IAAPA, the global association for the attraction industry, kicked off its annual expo in Orlando this year on Monday, November 18 with a colorful new logo, a bustling exhibitor show floor, and more than 100 educational opportunities lined up through Friday, November 22. Nerds was present throughout the week.
Every year, thousands of professionals working in theme parks, museums, zoos, and every other entertainment facility you can think of flock to Orlando during a time when most tourists and locals are staying indoors. Though the sunshine state certainly lives up to its name nearly all year round, cold winds aren’t exactly ideal when skipping through a theme park, and an organization centered around the leisure industry like IAAPA knows it.
It’s when IAAPA hosts their Celebration event, a one night only separately ticketed party that always takes place at a nearby Orlando theme park that just so happens to have flexible winter hours ripe for an after-hours park rental (November). This year, IAAPA Celebrates took place at Universal Orlando’s Islands of Adventure theme park.
As with most Celebrates events, the chosen park played host on Thursday night from 8 p.m. to 11 p.m. and offered attendees dinner, dessert, beverages, and – best of all – access to attractions. For Universal, this included the recently opened Hagrid’s Magical Creatures Motorbike Adventure.
For members, the standard four hour wait time that’s been plaguing Hagrid since opening day dropped to just 30 minutes, which is still a little long for a Celebrates event. All around the park, rides like Skull Island: Reign of Kong and even Harry Potter and the Forbidden Journey were a mere 15 minutes or less.
Another perk of partying in November? The Nighttime Lights At Hogwarts Castle holiday show was available and played during the event, plus plenty of other live entertainment such as the Frog Choir, Triwizard Spirit Rally, and an interactive DJ.
To learn more about the IAAPA Expo and their exclusive events, visit iaapa.org.
Did you know that the classic film, The Muppet Christmas Carol, is now available as a picture book? You can welcome a whole new generation into the story with this retelling of the film.
The Muppet Christmas Carol: The Illustrated Holiday Classic is narrated by the Great Gonzo as Charles Dickens, and the book features Kermit the Frog as Bob Cratchit, and Miss Piggy as Mrs. Cratchit.
In the Muppets’ version of Dickens’s timeless tale, Ebenezer Scrooge, a bitter and mean old man, sees the error of his ways after meeting three strange ghosts—and a whole lot of Muppets—one snowy Christmas Eve. Featuring the entire Muppet cast, this hilarious and heartwarming story conveys the importance of spreading love and kindness throughout the whole year. In colorful storybook form, this festive family favorite is the perfect way for fans of all ages to get into the holiday spirit—whether revisiting themselves or sharing it with their kids.
The book was written by Brooke Vitale and illustrated by Luke Flowers.
The much anticipated Netflix show V-Wars starring Ian Somerhalder as Dr. Luther Swann, alongside Nikki Reed, Laura Vandervoort, Adrian Holmes, Jacky Lai and Kyle Breitkopf is now available to stream for Netflix subscribers.
Image Courtesy Netflix.
The series is based on Jonathan Maberry’s best selling books. In the 10-episode series, Dr. Swann is swept up in a global disaster where a mysterious ancient disease transforms his best friend Michael Fayne (Adrian Holmes) into a murderous predator that feeds on other human beings.
The disease continues to spread and affect others which pits normal people against vampires. Dr. Swann has to race against time in order to find out what is happening all while his best friend, Fayne, rises as the top leader of the vampires.
It’s the most wonderful time of the year with the holidays fast approaching, and Taylor Swift fans are getting an early gift this year. Taylor has announced that she is releasing a new Christmas song tonight! As in Thursday, December 5! Yep, we have less than 24 hours to wait for this new song.
In her Twitter post, Taylor says she feels it’s weird to wait an entire year to release the new song (and we agree), so she is releasing it for this Christmas season. Taylor consulted with cats Meredith, Olivia, and Benjamin in her video, but they are all mysteriously aloof when it comes to their feelings about the new single.
Luckily for fans, Taylor takes their nonchalant opinions to mean she should go for it! Check out her post below, which is hashtagged Christmas Tree Farm. Either she’s planning a trip back home to where she grew up, or this is the title of the now highly anticipated tune.
When in doubt, ask the itty bitty pretty kitty committee. When they shun you with silence, ambivalence, and judgmental brush offs… just put the song out anyway. NEW XMAS SONG AND VIDEO (made from home videos 👨👩👧👦) OUT TONIGHT #ChristmasTreeFarm 🌲🎄🌲🎄🌲🎄🌲🎄🌲🎄🌲🎄🌲 pic.twitter.com/GdlnCAKDLF
After a killer $70 million opening weekend, Rian Johnson’s star-studded murder/mystery Knives Out is starting to reel in the acclaims.
After an extremely successful run of film festival appearances and early screenings, the raving reviews both from critics and word-of-mouth seemed to have worked as the Thrombey’s story took off over the Thanksgiving weekend. And now, with awards season upon us, it’s time to see who else this film has charmed.
The American Film Institute has awarded Knives Out as one of the year’s most outstanding films. The AFI AWARDS honor the 10 most outstanding films and television programs “deemed culturally and artistically representative of this year’s most significant achievements in the art of the moving image.” Knives Out joins, 1917, The Farewell, The Irishman, Jojo Rabbit, Joker, Little Women, Marriage Story, Once Upon A Time In Hollywood, and Richard Jewell as this year’s honorees.
Haven’t seen Knives Out? It’s playing in theaters now!
Hello, hello, hello! For the past ten years, this is how drag queen RuPaul has entered the room in her show RuPaul’s Drag Race, which has now won multiple Emmy’s and other prestigious awards for the best reality program. Drag Race, however, has not only done this, but it has also put Drag culture in the mainstream. Queens competing on the show tour the world, release albums, and star in Hollywood movies.
Now, the time has come for “Mama Ru” to bring these artists whose careers she has shaped back together for something new entirely. The Netflix original series AJ and The Queen will be released on January 10, 2020, and will star RuPaul herself as well as multiple drag queens who have competed on Drag Race in the past ten years.
In the show, RuPaul will play a drag queen – no surprises there – who has spent her career saving up $100,000 – which I hope is a reference to the Drag Race prizemoney. But is robbed and has to go on a cross-country tour to make back that money she wanted to use to start her own club. She is not alone, though, because she is joined by an 11-year-old and recently-orphaned kid named AJ.
The trailer already shows some of the Drag Race royalty present in the series, among them fan favorites such as Katya, Bianca Del Rio, Latrice Royale, or Trinity Taylor.
Check out the trailer below for some comedy, a lot of Drag Race references, and the premise of the show of a lifetime.
This season just doesn’t quit! Batwoman continues to deliver punches week after week. Sunday was the eighth episode of the premiere season, written by Nancy Kiu and directed by Holly Dale. We begin with a recap of the previous events, including reminding us that Bruce never stopped looking for Beth/Alice and Catherine Hamilton had faked Beth’s death, and that Mouse had impersonated Jacob Kane. For a recap of this week’s episode, keep reading.
“They say the choices we make define us, but despite all the darkness, despite all those who doubt, and despite my own fear that I’ve lost my sister forever, I choose hope; that Beth is still there.”
This voiceover from Batwoman, played by the incomparable Ruby Rose, as the camera pans over Gotham, is foreboding given the show’s penchant for darkness. We then land in a dark alley where Batwoman confronts a running Rabbit, where she breaks a metal bar in two demanding his jacket. Batwoman flies away, as he turns to leave, the police have him, silly Rabbit. Back at the cave, Kate hands the coat off to Luke, where a Rabbit had placed a phone in the front pocket that could potentially track where Alice was hiding. Luke narrows down two locations for Alice, one of which is a warehouse in the Bowery of Gotham.
In the next scene, Kate visits Alice at the empty warehouse, finding her tossing clothes out of a trunk. Kate confronts her sister, asking if the Riffle was hired to kill her using the coil accelerator. Alice dances around the question, telling Kate that she ensured that it didn’t happen, handing her a multi-million dollar piece of technology that allows the coil accelerator to penetrate the Batsuit Kate wears. The piece happens to be the only one in existence and that anyone who knew how to make it, is dead. Kate begs Alice to turn herself in, reiterating that her sister is still in there because she held on to a photo from their Bat Mizpah’s as children. Alice dismisses Kate, telling her to “take it and be gone.”
We change scenes to Jacob Kane leaving a motel while on the phone telling someone they will go over the floor plan for the gala tomorrow. When he tries to get into his truck, however, he is jumped by Rabbit’s and kidnapped into a van, ushered away.
While Kate is putting her bar together, Mary visits her and invites her to the Gothan Humanitarian Gala, honoring Catherine Hamilton-Kane. Kate declines the invite. However, Mary points out that she gave Alice a second chance (and third, and fourth), questioning how she could write off her mom so quickly. Mary begins to believe that she might be the crazy one for thinking that she and Kate could still be sisters after all. Kate tries to reassure Mary that they are family, but Mary still leaves upset.
Kate confronts Jacob at his office, questioning his actions of going to the Humanitarian Gala that evening, and for getting back with Catherine. Jacob tries to defend his actions, telling Kate that he is beginning to understand why she faked Beth’s death. But oops, That wasn’t Jacob! Jacob Kane is in the warehouse chained up by Alice herself. A little daddy-daughter chat, perhaps? Jacob tries to apologize to Alice, telling her, in the end, it was easier to believe she was dead than to go to sleep every night with a broken heart. “Thank you for making me who I am today,” says Alice, quite chillingly. Jacob asks what she is planning, and what does he have to do to stop it. This is where we find out that today is the day of the Mad Tea-Party and that everyone is invited! Alice has an enticing rhyme before practically dancing out the room, telling us that Jacob will be in attendance as the guest of honor, but he will be trapped in that room while someone will be a goner.
In the next scene, we have Kate drinking, venting to Luke about Jacob choosing to forgive Catherine. She then pieces together that Jacob isn’t Jacob. Kate decides to call faux-Jacob on speaker with Luke, tricking him with a comment about the day he and Catherine got married in the winter, now knowing for sure, this is Mouse, not Jacob.
We move over to Sophie and Tyler, where Sophie asks him if he’s still freaked about what happened between her and Kate. Mouse-Jacob comes in to discuss the plan for security that evening at the gala, closing the blinds as he gives them instruction, tranquilizing them both. Forward over to the pre-gala with Catherine, Mary, and Mouse-Jacob, toasting with spiked champagne, didn’t anyone ever tell you it’s not a good idea to drink, even if you are in a limo? Especially in a city like Gotham. Cheers!
Next, we find Alice and Kate back at the warehouse, Kate wants to know where her father is, and Alice, while not answering the question, is being very insistent that Beth does not exist anymore within her. Kate does get the answer out of her, though, “I left him in the same place he left me,” as Kate leaves, “he’s not doing so well, you might want to be quick about it.”
Image courtesy of IMDb
At the gala, we are shown that one of the security guards is, in fact, not a Crow. During Catherine’s speech, however, her teleprompter is hi-jacked by the Wonderland Gang. If she doesn’t read what is on the screen, she will die. This new speech is a confession written by Alice herself, that Catherine has been putting weapons in the hands of Gotham’s criminals, and that she and Jacob have been scamming the people of the city. That the real enemies are not the Joker, Riddler, or Alice, the real enemies are the people right in front of them. A few drops of blood on the teleprompter later, Catherine collapses on the stage in front of everyone. That’s never a good sign. Medical help is called, Mary stays with Catherine as the lights shut down in the gala hall, and people begin to exit after they were told to remain calm. With a killer like Alice on the loose, Run.
Back at the Crows office, Sophie and Tyler wake up to find themselves bound in chairs back to back, where no one can see or hear them due to one-way windows and sound-proof walls. Tyler comes to the realization that killing Sophie would not have been beneficial to Alice because it would have hurt Kate, and destroy the twisted relationship Alice is trying to preserve. They decide to figure out how to get out of there instead of confronting Sophie’s feelings for Kate at that moment. Ty and Sophie use her diamond ring to break out of the ties they were bound with, at which point Tyler questions her feelings for Kate again. Sophie deflects, telling Ty that she has always followed the rules, and the first time she broke them was with Kate, and she lied because it almost cost her everything. They leave to get help.
Backstage at the gala, Alice finds Mary taking care of Catherine, hinting that it was all well to say “drink me,” but they should have looked to see if it was marked for poison, with one of Catherine’s recipes. After a list of the slow and painful death that results from this cocktail, Alice hints at an antidote. Mary threatens Alice’s life, to which, of course, Alice has a magical solution. A serum, derived from a rare flower, grown on a remote island. But what does Catherine have to do to get this serum? Apologize. I sincerely apologize to Alice for what she did. Because, of course, that would be the only solution, and there is only enough for one. Just then, Mary begins to show signs of being poisoned as well.
Mary pieces together that Jacob drank the champagne too, but when Alice quips that he will be fine, that’s when Mary figures out that Jacob is the skin-pirate from Arkham, Mouse. Mary tries to split the serum between her and Catherine, but Catherine refuses, insistent that Mary drinks the tea and live. As Catherine dies, she tells Mary she is the one thing that she did right. She then fades and is gone. Goodbye Catherine.
Batwoman had arrived on the scene, taking out guard after guard, confronting Alice, asking her that whatever she did, she could undo it. Alice, in her very Alice like way, tells Kate that Catherine was poisoned, and she didn’t want to undo it. She did it out of the revenge she dreamt of for 11 years. Alice was more than happy to watch Catherine die, and watch Jacob go down with her. Mouse-Jacob knocks Kate over the balcony, and before they leave, Alice tells her that one day, Kate will see her way.
Real-Jacob is planted and arrested in his own SUV and has the evidence of poison planted on him to implicate him in his wife’s death. He has only been told that Alice and Mouse were at the gala, not that his wife is gone. Police surround his car, and they find the vial in his pocket. He has been set up!
Kate tries to talk to a despondent Mary, while Mary tells Kate that she tried to save her mom, but she died precisely the way Alice planned it. She asks Kate one more time, if Alice is worth it, “No.” but it is too late.
Sophie and Tyler have one more conversation at the close of the show, where Tyler tells her that he wants kids, a dog, and family traditions that they complain about but do anyway. He asks if she loves him, “yes,” is she in love with him? “I don’t know,” Tyler tells Sophie that she needs to figure herself out, and maybe he will still be there when she does.
In the end, Kate mistakenly thought she could trust Alice. She thought once more that Alice could change and still find Beth within herself. Seeing Catherine die due to her revenge, the awful truth is the sister she knew is, without a doubt, gone. Kate now believes Beth is no longer able to be saved, and she will not stop Jacob from putting her down once and for all.
The episode itself ended on an end-credit scene of The Flash, December 9, 2019, with the newest version of Harrison Wells looking at where he unearthed The Monitor. Harrison is telling him that he had hunted him across worlds and multi-verses to kill him, yet here The Monitor chose to save his life. He is told to begin his life anew, and the knowledge is within him. Harrison touches the runes on the metal and is taken, disappearing, into an incredibly bright light. We will see what happens there on the upcoming Crisis crossover, which also includes Batwoman beginning next week!
This episode of His Dark Materials packed an emotional wallop while fully introducing the character book readers have been waiting to see. We finally get answers about what exactly is going on at Bolvangar and about the fate of Billy Costa. This sequence is one of the most devastating from the novels, and it ultimately translated well to the screen. Once again, Dafne Keen delivers a knockout performance as Lyra, and Anne-Marie Duff broke my heart as Ma Costa. Amir Wilson also does a great job as Will, and I’m already excited to see him play some future book events. So without further ado, here’s what happened in “The Lost Boy.”
We open the episode with Kaisa narrating the prophecy concerning Lyra. But there’s one crucial addition, Will Parry, a boy from our world – cue book readers’ cheers of delight. As we get our first glimpse of Will, Lyra is bantering with Lee Scoresby. Their relationship provides lightness to the scene, and it’s fun to watch Lyra be her troublemaking self with him. She asks if he thinks they will succeed in their mission to get the children back. He expresses doubts but tells Lyra he believes it’s possible because he knows she needs him to. As the caravan travels on, we flash to a scene from our world.
Will’s mother is being watched by Boreal and the men from the Magisterium who were sent to keep tabs on her. They note that Will is his mother’s primary caregiver and that he returns home from lunch each day to make sure she’s well. Boreal asks if social services are involved, and the man watching them says no. He says that Will seems like a good kid as he and his mother disappear inside the house. Boreal silently stares after them and says nothing.
Lyra and John Faa meet, and he asks Lyra to consult the alethiometer. He wants to know how well-defended Bolvangar is, and the device responds that Tartars heavily guard it. Lyra also gets flashes of a warning about something else from the device, but can’t interpret it. She goes to Farder Coram and tells him what she saw about the next village, which she understands as being haunted by a ghost. She wants to go alone to find it now, which Farder Coram is against. They need Lyra and can’t wait much longer to rescue the children. He points out that Ma Costa shouldn’t have to wait to get her son back because Lyra wants to follow a whim. Lyra pushes back, saying that she needs to go, but he is firm in his decision.
Lyra runs to Ma Costa, telling her about the vision and her need to leave. She also mentions her conversation with Farder Coram and how he mentioned Ma Costa to get Lyra to stay. She asks for her trust, if not in her than in the alethiometer. Ma Costa says she needs time to think before granting her permission.
Back in our world, Will walks back to school, where another boy taunts him as a freak. His mother Elaine leaves the house to walk but is stopped by Boreal posing as an old friend of John Parry’s. She informs him that John has been dead for thirteen years after an accident on his expedition to Alaska. They never found the bodies. He pretends to be shocked and sad, offering her his card if he can be of any help. Elaine is wary but takes the card anyway.
Back at school, Will is practicing for a boxing fight with another boy. His mother enters, and it’s clear she depends on Will more than is normal. She tells him about the visitor as the other boy mocks him and his mother. His coach offers to let her stay, but she leaves. She is struggling with some kind of mental health issues, and the other boy calls her “mental.” Will hits him, and they fight until the coach breaks it up. He tells Will to go after his mother.
Elaine tells Will that there were men following her, but Will brushes it off as another delusion. Elaine begins counting the stones in the wall, and Will redirects her so he can get his things. It’s a heavy burden on a young boy. His heartbreaking, resigned attitude is powerful, and Amir Wilson’s performance as Will is excellent. When Will retrieves his belongings, his coach offers his support. He asks if Elaine needs more care, and Will quickly shuts down the idea of involving others.
Image courtesy of Entertainment Weekly
Lyra and Ma Costa sit under the stars. Kaisa tells Lyra her instincts to find the “ghost” are correct and that she should follow them. Kaisa leaves to join Farder Coram, who waits for Serafina. When she arrives, he says they need her help. They are outmanned for the battle. Serafina scoffs at this sudden show of bravery, but he passionately explains his reasons, even mentioning their dead son. Serafina reveals that Asriel’s theory about multiple worlds is correct and that witches have known this for thousands of years. She says that a great war is coming. She agrees to help them with the children as much as she can and kisses Farder Coram goodbye. He tells her there hasn’t been a day he hasn’t thought of her or their son. It’s a sad and beautiful moment. The next day, Lyra convinces John Faa to let her look for the ghost. Iorek accompanies her, somewhat reluctantly as he doesn’t usually let humans ride him. Lee is amused and sends them both off as Lyra joyously rides Iorek.
Image courtesy of HBO
Back in our world, Will makes dinner for himself and his mother. She tells him he is just like his father, but Will says he doesn’t believe her. Elaine says she’s sorry and that she loves him. He tenderly tells her not to talk like that, but Elaine launches into a speech about his father. It’s obvious she loved him, and she tells Will to take up his mantle. Will is curious, and his mother says this world is broken and that extraordinary people need to fix it.
Image courtesy of HBO
But then she notices that the carpet has been moved and runs to her room, paranoid. Will follows, and it appears this is a regular thing for them. But based on what we saw earlier with Boreal, it’s reasonable to assume that at least this time, his mother is correct. She pulls a folder from a safe that contains letters, and Will asks what they are. She says they’re letters from his father, but also says he’s not ready to read them and that she must keep him safe.
Image courtesy of IMDb
Lyra and Iorek pause for a break. As they eat, Lyra asks if Iorek is a Svalbard bear. He explains that he once was a prince there, but killed another bear and was exiled. He tells her if Asriel is a prisoner of the bears, then he will not escape. Lyra optimistically tells him that Asriel will trick the bears and escape, and despite Iorek’s best efforts to convince her otherwise, Lyra remains hopeful.
Will sneaks back to his mother’s safe, trying to read the letters. Elaine suddenly appears, telling him it’s okay for him to read the letters. He contemplates opening the safe but leaves it. Lyra and Iorek arrive at the village, which is deserted and dark. They approach the building from Lyra’s vision as Pan expresses his fear. It’s an excellent way to illustrate how connected Pan and Lyra are, and it adds even more devastation to what they find inside. It’s Billy Costa, pale and alone, without his daemon. They race him back to Ma Costa and the Gyptians, and the family realizes that the Billy they knew is gone. He’s catatonic without his daemon, his soul.
Image courtesy of Radio Times
It’s now clear what horror awaits them at Bolvangar. Lee tells Lyra that the Magisterium is taking people’s souls to control them. He tells her he’s proud of her for finding Billy and following her instincts, leading her away so the Costas can grieve privately. Meanwhile, Ma Costa and Tony hold Billy as she sings him a lullaby. She tells him it’s okay to let go and be with his daemon Ratter, and Billy dies in her arms. It’s horrific. Anne-Marie Duff’s anguished performance is hard to watch and drives home how vital daemons are to this world.
Image courtesy of HBO
In our world, Will is sleeping as his mother wanders the house. She sees that a door to the outside is ajar, and the man in the car is still watching her. Thomas and Boreal discuss the fact that John Parry’s account has been slowly making payments to Elaine since he disappeared, which proves that he knew he’d be away for a long time. Thomas thinks he knew about the window between worlds, and that there may be a paper trail in the house.
Lee awakens Lyra to tell her Billy died. She asks to see him, and they go to Billy’s funeral pyre. It’s a somber scene, and John Faa remarks that know they know the horrors the Magisterium is capable. Ma Costa says that they can’t just fight; they have to kill. They light Billy’s pyre and sing as Ma Costa sobs in Tony’s arms. Darkness falls as everyone tries to sleep, but masked men enter the camp and silently kill those on the watch. Pan warns Lyra that there’s something outside. She leaves to take a look and is captured by the men.
Image courtesy of HBO
Lyra is taken to a doctor who examines her, and Lyra lies about her identity. The doctor remarks that Lyra is “young enough after all” when she sees Pan change form. Not knowing she is Mrs. Coulter’s daughter, the nurses in charge take her to an exam room. Pan sees the clothes they want Lyra to change into and realizes it’s the same clothes Billy was found wearing. This is Bolvangar, and Lyra is in trouble.
His Dark Materials airs Mondays at 9 p.m. ET on HBO.
Everyone’s favorite kooky family returns in the delightfully fresh animated feature film, The Addams Family, and fans will soon be able to bring them home on DVD and Blu-ray! This first full-length animated film about the eccentric and unconventional family invites viewers into the wonderfully weird world of the Addams family with a variety of exclusive bonus features not seen in theaters.
Bonus content includes deleted and extended scenes, an interactive charades game with Thing, behind-the-scenes footage, music lyric videos and more! Filled with funny moments and a new take on the beloved characters created by Charles Addams this film celebrates the uniqueness of every family and provides spooky fun all year long.
The Addams Family boasts a star-studded voice cast including Oscar Isaac (Star Wars: The Last Jedi, X-Men: Apocalypse), Charlize Theron (Long Shot, Kubo and the Two Strings), Chloë Grace Moretz (Kick Ass, The 5th Wave), Finn Wolfhard (It, StrangerThings), Nick Kroll (The Secret Life of Pets 2, Sing), music icon Snoop Dogg, Bette Midler (HocusPocus, The First Wives Club) and Allison Janney (Minions, I, Tonya).
Image Courtesy IMDB.
Get ready to snap your fingers along to this newest take on the Addams Family! The Addams Family arrive on Digital December 24 and on Blu-ray, DVD, and On Demand January 21, 2020.
Coming to Digital release on December 17 is the space-oriented drama Lucy in the Sky. This Twentieth Century Fox Home Entertainment movie is inspired by true events. This movie also marks Noah Hawley’s (Fargo, Bones) directorial film debut having previously directed episodes of Legion.
Image courtesy of IMDb
The official synopsis of the movie is:
“After star astronaut Lucy Cola (Portman) earns a coveted spot on a NASA mission, she’s moved by the transcendence of being in space. But when she returns to Earth, her everyday life feels too small. Soon, she engages in a reckless love triangle that threatens her career and her sanity.”
The Digital release comes with four deleted scenes “Lucy Teaches,” “Mark Takes Lucy to the Roof,” “Lucy Leaves Erin in the Simulator,” and “Lucy and Iris Get Pulled Over.” As well as four making-of features Director’s Journey, Creating Magical Realism, Making Space, and Lucy Cola.
The movie stars Natalie Portman, Jon Hamm, Zazie Beetz, Dan Stevens, Pearl Amanda Dickson, Ellen Burstyn, Tig Notaro, Jeffrey Donovan, Jeremiah Birkett, Colman Domingo, and more.
You can watch the trailer for Lucy in the Sky below.
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