morning, her husband, Chimney (Kenneth Choi), and their daughter Jee-Yun find Maddie awake and dressed in her dispatch uniform. While Chimney is hesitant at first about her decision to return to work, she admits that she’s been having nightmares and that she thinks they’re her mind’s way of telling her she needs to go back. Ultimately, Chimney supports his wife and her decision if she thinks it will help her move past the internal wounds caused by her ordeal with Amber Braeburn.

Maddie is greeted at dispatch by her coworkers, Josh (Bryan Safi) and Sue (Debra Christofferson), who are understandably concerned with her quick return to the desk. Right before taking her first call in weeks, Josh gives her a pep talk (as he often does), assuring her that nobody does the job like her.

That first call comes in the form of a boy trapped in an apartment fire with his unconscious father. Maddie is able to quickly locate the building he’s in, and it seems as though she’s settling back into her old skills with ease. However, as she talks to the boy and corresponds with the 118, her voice begins to give out on her. She ignores it and continues to do her job, attempting to help the firefighters locate the exact apartment her caller is in until she suddenly finds herself completely unable to speak.

Disney/Ray Mickshaw

Understandably, she starts to panic and Josh takes over the call. Maddie writes her instructions down for him, and although she isn’t able to vocally do her job, she’s still the reason the 118 is able to find the boy and his father and get them to safety. After the call, Josh and Sue attempt to figure out what’s wrong– thinking maybe she’s having a panic attack or even a heart attack, but Maddie has simply found herself unable to speak.

She’s accompanied by Chimney to have a scan done on her neck, but it comes out completely normal (besides the obvious healing wounds from her attack). When the doctor claims that her inability to speak is most likely not related to her injury, the couple brings up her past thyroid issues and wonders if that could be a factor. Once again, the doctor perplexes them by saying Maddie’s blood came back normal, but he quickly tells them what he thinks the problem is. He believes Maddie is suffering from a psychological condition triggered by trauma that renders one unable to speak.

Upon hearing this, Maddie is devastated. She struggles with the fact that her attacker has taken her voice from her, claiming, “My voice is everything.” This scene is a beautiful showcase of her and Chimney’s relationship, with him being able to convey everything she wants to say while understanding her pain.

This is shown even further as he attempts to coach her through some vocal exercises, but she grows frustrated over the fact that it’s getting worse. Chimney assures her that the both of them will do everything they can not to let Braeburn take anything else from her, including the job she loves.

Later on, Athena (Angela Bassett) shows up at Maddie’s door to provide some reassurance. This is a pairing we don’t get to see much of, but this season has proven how powerful they can be together. Athena admits to Maddie that she’s constantly scared while on the job, but she doesn’t let that fear stop her from helping others with their own. Referencing her own past traumas, she connects with Maddie through those personal experiences. The scene ends with her telling Maddie to text her at any time, and the conversation seems to put her mind at ease a bit.

She takes Jee to the park, and Athena texts her to check-in. While responding to her text, Maddie loses sight of Jee and naturally, she begins to panic. Unable to yell for her daughter, her distress builds until finally, her voice returns with a broken shout of Jee’s name. Jee comes running into her mother’s arms, and Maddie holds her tight in a flood of relief. And, as if the scene couldn’t get any more touching, Jee points out, “Mom, you can talk!” Not only does Maddie have her daughter safe with her, but she’s also found her voice again.

Maddie returns to work with confidence, sitting back at her desk with a new sense of purpose. The episode ends the way most of them open: Maddie starts her life again with the words, “9-1-1, what’s your emergency?”

Special Delivery For… The 118?

Although this episode is quite emotionally charged, in true 9-1-1 fashion, the 118 find themselves responding to yet another bizarre emergency.

In a sequence ripped from real life, we see the beginning of a Zoom court hearing. We learn the defendant, Ozzy (played by Rob Benedict, who viewers may recognize from Supernatural), has been cited for driving with a suspended license before he is patched into the call. Once he appears, he is on the clock as a pizza delivery man… actively driving a car. Obviously, the judge does not take kindly to this, and sentences him to jail. However, just as the sentence is being read, our defendant gets in a crash on the other end, cutting his feed.

Somehow, Ozzy’s car has wound up dangling from the edge of a parking structure. Of course, our favorite firefighting crew has been called to respond. After securing the car (or so they think), Buck (Oliver Stark) and Chimney harness up and start trying to extract their victim from the driver’s seat. Suddenly, the car shifts, proving to be unstable. Ozzy is too scared to shift to the passenger seat in order to get out of the car, and as Buck attempts to coax him out he insists that they should just leave him.

Buck asks if he can just enter the car and pull him out, but Bobby (Peter Krause) tells him it’s too dangerous. Chimney comes up with the idea to extract Ozzy through the trunk of the car, and they manage to pull him out safely. Once on solid ground, Ozzy then turns himself into Athena, who arrests him. Immediately after that, his car ends up falling to the ground– right on top of her cop car.

Disney/Ray Mickshaw

Eddie Struggles in El Paso

While Maddie has trouble with the disconnect from her job in this episode, Eddie (Ryan Guzman) has his own battle to fight when it comes to settling back in Texas.

As we know, Eddie’s return to his home state was brought on by his need to be near his son Christopher (Gavin McHugh), who moved in with his grandparents at the end of last season. We begin to see Eddie make progress in mending his connection with Christopher, although a lot of that development was done offscreen.

This is the first time we’ve seen the father-son duo physically together in almost a year, and it pulls on the heartstrings.

He arrives at a firehouse in El Paso for an interview with the captain, who tells him Bobby has given him a stellar reference (as we would expect!). However, this proves not to be good news for Eddie, as Captain Morales explains he worries that he won’t stay for long after hearing Bobby say he’s always welcome back at the 118. Eddie advocates for himself in this moment, explaining his situation with Christopher and insisting that he has no plans to return to L.A. This seems to change the captain’s mind, who is touched by his vulnerability.

We also see a bit of Eddie dealing with his fixer-upper of a house. In the middle of that scene, we get a montage of his struggles with a leaky ceiling, unstable cabinets and shelves, and even some tragically ugly wallpaper.

After returning from his meeting at the firehouse, at dinner with his parents and Christopher he boasts about the job, clearly confident that he’s a shoo-in for the position. In the middle of their meal, a package comes for Eddie. It’s a video game console for Chris, who is ecstatic about the surprise. Eddie brushes off his mother’s concern that he’s already spent most of his savings on the new house, asking Chris where he wants the gaming system set up: at his dad’s house, or his grandparents’. His mom pushes the idea that it should stay at their house, eventually winning out, which dampens Eddie’s mood. He begins to question whether or not his son will ever want to live with him again.

Sensing his doubt, Eddie’s father reveals to him that Christopher has been bragging to his friends about him being back, proud of the fact that he’s a firefighter. This lightens Eddie’s mood and gives him hope that perhaps his son will come around after all.

Eddie gets a call from Captain Morales, who gives him the news that the department is on a hiring freeze. Devastated that he didn’t get the job, Eddie confides in his best friend, Buck. While on FaceTime, he starts to doubt his decision to move back to El Paso, starting to consider giving up and moving back to L.A. Despite how much we know Buck misses him, he tells Eddie that he can’t come back until he’s successfully mended his relationship with Christopher.

In an attempt to make money in the absence of his firefighting job, Eddie trades in his truck for a smaller car. We learn the reason for this soon after: he’s settled on becoming a ride-share driver.

Disney/Ray Mickshaw

Through a montage of him carting passengers through the streets of El Paso, it’s evident that Eddie needs some improvement in his chauffeur skills. He’s too chatty and is perplexed when he doesn’t receive any tips from his rides. That is, until one of his passengers gives him some advice which helps him up his skills and start earning the big bucks. Finally, he’s able to make enough money through driving to start supporting himself and Christopher.

However, his family is under the impression that he is working as a firefighter. That illusion is broken when Eddie goes to pick up a new set of passengers, who turn out to be Christopher and one of his friends. They don’t acknowledge each other past the initial shock, with Chris even going as far as calling Eddie “sir”.

After he drops them off, Eddie calls Buck again, needing a sounding board for his consequential spiral. He faults himself for being caught in another lie by his son and worries that Chris is disappointed in him yet again. Buck, always the one to bring Eddie down from the ledge, tells him to talk to Christopher. He says that, unlike last time, Eddie can reason with his son and explain himself, which he needs to do. Following Buck’s advice, he texts Chris to apologize for lying.

Eddie starts doubting himself again as his texts go unanswered until there’s a knock at his door. Christopher stands on the other side with his PS5 (if anyone’s wondering, he took an Uber), and he tells Eddie that he wants to return it. Disappointed, Eddie says he understands, but Chris explains that it’s not because he’s upset with him. It’s because if he wants to stay, he has to save his money, according to Chris. Eddie asks if he’s sure he still wants him around, to which he replies, “Yeah, you’re my dad.”

Although he’s relieved, Eddie still feels the need to apologize in person for his fib and admits that he just wanted Christopher to be proud of him. His son says he is proud of him despite everything, and in a tender moment Eddie asks, “Can I hug you?”

We’re glad to see the Diaz boys back together on our screen, even if it’s likely that they’re only scratching the surface with their reconciliation. We’re promised to see more of Eddie’s life in Texas in upcoming episodes, focusing more on the building back up of their relationship again.

“Disconnected” lives up to its title, with both Maddie and Eddie finding themselves adrift, and ending the episode with a semblance of being back where they belong: Maddie at her job, and Eddie with his son.

Catch new episodes of 9-1-1 on Thursday nights at 8/7c and stream the next day on Hulu.

‘Shangri-La Frontier’ Season 3 Announced

0

A third season of Shangri-La Frontier has been officially announced.

The renewal came not long after the season 2 finale aired, giving the SLF fans something to look forward to and some peace of mind. The second season ended on a cliffhanger, leaving Sunraku and team looking to battle another Colossus, Ctarnidd of the Abyss, in Shanfro, while Rakuro Hizotume sets out on an entirely different mission of his own vs StarRain and Sylvia Goldberg.

There is no projected air date for season 3.

The second season was animated by C2C and directed by Toshiyuki Kubooka.

Check out our interview with author of the light novel Katarina and the manga artist Ryosuke Fuji from Anime NYC 2024!

Seasons 1 and 2 of Shangri-La Frontier is available to stream on Crunchyroll in subtitled and dubbed formats (the dub is still airing as of this writing).

Marvel Announces ‘X-Men’ Actors as Part of ‘Avengers: Doomsday’ Announcement

Marvel has been keeping fans on edge all day as they slowly announce the cast for Avengers: Doomsday.

Some of the notable names that have been announced include Chris Hemsworth (Thor), Anthony Mackie (Captain America), Sebastian Stan (Bucky/Winter Soldier), Florence Pugh (Yelena), Tom Hiddleston (Loki), Vanessa Kirby (Sue Storm), Joseph Quinn (Johnny Storm), Paul Rudd (Ant-Man) and more.

However, fans have gotten some big news with the announcement of some of the names that were part of X-Men (2000), X2 (2003), and X-Men: The Last Stand (2006) including Patrick Stewart (Professor Charles Xavier), Ian McKellan (Magneto), James Marsden (Cyclops), Rebecca Romijn (Mystique), Kelsey Grammer (Beast), and Alan Cumming (Nightcrawler).

Marvel’s Avengers: Doomsday is currently in production and is set to be released on May 1, 2026, in theaters.