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‘Nomadland’ Takes Home Top Prize at 2021 Directors Guild of America Awards

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The Directors Guild of America has revealed its full list of winners! Nomadland and director Chloé Zhao took the top prize, often considered a good indicator of a film’s frontrunner status for the Academy Awards. It’s also only the second time a woman has won the award after Kathryn Bigelow for The Hurt Locker, and the nominations made history by nominating two women for the first time (Zhao and Emerald Fennell for Promising Young Women). Check out the full list of winners below (and you can find the nominees here).

Outstanding Directorial Achievement In Theatrical Feature Film  

Chloé Zhao, Nomadland
(Searchlight Pictures)
Unit Production Manager: Mary Kerrigan
First Assistant Director: Mary Kerrigan

Outstanding Directorial Achievement Of A First-Time Feature Film Director

Darius Marder, Sound of Metal
(Amazon Studios)
Unit Production Manager: Amy Greene
First Assistant Director: Matthew Vose Campbell

Outstanding Directorial Achievement in Documentary

Michael Dweck and Gregory Kershaw, The Truffle Hunters
(Sony Pictures Classics)

Outstanding Directorial Achievement in Movies for Television and Limited Series

Scott Frank, The Queen’s Gambit
(Netflix)
First Assistant Director: Aldric La’auli Porter

Outstanding Directorial Achievement in Dramatic Series

Lesli Linka Glatter
Homeland, “Prisoners of War”
(Showtime)
Unit Production Managers: Michael Klick, Philippa Naughten
First Assistant Director: Sunday Stevens
Second Assistant Director: Wendy Bledsoe

Outstanding Directorial Achievement in Comedy Series

Susanna Fogel
The Flight Attendant, “In Case of Emergency”
(HBO Max)
Unit Production Manager: Bonnie Muñoz
First Assistant Director: Derek Peterson
Second Assistant Director: Jacquie Dore
Second Second Assistant Director: Zach Citarella
Location Manager: Chris Banks

Outstanding Directorial Achievement in Variety/Talk/News/Sports – Regularly Scheduled Programming

Don Roy King
Saturday Night Live, “Dave Chappelle; Foo Fighters”
(NBC)
Associate Directors: Michael Mancini, Michael Poole, Laura Ouziel-Mack
Stage Managers: Gena Rositano, Chris Kelly, Eddie Valk

Outstanding Directorial Achievement in Variety/Talk/News/Sports – Specials

Thomas Schlamme
A West Wing Special to Benefit When We All Vote
(HBO Max)
Unit Production Manager: Debra James
First Assistant Director: Shawn Pipkin-West
Second Assistant Director: Courtney Franklin
Second Second Assistant Directors: Ni’cole Pettis, Cathy Bond

Outstanding Directorial Achievement in Reality Programs

Joseph Guidry
Full Bloom, “Petal to the Metal”
(HBO Max)
Associate Director: Sean Galvin
Lead Stage Manager: Jimmy Chriss
Stage Managers: Rachel Shimko, Kristianna Laroda, Richard Melendez

Outstanding Directorial Achievement in Children’s Programs

Amy Schatz
We Are the Dream: The Kids of the Oakland MLK Oratorical Fest
(HBO)

Outstanding Directorial Achievement in Commercials

Melina Matsoukas
(Prettybird)
You Love Me, Beats by Dr. Dre – Translation
First Assistant Director: Paul Norman
Second Assistant Director: Don Johnson

HONORARY AWARDS

Robert B. Aldrich Award
Betty Thomas

LIFETIME ACHIEVEMENT AWARDS

Frank Capra Achievement Award

Brian Frankish

Franklin Schaffner Award
Joyce Thomas

Lifetime Membership Award
Paris Barclay

‘Promising Young Woman’ and ‘Nomadland’ Win Top BAFTA Prizes

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The British Academy of Film and Television Arts (BAFTA) has released the winners of the 2021 BAFTAs, with Nomadland continuing its domination of the major award shows this season. The film took home awards for Best Film, Director, Cinematography, and Lead Actress. Promising Young Woman also walked away with several trophies, including Outstanding British Film and Best Original Screenplay for Emerald Fennell. Check out the full list of winners below!

Outstanding British Film

Calm With Horses
The Dig
The Father
His House
Limbo
The Mauritanian
Mogul Mowgli
WINNER: Promising Young Woman
Rocks
Saint Maud

Best Short Animation

WINNER: The Owl and the Pussycat
The Fire Next Time
The Song of a Lost Boy

Best Short Film

WINNER: The Present
Eyelash
Lizard
Lucky Break
Miss Curvy

Best Casting

WINNER: Rocks
Calm with Horses
Judas and the Black Messiah
Minari
Promising Young Woman

Best Adapted Screenplay

The Dig
WINNER: The Father
The Mauritanian
Nomadland
The White Tiger

Best Original Screenplay

Another Round
Mank
WINNER: Promising Young Woman
Rocks
The Trial of the Chicago 7

Best Supporting Actress

Niamh Algar — Calm With Horses
Rosar Ali — Rocks
Maria Bakalova — Borat Subsequent Moviefilm
Dominique Fishback — Judas and the Black Messiah
Ashley Madekwe — County Lines
WINNER: Yuh-jung Youn — Minari

Best Lead Actress

Bukky Bakray — Rocks
Radha Blank — The Forty-Year-Old Version
Vanessa Kirby — Pieces of a Woman
WINNER: Frances McDormand — Nomadland
Wunmi Mosaku — His House
Alfre Woodard — Clemency

Best Animated Film

Onward
WINNER: Soul
Wolfwalkers

Best Film Not in the English Language

WINNER: Another Round
Dear Comrades!
Les Miserables
Minari
Quo Vadis, Aida?

Best Cinematography

WINNER: Nomadland
Judas and the Black Messiah
Mank
The Mauritanian
News of the World

Best Costume Design

WINNER: Ma Rainey’s Black Bottom
Ammonite
The Dig
Emma
Mank

Outstanding Debut by a British Writer, Director, or Producer

WINNER: His House
Limbo
Moffie
Rocks
Saint Maud

Best Editing

WINNER: Sound of Metal
Nomadland
The Father
Promising Young Woman
The Trial of the Chicago 7

Best Makeup and Hair

WINNER: Ma Rainey’s Black Bottom
The Dig
Mank
Pinocchio

Hillbilly Elegy

Best Production Design

WINNER: Mank
The Dig
The Father
News of the World
Rebecca

Best Original Music

Mank
Minari
News of the World
Promising Young Woman
WINNER: Soul

Best Sound

WINNER: Sound of Metal
Greyhound
News of the World
Nomadland
Soul

Best Special Visual Effects

WINNER: Tenet
Greyhound
The Midnight Sky
Mulan
The One and Only Ivan

Best Documentary

WINNER: My Octopus Teacher
Collective
David Attenborough: A Life on Our Planet
The Dissident
The Social Dilemma

Best Supporting Actor

WINNER: Daniel Kaluuya — Judas and the Black Messiah
Barry Keoghan — Calm With Horses
Alan Kim — Minari
Leslie Odom, Jr. — One Night in Miami…
Clarke Peters — Da 5 Bloods
Paul Raci — Sound of Metal

Best Lead Actor

Riz Ahmed — Sound of Metal
Chadwick Boseman — Ma Rainey’s Black Bottom
Adarsh Gourav — The White Tiger
WINNER: Anthony Hopkins — The Father
Mads Mikkelsen — Another Round
Tahar Rahim — The Mauritanian

Best Director

Thomas Vinterberg — Another Round
Shannon Murphy — Babyteeth
Lee Isaac Chung — Minari
WINNER: Chloé Zhao — Nomadland
Jasmila Žbanić — Quo Vadis, Aida?
Sarah Gavron — Rocks

Best Film

The Father
The Mauritanian
WINNER: Nomadland
Promising Young Woman
The Trial of the Chicago 7

Mike Shinoda Produces 24th Track “Not A Love Song” by Lizzy McAlpine Live on Twitch!

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Wrapping up the first week back after a short break, Mike Shinoda produced yet another track live on his Twitch channel. This new track was titled “Not A Love Song” by Lizzy McAlpine, a musician that is a little more established than the usual artists Shinoda works with for #ShinodaProduceMe.

“Most of the artists I’ve put on the channel don’t have a team … Lizzy, whose track I’m doing today, is a little further along … She has a hundred and ninety thousand followers on Instagram, so I think she’s the biggest artist I’ve produced on this channel. And to be honest, I kind of want to produce artists that are a little smaller, but Lizzy is so good and most people still haven’t heard of her, that I was like ‘I gotta reach out and see if she’s down to do this’.”

As usual, Shinoda began the production session by playing McAlpine’s original track for his Twitch viewers to hear for the first time. McAlpine included in her submission vocals and guitar, and after listening to it, Shinoda stated he didn’t want the production to make it low energy or boring. However, he also didn’t want it to be very high energy either because he thought the intention of the song was subtle urgency where McAlpine is trying to get something off her chest.

Shinoda explained that he wanted to experiment with a couple different aspects of the song, starting with drums. Before the stream, he pulled a few different drum sounds, piano, organic keyboards, and some sound loops he believed could work with McAlpine’s original submission.

“She [McAlpine] posts songs on her social media, she puts little jams and things that she’s writing. I don’t think I’ve seen a person post more quality song writing content on social media than Lizzy McAlpine.”

With a suggestion from McAlpine, who was watching the production live, Shinoda decided to select more than one drum beat for the song, one with a more minimalist sound and another with a little more energy that Shinoda describes as a break beat. Shinoda also decided to record his own shaker to go with the drums, as he did not like any of the pre-recorded ones he already had in Ableton. Next, Shinoda recorded piano, another track of guitar, and melotron before spending the rest of the stream, and the next day’s stream, focusing on specific parts of the song and details of various instruments, such as the bass, flutes, piano, and vocals.

Official music video for Lizzy McAlpine’s song “Give Me A Minute”, featured on her debut album of the same name.

Lizzy McAlpine is a singer and songwriter from Philadelphia, Pennsylvania. She has released one album in addition to multiple projects and singles, drawing heavily on lo-fi, pop, and indie-folk. She currently has over one million listeners on Spotify and posts clips of new music regularly on social media, giving fans a constant stream of new content to enjoy. McAlpine released her debut album last August titled Give Me A Minute, following a previous eight track project titled Indigo in 2018, both of which can be found on Spotify and Apple Music. Her album featured thirteen tracks, including singles such as “Over-the-Ocean Call” and “Pancakes for Dinner”. These tracks were handpicked from a pool of 150 songs McAlpine had written while studying in Spain, before she decided to devote herself entirely to her music career. Following the release of her album, McAlpine collaborated on a song with Ben Kessler in 2020, whose song “Known Like This” was one of the first tracks Shinoda worked on as part of the #ShinodaProduceMe project. Most recently, McAlpine released a new single titled “Bored” with Australian artist Thomas Headon, and is currently working on her second album.

If you weren’t able to see Lizzy McAlpine’s “Not A Love Song” be produced live by Mike Shinoda, you can still watch the Twitch replay below! Make sure to check out McAlpine’s music, as well as Shinoda’s previous production sessions. And stay tuned to Shinoda’s Twitch channel weekdays around 10 a.m. PT for more productions live streams!

Darius Marder Wins Directors Guild of America Award for ‘Sound of Metal’

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Darius Marder has won the award for Outstanding Directorial Achievement of a First-Time Feature Film Director at the 2021 Directors Guild of America Awards! Marder’s film Sound of Metal has been critically acclaimed, even garnering six Academy Award nominations.

Marder is best known for his collaborations with filmmaker Derek Cianfrance on films like The Place Beyond the Pines and the upcoming film Empire of the Summer Moon. You can read our review of Sound of Metal here.

Recap: Making Peace and Coming Home in the ‘Wynonna Earp’ Series Finale

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It’s pretty unusual for an author to tell their audience not to read their work. What’s the point of writing it then? But the Wynonna Earp series finale is one that everyone should watch for themselves. It is a stunning end that manages to take a show filled with demons and misery and give everyone a happy ending and yet not feel sappy. That being said, if you would prefer to get the nutshell version, I’ll do my best to do the episode justice.

Spoilers for Wynonna Earp Season 4 Episode 12, “Old Souls,” below. You have been warned.

The Monster of the Week Section:

The episode starts in a church in 1968 at Purgatory’s own Red Wedding. A bride stumbles out of the church, soaked in blood, still wielding the axe she used to leave the trail of bodies behind her. A man crawls out of the church asking her why, and she turns around and axes him a final time. She then slits her own throat and falls down dead. The camera zooms in on the turquoise heart on the front of her wedding dress, and then zooms out to reveal, surprise surprise, that Waverly has chosen that exact dress to wear for her wedding. She looks at it lovingly in the mirror as Wynonna comes in. They hug and everything looks perfect.

But not to Wynonna who, despite not actually being one of the two brides, has gone full Bridezilla. The cake isn’t vegan, something’s wrong with the flowers, and despite Waveryly and Nicole assuring everything is perfect, Wynonna can’t seem to calm down. She’s ushered away and goes back to the barn where the wedding dress is menacingly hanging. She holds it up to herself in the mirror, looking at it fondly. And suddenly, the door of the barn blasts open. She runs through the perfectly wedding-ified Homestead and everything she passes either wilts, blows up, or catches fire. Finally she makes it to Doc’s trailer, where she asks for help as the dress will not come off.

Doc searches the dress for a zipper, but it has magically disappeared. He decides he’ll cut the dress along the seam and sew it again so Waverly’s none the wiser, but he can’t even get a knife to go through the thread. Just then amidst the non-flirting flirting, Waverly shows up with Wyatt Earp’s saddle. Wynonna hides in the trailer and Doc is touched by the gift. Waverly asks him to be her best man. It’s clear that whatever love he has for Wynonna extends fully, in a familial way, to Waverly, and vice versa. He happily accepts, and then asks where she got the dress, to which she replies at a vintage bridle shop literally called Cursey’s.

Wynonna and Doc head to the bridal shop, which is all kinds of creepy. The owner surprises them by acting like a mannequin, and then proceeds to sing about how the wearer of the dress will kill everyone at the wedding. She says to take the dress off, she would need a silkworm, so Doc and Wynonna go off in search for one. They find a swampy area and Doc takes off his jacket to jump in and search for worms. He hands the jacket to Wynonna, where she finds a letter addressed to her saying Doc was planning to leave Purgatory. And she is righteously pissed. He says with all the threats gone and his humanity restored, it’s time to leave. She is furious, but more focused on the fact all they can find are common earthworms. She devises a rather silly plan to paint them with nail polish, and can’t even look at Doc.

WYNONNA EARP — “Old Souls” Episode 412 — Pictured: (l-r) Tim Rozon as Doc Holliday, Melanie Scrofano as Wynonna Earp — (Photo by: Michelle Faye/Wynonna Earp Productions, Inc./SYFY)

Back at the homestead, Waverly, Nicole, and Jeremy are flabbergasted. The place is “Earped” and the dress has disappeared. However, now that it’s gone, Waverly can’t even figure out why she picked it in the first place. They realize in unison that it’s a haunted wedding dress. Nicole and Waverly get to work tracking down old newspaper articles to find its origins. Meanwhile, Jeremy is chatting up the bartender, named Damon. Jeremy thinks he’s a demon and makes several comments about it, but Damon thinks he’s making those comments about him being gay, ruining any chance of Jeremy finding a date for the wedding. (Poor Jeremy.)

Waverly and Nicole find an article about the wedding in 1968 shown at the beginning of the episode, and realize the bride was wearing the exact same dress. Waverly says the dress was made by a woman named Brigitte Hogback, and finds another article about the first wedding massacre in Purgatory where a “Miss H” was left at the alter and subsequently killed all of the guests. They realize it must have been painful enough for Brigitte to curse the dress to ruin every future wedding in Purgatory that it can.

After much continued fighting, Wynonna and Doc return to the store, but Brigitte can immediately tell that they have brought painted earthworms. She threatens that their failure has sealed their fate, but before she can do anything Waverly comes running in with the silk banner from the wedding decorations and tackles Brigitte. She’s able to remove the dress with “a simple removal spell” and they tie Brigitte up, but say there will be no killing on Waverly’s wedding day. Brigitte reveals that the dress does not compel people to put it on, and that if Wynonna put it on, it was because she was genuinely in love, which certainly raises some eyebrows. Waverly assures Brigitte that “everyone deserves love,” and with the shenanigans out of the way, the good stuff can begin.

WYNONNA EARP — “Old Souls” Episode 412 — Pictured: (l-r) Dominique Provost-Chalkley as Waverly Earp, Katherine Barrell as Officer Nicole Haught — (Photo by: Michelle Faye/Wynonna Earp Productions, Inc./SYFY)

Here Come the Brides

The WayHaught Wedding is everything we could have asked for. Waverly decides to wear her mother’s dress, with a few Waverly twists. Nedley meets a nervous Nicole inside the homestead and gives her a boutonnière to wear, and it perfectly matches her stunning red suit. She asks him to walk her down the aisle, and he says it would be his honor as he pins on the flowers.

Jeremy stands under the archway to officiate. Rachel enters first as the flower girl. Nedley walks Nicole down the aisle, then Doc walks as the Best Man. Finally, as tears stream down my face, Wynonna and Waverly exit the house and walk down the aisle. Everything is perfect. They exchange vows as Jeremy ties twine around their wrists. Nicole calls Waverly her beautiful angel, and promises to stand by her side through all of life’s adventures, but to always pack a safety harness. She promises to hold Waverly’s hand when the firelight grows dim, but that her love never will.

Waverly thanks goodness for that bullet proof vest that saved her those years ago, as without it she would have never known a love so strong. She promises to love Nicole, to stand beside her, as equals, for the rest of their lives. As Jeremy says his closing remarks, the camera pans over the chairs set up in an audience-like arrangement. Each empty one has the name of a friend or family member that couldn’t be with them – Mercedes, Julian, Robin, Chrissy, Dolls, Perry, and Gus.

Jeremy pronounces them Wife and Wife, and the celebration commences. Champagne, dancing, and laughs are set to Rachel performing a beautiful song. Wynonna gives a toast and Rachel convinces Nedley to let her bring Billy on their next camping trip, must to his chagrin. Finally, after much merriment, Doc gives Jeremy and Nicole and Waverly big hugs, and begins to leave, despite Wynonna’s pleading eyes. Jeremy makes things right with Damon, who agrees to some form of a date that weekend. It’s a great moment for his character, seeing that he is able to allow himself to forgive and move on and allow himself to be happy. And if that wasn’t good enough, he gets a call from Black Badge headquarters asking him to run all of the Ghost River Triangle. A potential new boyfriend and a new job are a pretty great way to end things.

Wynonna finds Doc packing up his car, Charlene. She asks if he wants her to beg. He says that’s beneath them both, but admits maybe a little. Then he says to her a quote that really sums up the whole show:

Life is short, but it is long, and it is lonely. Manage to Find a group of souls who tolerate you and elevate you. And one, and one who will especially love you, that’s all it’s about. That’s what the fight is really for.

Through tears, Wynonna says she can’t leave Waverly, and Doc replies then she must know of what he speaks. He says she is the best Earp he has ever had the privilege of calling a friend, and kisses her on the cheek as she cries. She grabs his arm and calls out to him and apologizes for all the ways she hurt him. To which he replies, “We only ever hurt ourselves, Wynonna. I wouldn’t have changed a note.” And with that he drives off as Wynonna sobs.

WYNONNA EARP — “Old Souls” Episode 412 — Pictured: (l-r) Tim Rozon as Doc Holliday, Melanie Scrofano as Wynonna Earp — (Photo by: Michelle Faye/Wynonna Earp Productions, Inc./SYFY)

The Cowboy and The Heir

Wynonna sits on the steps of the house with Jeremy, Nicole, Rachel, and Nedley chastising her for letting him leave. She tells them she’s the Earp heir and that she can’t leave, to which Waverly swings open the door and shouts “THE F**K YOU CAN’T!” She grabs Wynonna’s ear and drags her into the barn and starts packing things into a plastic bag. Wynonna insists she can’t go and that she wants to protect Waverly, but Waverly calls her out. She tells Wynonna she needs to stop punishing herself. Nicole is the Angel’s Shield and the Sheriff, Jeremy, is BBD, and that despite everything that’s messy with Doc, she knows Wynonna loves him. To which Wynonna responds, “Oh, f**k. I do.”

Waverly tells Wynonna that her biggest fear used to be that she’d never come back, and never get to know the real Waverly. But now that has happened, and this is her home – it even says so on the mailbox. They hug tenderly. Wynonna tells Waverly she is her whole heart, to which Waverly chuckles and reminds her that cellphones exist.

Everyone is cheering as she gets in the truck to chase after Doc, but the piece of crap backfires. Jeremy says Doc is nearing the border (because he put a tracker on his phones) and Wynonna realizes if she takes the back road on a different mode of transportation, she can catch him. So, she jumps on her motorcycle, and rides through the mountains. Doc passes the “Just leaving Purgatory” sign and as he does, Wynonna pulls out Peacemaker and shoots one of his back tires, causing him to spin out. He gets out of his car and she asks if he thought she could really leave without him. She tells him, “I love you Doc, I love you in that bottom-of-the-deep-dark-well way. I love your face and your butt and your drawl and your heart. And I love the way you love my sister. And I love the way you love me.”

He responds saying that he loves her too, and they kiss. She tells him she’s not going on any adventures in his “piece of sh*t” car, so he hops on the back of her motorcycle, tightly embracing her. They smile and for the first time in a long, long, time, they’re both free. They stop shortly after to fill up on gas, and Wynonna asks if he’d be okay making a pitstop in Miracles, Montana. He’s confused, but then soon realizes – that is where their daughter is. Wynonna wants to go find Alice, and Doc has never been happier.

Home

Waverly and Nicole sit together on the porch of the Homestead, still in their dress and suit. Nicole assures Waverly that Wynonna will be back, and Waverly says she knows. Waverly asks if Nicole wishes it was them going on an adventure, but she replies saying she’s where she’s always wanted to be. “Home, with my wife.”

The camera shows a close-up shot of the mailbox, proudly saying Earp. And then it pans up, to show signs that have been added saying “And Haught,” “Sometimes Holliday,” and “Everyone Welcome.”

Everyone Welcome is the perfect summation of Wynonna Earp. This is a perfect finale for a show filled with heartbreak. There was no need to make it gritty or painful. Emily Andras, the showrunner, chose to Marry Her Gays instead of Burying them, and it paid off so, so much. While it’s sad to say goodbye to these characters, it’s amazing to see the ending that fans fought so hard for come to fruition. It is a testament to the power of fandom and the power of family, and it’s beautiful.

‘Prodigal Son’ Season 2, Episode 10 “Exit Strategy” Synopsis Revealed

FOX has released the synopsis for Prodigal Son‘s 10th episode this season and it sounds like it’s going to be another wild ride. Titled “Exit Strategy,” the full synopsis reads:

As Malcolm distances himself from Martin, Jessica does the opposite, diving head-first into the past for the sake of her tell-all book. Meanwhile, Martin is desperate to get in touch with his son ahead of his imminent plans, as Dr. Vivian Capshaw grows increasingly suspicious. Meanwhile, the NYPD investigates a crime of passion.

It seems Malcolm is going to be taking the advice of those around him and attempting to put some space between himself and Martin though fans of the show know how well that usually goes. Will this be the catalyst to fuel Martin’s escape plan? And what will Jessica make of this new development as she dredges up the past for her book deal? We certainly can’t wait to find out!

“Exit Strategy” will air Tuesday, April 27 at 9 p.m. ET/8 p.m. CT on FOX.

Recap: Quarantine Gets the Best of Everyone in ‘Everything’s Gonna Be Okay’ Season 2, Episode 1 “Gray Bird Grasshopper”

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The Moss’s are back! Everyone’s favorite awkward, loving, queer, autistic, and hilarious family is back on Freeform, and this time in even more tight quarters than before. Season two has been adapted to include COVID-19, including Genevieve in Zoom class and social distancing. But don’t fret – this cast of characters gets into just as many shenanigans cooped up inside, perhaps even more-so.

Spoilers for Season 2, Episode 1 “Gray Bird Grasshopper” ahead. You have been warned.

The episode opens with everyone back in Los Angeles after the events of the season one finale. Genevieve, Nicholas, and Alex are outside together, but Matilda is alone in her cave-like, incredibly messy room reading something on her laptop. The trio open the door to try to cheer her up (a scene that based on their body language has been repeating itself for a while now). Their attempts at drawing her out are unsuccessful, and they leave.

But Matilda’s not alone in her attitude. Genevieve, Nicholas, and Alex have a similar lack of motivation, with Alex begging Nicholas to make “taking the trash out” their next big activity. This prompts a debate over whether to take out the trash or not (Genevieve: “If we took the trash out, we WOULD have an empty space to put the new trash”) that culminates in the group giggling. It becomes clear that they are in quarantine, and that everyone in the house is losing it in their own way. After eventually taking out the trash, Alex asks for 45 seconds to complain about the state of the world. He can’t realize his dream of becoming a dentist due to the pandemic, and he’s frustrated by the lack of forward motion in his life. All three come to the conclusion that quarantine has created something that isn’t really a life.

They go back to Matilda again, who reveals that she is trying to apply for local colleges. Genevieve is gentle with her sister, and it seems that the current dynamic between them makes Genevieve reluctant to push her to do anything. Nicholas, fed up, tries a new approach. He goes into Matilda’s room and asserts that it is time for her to get out of bed because he’s in charge. Matilda replies with a dry, “that’s stupid. You’re not the boss of me,” even tacking on a challenge: “make me.” The three hilariously and halfheartedly try to firmly tell Matilda to get up, but she counters with “please don’t push me — I’m using all my energy not to say what I want to say.”

Genevieve timidly asks what that is, and Matilda unleashes a tirade. She tells Genevieve that she’s jealous of Matilda’s success, Alex that he’s only using Nicholas because he’s wealthy, and Nicholas that he’s inconsistent and doesn’t understand her. She blames them for not being stable enough to convince her to stay in New York and go to Julliard, instead of admitting that she was afraid. Her words hit home, with Genevieve, Nicholas, and Alex all trying to establish if there was any truth to what she said about them. Alex tries to reassure Genevieve and Nicholas that what happened in New York wasn’t their fault, which neither of them fully buy.

(Freeform/Ser Baffo) KAYLA CROMER

Genevieve then has an idea. To Nicolas and Alex’s horror, she takes out a knife and gives herself a cut on her hand, reasoning that Matilda loves coming to the rescue. She goes to Matilda pretending to need help, and the plan works. Matilda gets the first aid kit and sits in the living room with Genevieve. It’s an adorable sister moment as Matilda finished off bandaging Genevieve’s finger by kissing it to make it better. Matilda stands up and asks if it’s okay for her to hang out with them, and Nicholas, Alex, and Genevieve try to contain the joy on their faces.

As Matilda naps in the living room, the trio attempt to clean her dangerously messy room. Genevieve notices that Matilda’s laptop is still logged in. Nicholas and Alex tell her not to look. Genevieve does it anyway, and she’s shocked at what’s actually been keeping Matilda in bed all this time. She doesn’t share that information, however, leaving Alex and Nicholas frustrated. In the kitchen, Matilda tells them she needs to call Drea. This is out of the blue, and they gently probe how long it’s been since they’ve talked. Matilda says it’s been four weeks and two days, then asks how she’s supposed to know if Drea wants her to call or not. She also confesses that without “anecdotes” to share she has no idea what to talk to Drea about. Alex gently suggest Matilda should probably shower before calling Drea, and Nicholas and Genevieve agree even as Matilda says she can take care of herself.

After a shower (prompted by Matilda realizing she smells like “prosciutto”), she calls Drea. Drea’s mother Suze answers, causing Matilda to panic and hand the phone to Nicholas. Suze says Drea is in the pool, an obvious lie considering Drea hates the water. Nicholas leaves the room to talk more with her, and Genevieve closes the door so it’s just her and Matilda. She says that they need to talk about what was on Matilda’s laptop before she talks to Drea. Matilda protests it was an invasion of privacy for her to look (and Genevieve doesn’t debate this), but Genevieve says it looked like she was searching to find out if she was “actually a lesbian” or not. Genevieve says it is not fair to Drea to lead her on if she’s not actually queer. While avoiding Genevieve’s question about her sexuality, Matilda quietly but firmly says, “you don’t know what I want better than I do.” Genevieve accepts this, but it’s clear this isn’t the end of the conversation for either of them.

Maria Bamford as Suze. Image courtesy of Freeform.

Drea’s mother Suze tells Nicholas that Drea was devastated when Matilda stopped responding or calling after having been inseparable before. She had to explain to Drea that it meant Matilda wasn’t interested anymore, and she asks Nicholas how she’s supposed to explain that Matilda is still interested even after avoiding her. She says that Drea wouldn’t eat, that Suze had been so thrilled when Matilda saw how special Drea was because she and Drea’s father had long worried that no one would see her good qualities and sweet personality like they did. As she talks, Nicholas notices someone cut all the strings in the piano. Suze sighs and asks if he thinks it’s a good idea for them to let Drea and Matilda work this out themselves. He sighs, not answering, but both come to the silent agreement that the girls need to talk.

Matilda is on the phone with Drea, nervously asking if she’s mad and if she’s okay. Drea tearfully says, “I don’t know yet” to both questions. She’s hurt, but clearly still in love with Matilda. Matilda asks if they’re still girlfriends since they never technically broke up, and Drea says that she supposes they still are. Matilda breathes a sigh of relief, but Drea stands up for herself. She says she wants to be clear that this can never happen again. Matilda agrees, and they hang up.

In the credits scene, Nicholas argues with his mother over the phone about COVID precautions as the piano is fixed, culminating in a discussion about her current Tinder habits despite her high risk status.

Everything’s Gonna Be Okay airs Thursdays at 8:30 p.m. on Freeform, with episodes also available on Hulu.

New Synopsis for ‘9-1-1: Lone Star’ Season 2, Episode 10 “A Little Help From My Friends” Revealed!

While 9-1-1: Lone Star is still just over a week away from its spring premiere, FOX has released the synopsis for the following episode!

In “A Little Help From My Friends,” T.K. and the 126 stage an intervention for Owen after spilling secrets to new roommate, Mateo, T.K. and Carlos take a big step in their relationship, and Grace struggles with the aftermath of the car accident.

The official synopsis for “A Little Help From My Friends” reads:

“The 126 make calls to a bloody disaster at an ice cream shop and help rescue a boy missing from his own birthday party. Meanwhile, the 126 holds an “intervention” for Owen after he accidentally spills his secrets to new roommate Mateo. Then, T.K. and Carlos take a big step in their relationship, as Grace learns to rely on others in the aftermath of the car accident.”

The spring premiere of 9-1-1: Lone Star is Monday, April 19, while “A Little Help From My Friends” airs the following Monday, April 26 at 9 p.m. ET/8 p.m. CT on FOX, following an all-new 9-1-1!

Rob Lowe to Appear on ‘Late Night with Seth Meyers’ on April 15

The spring premiere of FOX’s 9-1-1: Lone Star is nearly a week away! The 126’s very own captain, Rob Lowe, will be appearing on Late Night with Seth Meyers on Thursday, April 15 to promote the first responder drama.

When 9-1-1: Lone Star returns, Owen breaks the news to the 126 that Judd and Grace were in a car accident and it’s not good. The episode will see the couple fighting for their lives mixed with flashbacks of their relationship. You can check out stills from the episode here and the preview here.

Be sure to catch Lowe on Late Night with Seth Meyers on Thursday, April 15 at 12:35 a.m. ET/11:35 p.m. CT on NBC!

9-1-1: Lone Star season 2 returns on Monday, April 19 at 9 p.m. ET/8 p.m. CT on FOX, following the return of 9-1-1.

‘Prodigal Son’ Star Bellamy Young Is Now on Cameo!

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Alright, Prodigies. Now that you’ve expended all that energy shouting at your screens every Tuesday, you can now (kind of) have it shout back. Jessica Whitly herself, Bellamy Young, is officially available to book on Cameo.

At the time of this writing, Young’s Cameos are $75, with direct messaging available for $5.99. You can request short video messages from Young for you or someone else ranging from burning questions about Prodigal Son to congratulatory messages to a few words of wisdom when you’re feeling a little down. Book your Cameo from Young here.

Young is known for her roles on Scandal, Criminal Minds, and more. She can currently be seen in the FOX series Prodigal Son, which returns on Tuesday, April 13 at 9 p.m. ET/8 p.m. CT.