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A Dangerous ‘Hunger Games’ Arena Awaits in ‘Sunrise on the Reaping’ Teaser Trailer

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With exactly a year to go until the highly-anticipated premiere of The Hunger Games: Sunrise on the Reaping, the teaser trailer has officially been released.

The Second Quarter Quell awaits.

Based on the book by Suzanne Collins, which was published earlier this year, Sunrise on the Reaping revisits the world of Panem 24 years before the events of The Hunger Games. Chronologically, the film takes place after The Ballad of Songbirds & Snakes, which explored the story of a young Coriolanus Snow.

Sunrise on the Reaping returns to District 12, telling the origin story of a then 16-year-old Haymitch Abernathy during 50th Annual Hunger Games. Previously portrayed by Woody Harrelson in the original film trilogy, where he served as Katniss Everdeen’s mentor, Joseph Zada steps into the shoes of the young Haymitch.

Lionsgate

The film, which is directed by Francis Lawrence, also stars Jesse Plemons, Mckenna Grace, Maya Hawke, Elle Fanning, Kieran Culkin, Whitney Peak, Kelvin Harrison Jr., Lili Taylor, Ben Wang, Edvin Ryding, Glenn Close, Billy Porter, and Iris Apatow. Ralph Fiennes takes on the role of President Snow.

The Hunger Games: Sunrise on the Reaping will hit theaters on November 20, 2026.

‘Project Hail Mary’: Check Out the Newest Trailer!

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A brand-new trailer for Project Hail Mary has arrived! And if the first teaser centered on mystery and hinted at what’s to come, this one makes something else very clear: this story was never just about one man saving the world. It’s about connection. It’s about partnership. And yes – it’s about Rocky.

The new footage leans further into the film’s emotional core, highlighting the bond that forms between Ryland Grace (Ryan Gosling) and the alien he encounters, who’s on his own mission to save his planet. The trailer doesn’t hesitate to feature Rocky this time around, and honestly? It shouldn’t. Rocky isn’t a spoiler – he’s the heart of the story. Showing him isn’t giving anything away; it’s setting the stage for the film’s most important relationship.

In the new trailer, we get to see moments of their attempts at communication, hints of teamwork, and even the beginnings of a genuine friendship. It’s refreshing to see the marketing embrace their dynamic rather than hide it behind a “twist.”

Visually, the trailer continues to demonstrate how detailed and beautiful this adaptation is shaping up to be, with stunning shots of space and an interior look at the Hail Mary – Ryland’s ship – which feels functional, worn-in, and believable.

And really, was there ever any doubt with Phil Lord and Christopher Miller (The Lego Movie, the Spider-Verse franchise, and 21 & 22 Jump Street) directing, and Drew Goddard – who also worked on The Martian – penning the screenplay?

If the first trailer aimed to intrigue, this second one seems designed to reassure longtime fans of the book: the movie understands the assignment. Its blend of humor, emotion, tension, and creativity already feels like one of its biggest strengths.

If you’re counting down to release day, this preview only makes the wait feel even longer – in the best way.

Project Hail Mary hits theaters March 20, 2026. Check out the trailer below:

‘JUJUTSU KAISEN’ Season 3 Premiering Early January

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A date for the Culling Game has been decided. JUJUTSU KAISEN season 3 will premiere on January 8.

The series will air on Crunchyroll the same day as the episodes’ release in Japan. As of right now, it is unknown if the dub episodes will air on release day or be on a deferred schedule like with previous seasons.

Satoru Gojo is locked in the prison realm, so now it’s up to the rest of Jujutsu High to take on the growing threats of Kenjaku and Ryomen Sukuna after the devastating effects of Shibuya. Special-grade sorcerer Yuta Okkutsu has returned to the scene to lend a helping hand, and his first target: Yuji Itadori.

JUJUTSU KAISEN project/Gege Akutami/SHUIESHA

Fans can get a refresher on the Shibuya Incident alongside an advanced screening of the first two episodes of season 3 in theaters this December. JUJUTSU KAISEN: Execution is heading to the big screen on December 5; tickets are not yet available in the United States.

JUJUTSU KAISEN The Culling Game Arc premieres January 8 in North America on Crunchyroll.

Review: Chris Stuckmann’s ‘Shelby Oaks’ Is a Perfect Halloween Watch

The idea behind filmmaker Chris Stuckmann’s horror feature debut Shelby Oaks came about in 2016, according to the popular film critic. Facing a lack of financial backing, Stuckmann eventually turned to crowdfunding and was shocked when the project became the highest-funded horror movie in Kickstarter’s history. NEON acquired the paranormal horror movie ahead of Shelby Oaks’ premiere at Montreal’s Fantasia Film Festival in July 2024. Executive produced by Mike Flanagan (The Haunting of Hill House, Midnight Mass, Doctor Sleep), NEON also provided additional funding for the movie to “punch up some particularly bloody elements,” Stuckmann told his campaign supporters in April. The final, polished cut of Shelby Oaks is finally ready to hit theaters and it’s well worth checking out on the big screen for Halloween.

Blending found footage, mockumentary, and narrative storytelling, Shelby Oaks follows Mia (Camille Sullivan), whose sister, Riley (Sarah Durn), a paranormal investigator, disappeared 12 years ago along with her team while they were exploring the abandoned town of Shelby Oaks for their show “Paranormal Paranoids.” During Mia’s desperate search for her long-lost sister, she uncovers new and disturbing evidence that leads to a supernatural evil Mia believes dates back to the sisters’ childhood.

Stuckmann previously told ComicBook.com that Joel Anderson’s 2008 cult classic horror movie Lake Mungo was a huge inspiration behind Shelby Oaks, mentioning how that film is “presented as a documentary” and is “one of the scariest movies I’ve ever seen in my life.” The director has also shared that he realized during post-production how much his own story with a sister he reconnected with in his early 20s after years of having no communication with her played a part in understanding Mia’s desperate desire to find Riley. Inspired by playing with different styles of filmmaking and his own very personal story, Stuckmann built upon a YouTube sketch he and his wife, Sam Liz, shot for a Halloween special in 2016 and took the concept of missing paranormal researchers to craft a familial horror tale that has genuinely terrifying moments and high emotional stakes.

As previously mentioned, Shelby Oaks is largely told in the traditional narrative style with some scenes dedicated to either found footage or mockumentary storytelling. The transitions between the genres and styles are seamless, particularly during the introduction of the movie that kicks everything off in a fantastic way. The beginning of the movie shifts from found footage to a pseudo-documentary about the “Paranormal Paranoids” to establish the film’s lore, the background of the missing Riley, Mia’s relentless search for her sister, the town of Shelby Oaks, and the discovery of the bloody bodies of Riley’s fellow paranormal investigators. The opening takes its time and then there is a sudden and shocking moment that catapults the movie into narrative mode and the transition into the opening credits is an immensely satisfying sequence. The movie mostly maintains that intense and compelling energy throughout.

Shelby Oaks can be a bit predictable at times, especially during its third act. With that said, there are still a couple of surprising twists and character beats that help the film land on a solid conclusion. The tension-building is impeccable; Stuckmann has a real eye for visual storytelling and a knack for emotional, dread-fueled atmospheric horror. During my conversation with composer James Burkholder, he said he was excited to work on Shelby Oaks because after watching the first cut, he “saw something really, really special in this film,” and that’s a great way to describe it. Shelby Oaks is a special horror movie and a great entry for this year’s spooky season.

Shelby Oaks had its U.S. premiere at Fantastic Fest and will arrive in theaters on October 24th.

Netflix Reveals ‘One Piece’ Season 2 Release Date

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The Grand Line awaits!

The second season of Netflix’s live-action adaption of One Piece is almost here. The streaming platform has officially confirmed that the Straw Hats will be setting sail in One Piece: Into the Grand Line on March 10, 2026.

One Piece follows the story Monkey D. Luffy, a young adventurer who has longed for a life of freedom since he can remember. Fueled by his dream to find the ultimate, fabled treasure and become King of the Pirates, Luffy sets off from his small village on a perilous journey (assembling his very own crew along the way).

Season 2 will see the Straw Hats venture the Grand Line, traversing new locations such as Loguetown, Reverse Mountain, Whiskey Peak, and Little Garden, as well as the endless winter of Drum Island.

The series stars Iñaki Godoy as Monkey D. Luffy, Mackenyu as Roronoa Zoro, Emily Rudd as Nami, Jacob Romero as Usopp, and Taz Skylar as Sanji.

One Piece is based on Eiichiro Oda’s critically acclaimed Japanese manga series of the same name, which first began serialization in 1997 and is still ongoing to this day. This adaptation (which was created in partnership with Shueisha) is produced by Tomorrow Studios and Netflix.

One Piece: Into the Grand Line will stream exclusively on Netflix.

Tamagotchi Paradise Takes Over New York Comic Con

There’s a new Tamagotchi on the market and it’s better than ever!

We were able to chat with the folks at the Tamagotchi booth at New York Comic Con, get a glimpse at all the different Tamas available for adoption, including their partnerships with series like Jujutsu Kaisen, Demon Slayer, and Spy x Family, and try out the newest model, the Tamagotchi Paradise!

After hearing all about it, I couldn’t resist buying one for myself. Watch the video below for our tour of the booth at NYCC, as well as all my thoughts on my new little pocket friend!

‘Witch Hat Atelier’ Wins Best Manga at Harvey Awards 2025

The Harvey Award winners were announced at New York Comic Con 2025, and Witch Hat Atelier from Kamome Shirahama took home the gold for Best Manga!

In a world where everyone takes wonders like magic spells and dragons for granted, Coco is a girl with a simple dream: She wants to be a witch. But everybody knows magicians are born, not made, and Coco was not born with a gift for magic. Resigned to her un-magical life, Coco is about to give up on her dream to become a witch…until the day she meets Qifrey, a mysterious, traveling magician. After secretly seeing Qifrey perform magic in a way she’s never seen before, Coco soon learns what everybody “knows” might not be the truth, and discovers that her magical dream may not be as far away as it may seem…

The manga began serialization in 2016 and is still ongoing. You can read the series in print, virtually, or on Kodansha’s manga app, K-Manga. The art, story, and characters are all deserving of this award; it truly is a feat of storytelling.

The manga is getting an anime adaptation. The series will release in 2026. Crunchyroll also revealed a new visual for the anime featuring the protagonist, Coco, and her teacher, Qifrey, during the convention.

Kodansha/Kamome Shirahama/BUG Films

Stay tuned for more news on Witch Hat Atelier‘s upcoming anime release!

Review: ‘Resident Evil Requiem’ Terrifies New York Comic Con Attendees

Capcom brought the scares to New York Comic Con this year with a trial of the upcoming ninth installment to the Resident Evil franchise, Resident Evil Requiem.

Attendees were granted 15-minute time slots to test out the new game, and during my window, I was not the only one jumping straight out of my skin with a shriek. The latest chapter in the RE world does justice to the horror the franchise is known for. As you walk through the dark in first-person point of view with not even a flashlight, your nerves are already fraying within the opening moments, and whether you’re expecting it or not, it doesn’t matter. It still gets you.

Capcom

The graphics are (horrifyingly) stunning, and they’re leaning into the upgrade. Capcom is well aware they’ve stepped it up, and they’re using it to their advantage. They’ll make you sick to your stomach (which is likely already in knots) and have you wishing for “one of these f**king light switches to work.” From facial features, lolling blood, and the eerie environment around you, everything in Requiem is elevated to a more realistic level. Personally, that always helps me immerse further into the game, and Capcom has done well to bring these characters and their world to life on the screen.

Grace Ashcroft is who you begin the game as, whether that’s true for the entire story remains to be seen. The controls are simple enough, although we weren’t able to even breach the surface of what the game entails. It maintains the classic Resident Evil item pick-up, and it’s got you looking for old-fashioned, fancy keys right off the bat. All-in-all, there was no mistake that I had been transported back to Raccoon City, even though I was hanging out with (as?) a new character. One whose personality seems to be a stark difference from many of our other heroes.

Capcom

Requiem is gearing up to be a fantastic and chilling new adventure within the Resident Evil universe. I may have died often in my trial, but I thoroughly enjoyed every brutal fatality. (I did peek around to make sure I wasn’t the only one dying, and I am thrilled to report I was not.)

Oh, and I hope you liked being chased around the Raccoon City Police Department by Mr. X. Not for, like, any particular reason or anything…

Resident Evil Requiem releases on February 27, 2026 on PS5, Steam, Switch 2, and XSX.

Interview: Richard Speight, Jr. Talks Returning to Nashville for Exit/In Show This Month

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Richard Speight, Jr. is returning to his roots when he heads to Nashville later this month to play the Exit/In, a local music venue that he grew up going to. Rich is there as Dick Jr. & The Volunteers, playing alongside some of his friends, including Rob Benedict, Jason Manns, Billy Moran, Mark Sheppard, and Emma Fitzpatrick. It’s also the first time Mark Sheppard has performed with them in Nashville.

The crew is in town for Creation Entertainment’s The Road So Far… The Road Ahead Tour, a Supernatural-themed convention in which they’re staples on the convention circuit. Speight will regularly perform with Benedict and Moran’s band, Louden Swain, at the conventions, and will often times hold independent gigs in the cities as well.

Staff Photographer – Holly Diane

Such is the case for Nashville, and they have a show on Thursday, October 30. Since it’s the day before Halloween, Rich promises some fun Halloween “face paint” and the holiday being woven into their show.

It’s going to be a fun show with some of your favorite people, and it’s guaranteed to be a great time. The show is 18+. General Admission Tickets are $40 (plus fees). You can purchase your ticket here.

I talked to Rich about the show and what fans can expect – read it below!

Nerds and Beyond: You grew up in the Nashville area. What is it like to return to perform at the Exit/In with some of your friends?

Richard Speight, Jr.: It’s phenomenal, because I’m not just from Nashville, but my musical tastes were honed at the Exit/In. I used to go see bands play there all the time, and I still have a live recording of a band called The Stakes on New Year’s Eve in 1995 that I’ve had digitized and play on every New Year’s Eve when I’m at a party. They play “Auld Lang Syne,” that I play all the time, every year. So it’s just a part of my existence, and it’s part of Nashville’s fingerprint. It’s not the touristy area; it’s in the area where people who love music go, and that makes it unique and special.

Staff Photographer – Holly Diane

Nerds and Beyond: What can fans expect from this set? Is there anything you can tease about the show?

Richard Speight, Jr.: Yeah, for starters, can we talk about face paint? I mean, we’re all dolling up for Halloween. We are leaning in in a big way. And, we’ve done this lineup before, and what works great is that I’ve taken guys who are acoustic, and I’ve made them electric. Jason Manns, who’s always been the guy by himself with the guitar, now has a full band. Rob Benedict, doing his solo stuff, has a full band. It’s just a rock show from stem to stern. Plus, we’ll do a couple of Halloween nods musically, and we’re all going to be in full makeup and leaning into the entire holiday, so hopefully the fans will do the same, and we’ll have a kick ass Halloween party Nashville style.

Nerds and Beyond: Finally, what is something about your show that you hope people walk away feeling or thinking after seeing you perform?

Richard Speight, Jr.: I built my entire musical career on the concept of free beer. That’s why I learned to play guitar. That’s why I started a band. It seemed like a great way to be invited to the party that you might not have been included in otherwise when I was a young man, because maybe I wasn’t cool enough, but hell, if I’m the bass player, then you’ve got to let me in. That’s what I want. I want people to come and go, “I’m invited to this party. I am part of this world, and these are my people, and we’re going to rip it up.” Obviously, the beer is not free. Exit/In is going to charge for that. [laughs] But the experience should be that of a bunch of friends having a backyard banger, and it should be fun, stem to stern. I’m not trying to make a statement. I’m not trying to teach a lesson. I just want everybody to have a great time.

Don’t forget – You can purchase your ticket here.

Editor’s note: This interview was edited for clarity.

Interview: Yasuhiro Nightow and the Production Team Talk ‘TRIGUN STARGAZE’ at NYCC

The final phase of the latest anime remake of Trigun is almost here. New York Comic Con attendees who were lucky enough to sit in on the Trigun panel this past weekend had a chance to catch the world premiere of the first two episodes of the long-awaited TRIGUN STARGAZE. Later, Nerds & Beyond sat down with the original author of the manga series, Yasuhiro Nightow, Masako Sato (Director, TRIGUN STARGAZE), Yota Shirasu (Producer, Studio Orange), and Yoshihiro Watanabe (Producer, Studio Orange) to discuss this upcoming second chapter of the adaptation.

TRIGUN STAMPEDE, which premiered in 2023, introduced Trigun to a brand-new generation of anime fans. The manga dates back to 1995, while the original anime adaptation began in 1998. I asked the creator, Yasuhiro Nightow, what this experience has been like for him over the past few years.

Nightow went on to say that he has wished the best of happiness to be brought to everyone every time that Trigun has been adapted. He explained that he has worked closely with all of the staff who worked on the prior adaptations, along with the current ones, and he believes that they all worked very sincerely to adapt the story of Trigun while also making it their own. Nightow said that he knows how much has been done to create these stories, and he hopes to see them succeed.

Masako Sato steps into the role of director for TRIGUN STARGAZE, and when asked about how she came to be involved with the project, she explained that she was brought on board before TRIGUN STAMPEDE was even announced. Sato was surprised to hear that Trigun was being adapted again.

Studio Orange is known for its captivating 3DCG animation. When asked about working as a director with this particular animation style, Sato shared that it was a very sensational, strong learning experience. She reflected on working with a team of many talented staff, utilizing what they do best to what they could do together as a group, and how to draw the line for things she felt were necessary to be done. Sato felt that working on STARGAZE really extended her skills as a director.

For me personally, TRIGUN STAMPEDE gave me a newfound appreciation for the use of 3DCG in anime. I asked Studio Orange what kind of new technology developments and advancements happened behind the scenes after STAMPEDE and/or during the creation of STARGAZE. Yota Shirasu reflected on the intensive action of TRIGUN STAMPEDE and the creativity of Studio Orange’s animators in making those fantastic actions work. After STAMPEDE, the studio worked on a show called Leviathan, in which they focused on how to express characters in more natural movements (such as walking or even in conversations), including very subtle expressions — both facial and body language-wise. Studio Orange feels that its work on Leviathan has lived on in STARGAZE, and those experiences have enriched its ability to produce character expressions.

When asked about what challenges Studio Orange was presented with during the development of STARGAZE, Shirasu explained that while STARGAZE is a continuation of the storytelling from STAMPEDE, it’s also a new show. It has a new tone of storytelling. Studio Orange tried different approaches to accomplish this, along with utilizing feedback from Nightow during production. The studio implemented both new elements, and existing elements from STAMPEDE.

Finally, everyone was posed with one simple, final question: If you had to put your trust in one character to help you survive the Trigun universe, who would it be?

Sato chose Nicholas D. Wolfwood (and I was inclined to agree myself). However, Nightow had to go with Vash the Stampede (“Because if I choose Wolfwood, he might actually give me the ultimate choice to actually cut me out. So in that case, I would want to make sure that Vash will do everything to keep me alive”). Shirasu, on the other hand, isn’t putting his trust in either of them. Rather, he went with the one and only — Meryl Stryfe. Because even though she doesn’t have any superpowers or super strength, she’s doing everything in her power (“To me, it feels very human and trustworthy”).

TRIGUN STARGAZE will premiere on Crunchyroll in January 2026.