It was the world around her and those creatures in it that Mary Oliver wrote about most often and for many within the Supernatural fandom, it was Misha Collins who first introduced us to Oliver. There have been many compilation videos posted on Youtube collecting the short videos Misha shares online showcasing poetry that speaks to him with those who follow him.
Mary Oliver passed away Jan 17, at her home, following a battle with Lymphoma. The Pulitzer Prize winner was responsible for more than fifteen collections of poetry and essays, all prompting the reader to think more deeply about their lives and the impact they have. One of America’s most famous poets, she had acquired quite a fan base of popular authors, actors, and politicians. Hillary Clinton tweeted out her condolences quoting one of Oliver’s most famous poems, “The Summer Day”. It is a couplet that touched me deeply the first time I read it, as well.
Thank you, Mary Oliver, for giving so many of us words to live by.
“Tell me, what is it you plan to do
with your one wild and precious life?”
Oliver was a believer in the simplicity of poetry. In an interview with NPR in 2012, she shared these views.
“One thing I do know is that poetry, to be understood, must be clear. It mustn’t be fancy.” She added, “The two things I loved from a very early age were the natural world and dead poets [who] were my pals when I was a kid.”
Collins shared his grief at her passing on Twitter as well, sharing yet another of her poems with his followers.
Mary Oliver was my favorite poet. Heartbroken to learn of her death. Grateful she gave us what she did with her one wild and precious life. pic.twitter.com/3GJhVAbtMP
Oliver lost her partner and great love, photographer Molly Malone Cook, to whom much of her work was dedicated, in 2005. The couple had met in the late 1950’s. An Ohio native, she had studied at Ohio State University and Vassar College , though she never graduated. Lack of a degree wouldn’t hold her back, neither would a self-described dysfunctional family. She is further proof of ones ability to overcome the odds.
With the death of Oliver, we’ve lost one of the premier American poets, and I have to wonder if she felt she lived up to the words in her poem, “When Death Comes”.
When it’s over, I don’t want to wonder
If I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
From where we sit, Mary Oliver, you have more than visited this world. You have given us all something to ponder for a lifetime.
Joss Mardon (Reina Hardesty) and Raya Van Zandt (Gabrielle Walsh) check out the S.A.M – Stealth Automobile. Image courtesy of The CW.
After the fun trip to Gotham City with Green Arrow and Supergirl, Team Flash is back in Central City and ready to get back to the Cicada business. Unfortunately, they have no idea where he is. They could track the dark matter in his dagger, but it only registers when he uses it, which he hasn’t been doing. Luckily for us, there’s never a dull day for these superheroes.
The episode starts off with Nora speaking with Eobard Thawne in 2049 in Iron Heights prison. She’s angry after learning that he killed her grandmother when her dad was just a boy. He admits to doing bad things but said that he is trying to help her now. We learn that he is the one who taught her how to time travel in the first place. After learning about what he did, she no longer wants his help.
District Attorney Cecile is back from maternity leave and her first case is to prosecute Mark Mardon’s daughter Joss, who we saw in episode seven, “O Come, All Ye Thankful.” She seems raring to go, but every time she looks at Joss, her words falter. Iris, Barry, and Nora are concerned, but she assures them she is okay.
Nearby, a woman watches the trial on her phone before using what appears to be a meta-key fob to steal a Lamborghini. (Nice choice!) Considering she steals it right in front of the owner and a cop, a high-speed chase ensues. Barry gets the call to go after it, but he’s in court with Cecile as her lead CSI witness. He says there is no way the cops will be able to catch up with her in that car, but promises to be back within thirty minutes to give his testimony.
Gabrielle Walsh plays Raya Van Zandt, a.k.a. Silver Ghost, a former military pilot with a meta key fob. Image courtesy of The CW.
Barry and Nora chase after the Lamborghini. The plan is for Barry to grab the driver while Nora takes the wheel. Should be easy enough, he’s done this before. This time, however, when he attempts to reach through the door, he gets blasted back. The woman seems to have known this was going to happen and smiles as she continues driving on. Nora checks on Barry and the blast seems to have an added side-effect. He can’t stop vibrating.
They rush back to the lab with Nora canceling Barry’s vibrations with her own. If she stops, he could fall through the earth and die. Cisco and Caitlin decide to let him at least fall through the floor. Then he’ll be in the pipeline and the meta dampener will stop his powers so he can stop phasing. Thankfully, it’s all timed right and he lands in a cell.
Caitlin (Danielle Panabaker) watches as Nora (Jessica Parker Kennedy) tries to keep Barry (Grant Gustin) from falling through the floor. Image courtesy of The CW.
After a bit of research, they find out that the car was saturated in unstable dark matter and since he was phasing when he touched it, it caused him to become unstable on a cellular level. Unable to leave the cell until the unstable dark matter is all out of his system, he can’t make it back to Cecile to give testimony. Nora says that she could do it. Cecile allows it but makes Nora promise to follow her lead. She admits to Iris that she wants to pursue a lighter sentence for Joss than originally intended because she keeps feeling intense waves of remorse coming off her. It seems Cecile’s empath powers are affecting her work.
As usual though, Nora can’t do as she’s told and, while on the stand, she goes off on a tangent about how Joss knew what she was doing and willfully endangered people. Her tirade leads to Joss standing up and admitting that she’s guilty and that she should pay for what she did. Cecile is not pleased.
In the lab, Caitlin removes the last of the dagger shards from Cisco’s hands. While examining their effects, Cisco realizes that the shards weren’t just dampening his powers. They were removing them. Caitlin sees this as a chance to make a serum to use against Cicada, but Cisco sees it as a potential meta-cure. He says that it could give metas a second chance at a normal life, but she points out that not everyone wants a normal life. She did everything possible to get Killer Frost back after losing her. Some people appreciate the meta powers.
When Joss is being transported back to the prison after the trial, the woman with the Lamborghini stops the armored truck that she is in. Using her meta-key fob, she shuts down the vehicle. Nothing works and the guards are trapped inside. She’s then able to release Joss from the back, but Joss has no idea who she is.
Raya Van Zandt (Gabrielle Walsh) stops an armored truck carrying the prisoner she wants to free. Image courtesy of The CW.
Somehow, despite everything in the truck shutting off, the dash cam kept going so S.T.A.R. Labs had a perfect shot of this woman’s face as she saluted the guards in the truck. Running that against the Department of Defense database, they find out that she is Raya Van Zandt, a former Air Force pilot, mechanic, and an expert in vehicle operations who was dishonorably discharged. Cisco bestows her new meta-name, Silver Ghost. Nora believes that Joss has to be involved and gets angry when Iris suggests that she might not be. Nora says that “bad people don’t change,” proving this has more to do with her anger at Eobard Thawne than it does Joss.
Raya explains to Joss that she wants to get something from A.R.G.U.S. Their state-of-the-art security system can only be blown out by a billion joules of electricity, the kind of power a couple bolts of lightning could provide. Joss refuses to help her and says she couldn’t even if she wanted to because she doesn’t have her staff. She just wants to be brought back. Raya won’t take her back but does let her go, saying she needs to see for herself that people will think Joss is forever a criminal, just like her dad.
Still trying to crack Nora’s code from her diary, Sherloque asks Barry about the language. When Barry emerged from the speed force, he was acting crazy and had been writing in that code. Once he was better, he had no idea what it meant. Gideon hadn’t even been able to translate it. Barry was still as clueless as ever. Without any other clues, Sherloque drops off a book for Barry to read while trapped in the cell. That book happens to be Uncaged Desire written by the Legend’s own Mick Rory under the pen name Rebecca Silver.
Sherloque Wells (Tom Cavanaugh) gives Barry (Grant Gustin) and viewers a first look at the book written by the Legend team-member, Mick Rory.
Joss is able to set off an alarm using weather equipment signaling a hurricane is in the area. She does it purposefully so that The Flash will show up. With him still in the cell, Nora goes to check it out. Joss says that she needs her help and that Raya is not her friend. She wants to turn herself in, but she asks Nora to vouch for the fact that she didn’t escape but was taken against her will and that she’s coming back willingly. Lying, Nora agrees but then turns her over as an escaped criminal. Iris happens to be there and sees Joss yelling that she was turning herself in and that Nora was supposed to tell them. Nora refuses, saying that she doesn’t trust criminals.
Iris shows Nora the classified military file on Raya that she called in a favor to get. It appears that she had a spotless record, but due to a failed mission, she was used as the scapegoat. Iris explains that not everyone is as bad as they seem and that most people deserve a second chance.
Cisco begins the process of distilling dark matter from the shards that Caitlin pulled from his hands. His plan is ruined when Killer Frost blasts it all away. She says that Cicada is in his head, but he denies it. He wants a wife and a kid and doesn’t want that family to wonder if he’s okay or even going to be coming home when he’s called to fight meta-humans. He doesn’t want to be Vibe anymore. He just wants to be Cisco.
Nora goes to have a heart-to-heart with her dad about bad people staying bad. He uses Leonard Snart as an example of someone he never thought would change, but who ended up being an ally and a Legend. Getting to the heart of the matter, she asks about Eobard Thawne. He says that part of being a hero is seeing the good in people and that maybe, someday in the future, even Thawne could change for the good.
At the CCPD lockup, Raya creates a distraction and grabs Joss’ staff. She releases her from the cell, offering her a second chance. Having been denied that by Nora, she accepts. Using her staff, she calls up a lightning storm and is able to knock out the security system of A.R.G.U.S.
It turns out what Raya wants to steal is a twenty-four million dollar prototype stealth car. Rumor says everything under its hood came directly from Wayne Tech. Perhaps this a batmobile-esque car. Nora goes after them and stops them in an alley, telling Joss that she needs to talk to her. Raya answers for her by firing a missile. Nora almost rolls her eyes as she easily dodges the projectile, but is shocked when it explodes directly in front of her. Turns out the car also provides remote detonation.
Nora (Jessica Parker Kennedy) gets surprised by missile getting remote detonated in her face. Image courtesy of The CW.
Killer Frost is up next with a thick icy wall, but the car has even more tricks. It has a phasing ability, allowing it and the passengers to easily pass through it. Joss is starting to get worried, but Raya isn’t. She puts the car in stealth mode and it goes completely invisible.
By Cisco boosting a radio signal from Nora, the car is able to pick it up. She tells Joss that she should have given her the second chance she asked for and reminds her that being a criminal isn’t who she is.
Raya intends to run her over, but Joss covertly uses her weather staff to ice the road, causing Raya to lose control. With the car crashed, it seems they are caught. Instead of turning themselves in though, Joss uses her staff and they escape via her magic lightning powers.
Caitlin has a change of heart after hearing about Cisco’s desire to remove his own powers. She takes him to her dad’s old lab. Since her dad created a meta-gene, she thought maybe Cisco could use the research there to do the reverse. With Caitlin helping him, she says they need to have rules. The first and most important is that they will never force a cure on anyone. Cisco agrees.
Back (or ahead?) in 2049, Nora returns to Eobard Thawne’s cell. She says that she doesn’t trust him, but that she’s willing to give him a chance to change her mind. He reminds her that time isn’t exactly on his side. It cuts to a countdown timer that is at fifty-one minutes and fifty-three seconds, ticking down. Agreeing to trust him on faith alone, she asks, “What’s next?”
What could this countdown mean for Eobard Thawne? Image courtesy of The CW.
Sherloque goes to the hidden room to speak to Gideon. He asks to see all the files on Nora, but Gideon tells him that she can’t because all the files were deleted by Nora herself. The plot thickens and Sherloque can’t help but follow the mystery.
It looks like Cicada returns next week and he’s out for blood, taking out metas left and right, including Nora. Barry is going to have to keep himself under control. Cecile points out that if Barry lets that anger of someone hurting his child consume him, he’ll be just like Orlin Dwyer. Looks to be an action-packed episode! Take a look.
Season three of SYFY’s The Magicians has been one of the most spectacular yet. This season was able to follow a strong story arch, but also have some fun, stylized episodes, and continue with the deep character development of the eight “heroes.” Today, we counting down the top seven moments of season three, based on entertainment, story, and character awesomeness.
If you have not watched all of season three of The Magicians, spoilers ahead. You have been warned.
#7: Nerd Code with Eliot and Margo, “The Tales of the Seven Keys.”
Image courtesy of SYFY.
Season two introduced fairies, and the season two finale saw the Fairy Queen (Candis Cayne) and her army descending on Margo (Summer Bishil) and Eliot (Hale Appleman) in Castle Whitespire in Fillory, the Queen on horseback with custody of one of Margo’s eyes. Throughout the season three premiere, the Fairy Queen seems to always be one step ahead of Margo, and Eliot soon notices a small cage with an eyeball in it around the Queen’s wrist. He realizes that the Queen has been spying on Margo through her amputated eye. He takes Margo into the woods and they proceed to have a coded message in nerd pop culture lingo, featuring everything from X-Men to Gossip Girl.
The two had a rough last season, what with Margo making a deal with fairies that involved trading his wife and unborn child in exchange for the return of magic. While their relationship will always be affected, it was great to start out the season knowing that, when it comes to dire situations, they are still totally in sync.
#6: Harriet’s Story, “Six Short Stories About Magic”
Image courtesy of SYFY.
This season featured multiple stylized episodes, one of them being the episode “Six Short Stories About Magic.” This episode told one story from 6 different perspectives, each with its own insights and backgrounds. One of these stories was Harriet’s. Harriet, played by Marlee Matlin, was introduced towards the end of season two as a Magician using a Buzzfeed-type of website to disseminate dark magic. Not exactly a fan of The Library of the Neitherlands, the all-knowing magical organization, she aligns herself with Kady (Jade Tailor) to help a dying Penny (Arjun Gupta) in exchange for information on The Library. It was unclear why Harriet hated the library until this episode, when viewers learned that she has a long history with The Library, as her mother is the Head Librarian.
What makes Harriet’s story a great moment on the show is that it is told completely silently, as Harriet is deaf. The story is told through sign language and subtitles, and it gives the audience not just her side of the story, but allows them to step into her shoes. Not only is this sequence stylistically magnificent, but it allows viewers to not just see Harriet’s side of the story, but to step into her shoes.
#5: Marina’s Return, “Twenty-Three”
Image courtesy of SYFY.
No one ever stays dead on this show for long. Marina Andrieski, played by Kacey Rohl, was the baddest witch in New York until she was killed in the beginning of season two by a trickster god. That seemed to be the end of the “head hedge witch,” until one of the alternate timelines came into play this season.
Since it has been a while, before the beginning of the season one, the main characters went through 39 timelines of attempting to defeat The Beast, all of which ended in everyone’s deaths. In season two, Quentin (Jason Ralph) and Julia (Stella Maeve) met Alice (Olivia Taylor Dudley) from the 23rd timeline when Quentin used magic to speak to her about Shades, or souls. In season three, Julia and Josh (Trevor Einhorn) were pulled into the 23rd timeline by the 23rd timeline’s Josh and Marina.
Seeing Marina was a bit of a shock for Julia; the two never really got along, and she was kind of the cause of Timeline 40!Marina’s death. But this Marina never went through that trauma, so her relationship with Julia was not tainted in the same way. (They did not actually have much of a relationship.) She is still just as cunning and self-serving. (She tried to feed Timeline 40!Julia and Josh to The Beast… yikes.) But once Julia shows that she could be a powerful ally (more on that later), they are able to work together to defeat The Beast. At the end of the episode, when a portal is opened to the 40th timeline, Marina immediately runs through, meaning her shenanigans are far from over.
#4: High King Margo, “The Fillorian Candidate”
Image courtesy of SYFY.
Season 3 was not kind to the Fillorian monarchs. From the puppet master that was the Fairy Queen to the mutiny of Tick Pickwick (and the rest of Fillory), Eliot, Margo, and Fen (Brittany Curran) have not quite been able to live like royalty.
In the penultimate episode of the season, Eliot puts the position of High King up to a vote. Though the only two names on the ballot were Eliot and Tick, they only took into account the humans of Fillory. However, Fillory has about 100,000 humans and over one million intelligent, talking animals. And Margo, as the only monarch who listened to their concerns, won by an overwhelming write-in vote. Though Eliot has been High King, in the last season and a half, Margo has taken control, and it was reflected in this vote. In the episode “Poached Eggs,” Margo explains to Eliot, “There wasn’t a blood test to tell me to be High Queen. I chose it, and I have had to fight for every shred of authority.” She did, and it showed in the election. For a moment, it seemed as though Eliot would feel betrayed, but he immediately knelt down and pledged his loyalty. Due to questing reasons, Margo has not actually had much time to rule. Season four ostensibly picks up with Fen still as acting High King, while Margo spends some time on Earth. But once she has the chance, she has the potential to be a great monarch.
#3: Goddess Julia, “Will You Play With Me?”
Image courtesy of SYFY.
Of all of the Magicians, Julia has been the one you most want to wrap in a blanket so bad so that things just stop happening to her. From Eliza keeping her out of Brakebills to Marina and all of her bitchery, and of course everything with Reynard, Julia has had a rough go of it. But at the end of last season, when Julia showed Quentin that, despite magic being gone, she still had a spark of it, it was not just a spark of magic, but a spark of hope for what was to come in season three.
It started small with smoke rings, but as the season went on, that spark of magic grew into healing injuries, saving lives, and growing an entire Fillorian forest in an instant – coincidentally the same one she burned down in season two. In the season finale, Julia is approached by Iris, a messenger goddess, who tells her she is now “Our Lady of the Tree” – a full-blown goddess. After saying goodbye to Quentin, she is whisked away to begin her godly tasks, like performing miracles and creating worlds. However, she turns her back on the goddess life to save the quest at the last moment, and the status of her powers seems to be in jeopardy. As season four begins, not only will her identity, but also her species, come into question. Yet it would seem her time as a goddess has only just begun.
#2: Under Pressure, “All That Josh”
Image courtesy of SYFY.
Now, this was not The Magicians’ first musical undertaking. In the season two episode “Lesser Evils,” Eliot, Margo, and Fen marched into battle singing “Do You Hear the People Sing” from Les Miserables. But “All That Josh” was the show’s first official “musical episode,” and they knocked it out of the park.
The quest took a turn to Josh-land, a place that looked like the Physical Kids’ Cottage, except there are no doors, and every clock is set to 4:20. Additionally, magic is back, but only in the form of party tricks. Throughout the episode, both Josh and Kady have solo numbers, but the big finale was what had me in tears.
Quentin discovers that the fifth key is all about unity and acts as a walkie-talkie among all eight questers, including Josh, who feels left behind. In order to continue the quest, they must convince Josh to come back to the real world and rejoin the quest, and to do so, they have to sing. Using magic, Quentin makes music fill the air and it is a truly magical moment. “Under Pressure” brilliantly sums up everything The Magicians is about – pressure on people, people on streets, but they will give love one more chance. Also, with a season where everyone has been stuck on opposite ends of the Earth (and beyond), having one scene with everyone together was a refreshing reprieve going into the third act of the season.
Honorable Mention: Felicia Day as Poppy Kline
Image courtesy of SYFY.
Often renowned as the Queen of the Geeks and known for her role as nerdy lesbian Charlie Bradbury on The CW’s Supernatural, Felicia Day was announced as a special guest star midway through the season. She arrived during the sixth episode “Do You Like Teeth?” as Poppy Kline, a just-as-nerdy if a little more chaotic-neutral version of her past characters.
Poppy proved herself difficult to pinpoint just whether she was friend or foe. One minute she hands over the fourth golden key, the next minute she fails to mention the side effects, and poor royal mapmaker Benedict dies. She helps Quentin find that key when it gets lost, but she also leaves him behind when there is drama in The Library. Her whereabouts are currently unknown, but it would not be a surprise if she popped her head in at some point during season four.
#1: The Beauty of All Life, “A Life in the Day”
Image courtesy of SYFY.
This sequence was not just the best moment of the season, but of the show and perhaps of all TV this year. Quentin and Eliot continue the quest for the third key by traveling through time to past Fillory to try to solve a mosaic. With hundreds of tiles and a broad prompt – “the beauty of all life” – it is a seemingly impossible task. But Eliot and Quentin start at it and within moments, they have spent a year there. They toast the anniversary, and then Quentin kisses Eliot. They stop for a moment, and then Eliot softly grabs his face and kisses him back. (This was not the first time they have kissed; it also happened in season one during an ill-timed drunken threesome. But this was the first time it meant something.)
The episode then goes into a montage set to “Phoria” by Evolve showing the next 60 years of their life as they try to solve the mosaic – Quentin meets a girl, they have a son, she passes away, and Quentin and Eliot raise their son until he goes off on his own as an adult. And finally, in his old age, while still working on the mosaic, Quentin looks up to see Eliot has passed away in his sleep. He wraps him up in a blanket and as he digs beside the mosaic so as to bury him, he uncovers a missing, shiny mosaic tile. He puts it into the center of the mosaic frame and sure enough, it disappears and is replaced by the third key
In current Fillory, Margo finds a note from Old Quentin about where to find the key, with which Margo is able to get the key and rush to the cottage to stop them from going back in time in the first place. (Don’t think about it too hard, it’ll hurt your brain.) And yet, because this is magical time travel, as Quentin and Eliot sit in the throne room at Castle Whitespire at the end of the episode, they remember everything. “We had a family,” Eliot says as they sit together. It is a happy moment in a season that is a sea of misery, and promising for the future of the relationship.
Do you agree with this list? What was your favorite moment of season three of The Magicians? Let us know in the comments down below.
Sebastian Stan and Cobie Smulders were guests on The Late Late Show with James Corden last night, and talked a little bit (but couldn’t say much!) about Avengers: Endgame.
Stan plays Bucky Barnes/The Winter Soldier, and Smulders is Maria Hill.
The winter hiatus is finally over and the Pearsons are back! If you need a reminder of where we were left before the break, check out the previous episode recap here. Continue reading for this week’s recap, and remember spoilers abound, so if you have not caught up yet you may want to wait.
Jae-won (Tim Jo) and Randall (Sterling K. Brown) at Randall’s campaign headquarters. Photo Courtesy: Ron Batzdorff/NBC.
The episode opens on election night, with Randall surprisingly holding his own against Councilman Brown. Zoe, talking to Beth, reminds her that it will all be over soon. She looks over at Kevin, who is across the room, and repeats herself, “It will all be over soon.” Kevin asks Randall what is on his mind and he explains that he has been thinking of his visit with Jack to Howard University. Randall asks Kevin what is on his mind and Kevin, looking past him distractedly, says, “John Stamos.” He walks off to Zoe and it is quickly apparent something has happened between them. He apologizes for pushing her and she tells him, “I can’t do this,” handing him a key chain with a photo of John Stamos on it.
As she walks off, Kevin’s phone rings. It’s Toby. He wants to know if Kevin has “a twin cure” for Kate’s crying. He asks how the night is going and Kevin responds, “Unclear.”
Randall and Jae-won are talking. Jae-won tells him that no matter what the outcome, getting to where he is now in the election is unheard of. Randall looks at Beth and replies, “It’s been the longest seven weeks of my life.” The tension in the room is thick and it is clear the fallout of Randall and Beth’s argument over staying in the election was big.
The episode jumps back to seven weeks before the election. Beth is waking Randall, who slept on the couch, before the girls see him. He moans that he wanted to be back in Philadelphia earlier and she is shocked that he has decided to still run even after their argument. He explains he can’t let his district down and she wonders aloud about his family. He tries to assure her they are his number one priority and he has even ordered an audio book to help him with Tess. “You cannot audio book your way through our daughter’s life,” Beth says, frustrated. He explains he knows how hard the weeks leading up to the election will be but he cannot let the district down. Beth tells him that he is on his own.
Randall flashes back to his trip to Howard University when he was a teenager with Jack. As they stare at the sites one night, Randall tells his dad that he is planning on majoring in political science. Jack looks at him proudly. “Look at you. What a great life you’re gonna have. What a great man you’re gonna be.” Present day Randall sighs. He gets a text message alert from Kate, who tells him her baby is now as big as a lime. Randall jokingly responds that he resembles Kevin and she giggles.
Kate calls Toby into a room filled with action figures and other memorabilia. She wants them to turn the room into the baby’s nursery and Toby excitedly agrees, until she says that means he will have to sell all his “toys.”
Kevin (Justin Hartley) gives Zoe (Melanie Liburd) a key to his loft. Photo Courtesy: Ron Batzdorff/NBC.
Kevin and Zoe are in his loft, having arrived back from their trip to Vietnam. Kevin has even more questions now that he knows that Nick did not die in Vietnam. She tells him to calm down and asks what he will tell his family. He negates that idea, explaining the Pearson texts get crazy over simple announcements so he did not want to attempt this. They talk about being home and Kevin hands her the John Stamos key chain from earlier, explaining it came from Annie and Tess. Zoe takes it from him.
It is now five weeks before election night. At Randall’s campaign headquarters, Randall and Jae-Won are discussing the campaign. The closer it gets to the election, the busier Randall is with the voters. “I warned you this would be rough,” sympathizes Jae-Won. Randall flashes back to talking with Jack again. He explains he worries about having a career and a family and losing focus.
Kate and Toby have sold all of the collectibles from Toby’s room. He begins looking around and asks her about another box, a box marked “DNS” (do not sell) that held all of his 1977 Star Wars figures. A complete set. She explains she donated them, still not realizing their importance to him. “Babe, come on, they’re just toys.” Toby begins to get upset and explains why they are more than toys to him, and how he wanted to pass them down to their son. Kate is dumbfounded.
Kevin and Zoe are the Department of Veteran Affairs. The woman helping them explains that without proof that he is related to Nick, she cannot give him any information on his whereabouts. Zoe says that she will get a letter from a congressman, one that she previously dated.
Driving home, Randall is listening to Councilman Brown on the radio talking about his supportive wife. Brown remarks he is not sure Randall has the same support. When he gets home he tells Beth that he believes she and the girls need to return to showing up to events so that he will not seem like a family man without a family. She counters that he has not been there for his family and that it still does not look like he has a chance of winning. When he tells her he took care of the family for a year while she worked, without complaining, she storms off.
Zoe’s ex-boyfriend, the congressman, meets Kevin and Zoe for lunch. Things seem awkward between the two exes as Zoe explains what they are needing. He explains he thought it would be something more serious and that he can just email them, emphasizing the word email and making her uncomfortable. He apologizes and gets up to leave, explaining he thought enough time had passed between them but apparently it had not. He agrees to help, however, and says his office will get the records. Kevin thanks him and, confused, sits down. He asks about their history and she avoids as much as she can until she explains they dated for two years before she broke up with him via an email because he wanted to settle down and move in together. She makes up an excuse to leave quickly and Kevin is left alone, most likely wondering if she will do the same to him.
Randall (Sterling K. Brown) speaks with Reverend Hawley (James Black, not pictured). Photo Courtesy: Ron Batzdorff/NBC.
Two weeks before election night. At campaign headquarters, Randall tells Jae-won he is heading home to have pie with his girls on New Year’s. Jae-won tells him he found something to use against Councilman Brown, proof that he paid off the police and the newspaper to cover up a charge against him. Randall goes to a bakery to get a blueberry pie, Beth’s favorite, but they are sold out. He begs the woman to just bake him one quickly but she refuses, saying she wishes she could help him. A man, Reverend Hawley, gets his attention and Randall tells him he is wondering if he will be the worst father and husband ever. The reverend tells him he could drop out but he explains that he only wanted to do something for the people because they deserved better. Jack’s words to him, he explains, are always on his mind. He does not want to use Jae-won’s evidence to win the election because he wants to be a better man. The reverend advises him to live in a way that he would be proud of and then hands him a box with a blueberry pie inside.
Beth and the girls are watching the New Year’s Eve countdown. Deja remarks how cute she thinks Anderson Cooper is, surprising Beth, who teases her about it. Randall walks in and the mood swiftly changes. He says he is sorry and Beth tells him she should just be happy he got there before midnight. He explains that he does not mean he is sorry for being late, he is sorry about everything that has happened. He apologizes for letting the campaign take so much priority. The election is not what is most important to him, his family is. They are what makes him great.
Toby and Kate are trying to track down his Star Wars figures. When they find the house, Kate points out Gabe, who bought the box. He sees them and immediately refuses to sell before they have had a chance to say anything. Toby shakes his head, defeated, but Kate stands her ground. She tells him how long Toby has waited to give the action figures to his child and now, she is finally pregnant. She goes further, telling him she has nothing of her own childhood to pass on because of the fire that took her father’s life. The only thing they could pass on were Toby’s Star Wars figures. Does Gabe really want to disappoint her? Gabe thinks for a brief moment and then decides, “Yeah, sorry.”
Kevin is looking through Nick’s file as Zoe walks in. She is oblivious to how tense he is when he sees her until he finally lets it out. Her boxes are still unpacked in his loft and he is worried she is going to break-up with him in an email like she did with the Congressman. Zoe did not want to move in with him, she explains, she wanted to make him happy. They begin fighting about their relationship until finally she leaves, telling him, “I need some space.”
It is one week before election night and Randall and the girls are watching Fuller House. He thinks back to how Jack told him that it takes an important woman to hold everything together. Later, Beth is watching Randall sleep. When he wakes up, she tells him she thought he would be going to Philadelphia for a final campaign push. He tells her no. She apologizes for not having his back and encourages him to keep going with the campaign. They are finally on the same page, it seems, and they are going to church in Philadelphia as a family. They listen as the Reverend tells the congregation that they will have to choose who will serve them. He tells how he knows Councilman Brown has served them and he has not known Randall that long so he does not know how he will do. But, he explains, Randall is a decent person, which is rare, and he goes to great lengths to be there for the people. Reverend Hawley tells the congregation that with either man, they are in good hands, giving Randall an unexpected endorsement.
Toby is painting the nursery as Kate walks in, holding a handful of Star Wars figures. He sighs and she is shocked that he knows they are not his even from the doorway. She explains how she kept trying to get his back from Gabe, who would not budge. She tells him that even though they have no material things to pass down, they do not need them. They have each other.
Finally, it is election night. Toby calls Kate into the nursery, where he surprises her with a replica of the Pittsburgh Steelers stadium that Jack built for her when she was younger. He explains he called Kevin who helped him find a photo that he then took to a man to recreate. She begins to cry and we are back at the beginning of the episode where Toby, panicked, calls Kevin for help. Kevin hangs up and Toby cautiously approaches his wife, asking, “Is this a good cry?” She nods, yes.
Zoe (Melanie Liburd) puts her heart on the line with Kevin (Justin Hartley). Photo Courtesy Ron Batzdorff/NBC.
Randall excuses himself from Jae-won and Kevin to go see Beth. She asks how it is going and he tells her the results will not be complete until after midnight. He calls for everyone’s attention and begins to thank them for being there with him during the election. He tells them no matter what, they should go home, get some rest, and be proud of the work they did.
Zoe watches Kevin leaving and follows him. She explains to him how hard it is to give up her own safe space after what happened with her father. He tells her she does not have to but she explains that she wants to because she is in love with him. “I want John Stamos back.” Later, back at the loft, the two are unpacking boxes when Zoe discovers a postcard from Nick to Jack, dated after Vietnam. Jack knew Nick was alive.
Randall and Beth lie in bed, while Randall wonders what Jack would have thought of his life, as Kate places a tomato inside the stadium, telling Toby their son is the size of a tomato. “To-mah-toe,”corrects Toby, because “our son is gonna be classy as hell.” Randall wonders aloud to Beth about feeling like his entire life has been planned out for him by someone else and how maybe he is not special. She reassures him that he is as the phone rings. Randall answers to find out the election results. He won.
There were no really outstanding tear-jerker moments in this episode, which was rare, and it felt a bit like they wrapped up the drama between Randall and Beth too quickly. While they are a fan favorite couple in the show and nobody wants them separated, to wrap it all up in one episode seemed too easy. It was a bit disappointing, to say the least. Still, the performances by the cast were outstanding as usual and the next episode looks like it will be the same.
Do not miss next week’s This is Us, airing Tuesday at 9/8 central on NBC.
It’s a miracle! The fifth and final season of Unbreakable Kimmy Schmidt will premiere on Netflix on January 25. The titular character has gone through surviving a cult and so much more in the four seasons of this hilarious Netflix original, brought to the streaming platform by the outstanding comedy talent Tina Fey. Thank you to Ellie Kemper, Tituss Burgess, Jane Krakowski, and all the other amazing cast for bringing these characters to life. See you on the other side of the bunker!
I’m not crying, YOU’RE crying! The final episodes of Unbreakable Kimmy Schmidt land on Netflix on January 25th. pic.twitter.com/lUN9OPaQfG
Haley Lu Richardson and Cole Sprouse push boundaries in Five Feet Apart. Image courtesy of Teen Vogue.
Prepare for romantic overload! The trailer for Five Feet Apart was released today — the same day as the Riverdalemidseason premier, incidentally. Cole Sprouse and co-star Haley Lu Richardson play cystic fibrosis patients being treated in the same hospital. As characters in romantic dramadies tend to do, they fall in love over the course of their treatment but cannot get closer than six feet apart because of a risk of infection that could have fatal consequences. The trailer gives us a glimpse of a defiant Richardson taking back “one foot” so they can be “five feet apart.” What that will mean for the two of them remains to be seen.
As we reported back in November, there is some controversy about whether or not this movie is good for CF awareness:
“There are some who feel the movie is a wonderful way to deliver representation and awareness of CF and those who suffer from it. But others feel like it smacks of exploitation and is another example of Hollywood using able-bodied actors to play terminal-illness sufferers as a way to make the healthy feel relieved that they do not have these struggles.”
That being said, the actors have taken care to spend time with Claire’s Place Foundation in an effort to prepare appropriately for their roles. Hopefully this dedication to presenting the illness accurately and with compassion will show in their performances. Check out the trailer below for a sneak peek and see what you think!
The CW’s new show, Roswell, New Mexico, based off the books “Roswell High” by Melinda Metz premiered on Tuesday night. The show, which promised to separate itself from the previous beloved series Roswell which aired in 1999-2002, was created, written, and produced by Carina Adly Mackenzie, and executive produced by Julie Plec (The Vampire Diaries). Plec also directed the first episode.
Beware: There are spoilers below of the first episode!
The show pleasantly surprised me. We got introduced right away to Liz Ortecho (Jeanine Mason), who plays a lovable and relatable Liz, as she returns home to Roswell. After being stopped at a checkpoint, she runs into Max (Nathan Parsons), a cop, who Liz has a past with (and we start to piece more of that together later in the show.)
Liz goes to her father’s restaurant, where she starts working. Max arrives, and gunfire erupts as bullets are shot through the window and Liz is hit by one, with blood immediately pouring out of her. In a rash decision, we see here that Max resurrects her, effectively blowing out all electricity. As Liz starts to wake up, Max pours ketchup on her, to mask the blood and make her believe she wasn’t shot. He quickly leaves, leaving Liz with a lot of questions.
Courtesy of The CW/Roswell, NM
He telepathically calls Isobel (Lily Cowles) after he leaves, because how weak he is after resurrecting Liz. Isobel finds him, and makes him drink nail polish remover, which helps heal Max. We later are introduced to Michael (Michael Vlamis), who is in jail, and he has a tense conversation with Max and Isobel about keeping their secret.
Liz later discovers that she has a mark where she was shot, and goes to the hospital to get checked out by Kyle (Michael Trevino). Liz tries to get Max to talk to her, because she knows something is off and believes she got shot; but is otherwise thinking that she’s crazy. In a last attempt, Liz gives Max a milkshake, shares a story about her mother and sister and Max almost tells Liz right there what happened. Michael is watching them, and blows out a car’s windows to distract Max. Liz takes the opportunity to grab the cup that Max was using, and we later see her checking his DNA under a microscope – seeing something unusual and glowing.
We also see Liz in a car making out with Kyle, and Kyle asks, “What is that?!” referring to Liz’s chest. Liz later reveals that it’s a handprint, right where the bullet hole was – glowing. She finally confronts Max, and Max comes clean to Liz, showing her the pods that he, Isobel and Michael were in before being released from them in 1997. The conversation shifts romantically, where Max tells Liz he would have followed her after she left the area after high school, and because of the handprint, we get to see a really sweet montage of the two sharing moments as they grew up together. Max tells Liz that she’s only feeling an “echo” of what he feels for her, and because of the handprint he’s allowed to share those memories. Liz asks how long the handprint will be there, and Max says only a few weeks – to which Liz states, “I’ll kiss you after that.”
Courtesy of The CW/Roswell, NM
We also see during a reunion that there’s quite a history between him and Alex Manes (Tyler Blackburn) – making it completely different than the original, but an awesome breath of fresh air. On the flip side, Kyle contacts Jesse Manes (Trevor St. John) about the handprint, saying he was told by his father to contact Manes if he ever saw a handprint like the one Liz had.
Overall, I just can’t wait to gush about this show. The casting is great and you really have to separate yourself from the original and love this show for what it is. Jeanine is sweet, and comes across as relatable and a character you love right off the bat. Nathan, at this moment, is probably my favorite actor on the show – his acting comes off as genuine and endearing – and I even get some Milo Ventimiglia vibes from him with his mannerisms and voice.
Courtesy of The CW/Roswell, NM
Michael, Lily, Tyler – all give a great addition to the show. There’s not a bad piece of casting here. The pilot set up for a great rest of the season in which I’m eagerly awaiting to see what happens next week, and the weeks after that. With the story, the music to go with it, this is easily the best pilot I’ve seen of the 2018-2019 season – and easily the best “reboot” of a show that’s been done, and we’ve only see the first episode. It’s the first show in a long time that I’m genuinely excited about, and I just can’t wait to see more.
Don’t forget! Louden Swain will be performing in Seattle this Saturday, January 19, at Chop Suey! VIP is sold out, but you can still grab a ticket to the show!
The show is all-ages, and doors open at 6pm with the show starting at 7pm. You can purchase tickets and find out more information on Chop Suey’s website!
Season 1, Episode 1: “Pilot”– A Corvette, Cage the Elephant’s “Ain’t No Rest for the Wicked”…. Consider me hooked. From the opening scene, one thing was very clear: subtlety is not a word in the Lucifer Morningstar dictionary. We can see almost immediately that this TV Lucifer shows interest in humans, straying from its basis of Neil Gaiman’s The Sandman. Lucifer Morningstar, owner of LA nightclub Lux, grants people favors, and though the initial assumption would lead you to believe this means people are selling their soul to the Devil himself, we learn otherwise through a conversation he has with a woman named Delilah, for whom he has already granted a favor. Her singing career is on the decline and her manager hopes, through her death, that she will make him loads of money. So he hires a gunman to kill her, a task that is carried out while she stands outside Lux with Lucifer. He inserts himself into the case, wanting to ensure her killer is punished, thus setting the precedent for the episodes to come.
Tom Ellis as Lucifer and Redaric Williams as Ty Huntley in ‘Lucifer.’ Image courtesy of Netflix.
Season 1, Episode 3: “The Would-Be Prince of Darkness”– The third episode in the series gives us a football star and a Lucifer imposter. While at a party, Lucifer meets a star football player and encourages the young man to sleep with a beautiful young woman who is clearly interested in him. He does, but rather unfortunately for both parties involved, the young woman is found dead in the pool the next morning. Lucifer believes Chloe is at his beck and call, so rather than call 911, he dials her directly. It is later revealed that the young woman was an actress hired to make a sex tape with the star and provide it to his agent, but she was killed when she refused to hand over the video.
In the meantime however, Lucifer uses the case’s connection to a Hollywood “fixer” to help him solve another, more personal issue: someone is going around town, referring to himself as ‘Lucifer Morningstar’ and ruining the real man’s (Devil’s?) reputation, in more ways than one. Ronnie, the fixer, finds the man doing a lackluster impersonation of our newly beloved Devil, and the real Lucifer’s reaction is unexpected; he lets the man go with a simple warning. Later, we see Lucifer become so angered by the football star’s agent admitting to the attempted blackmail and murder that he throws the man through a glass wall. We learn this is because, in part, of his new found love and determination for helping those that have been wronged, especially by someone they look up to.
Father Frank (Colman Domingo) tries to convince Lucifer and Chloe (Lauren German) to help him. Image courtesy of Netflix.
Season 1, Episode 9: “A Priest Walks Into a Bar”– Though the title sounds like the start of a bad joke, the episode is far from it. We see Lucifer form an unlikely bond with a priest named Frank, who has sought him out in a last ditch attempt to keep a young man, Connor, away from a drug operation. The bond seems to form when Frank shares the reason for his protectiveness of the boy: Frank was formerly a touring musician (a piano player), traveling with his daughter, Connor, and Connor’s parents (the father was a drummer). They were in a car accident, and Frank and Connor were the only survivors. Frank describes himself as a “parent without a child” and Connor a “child without a parent,” leading him to want to watch over the young man.
The heartfelt scene in which this all comes out ends with Frank claiming to be a much better piano player than Lucifer, and we then see the two in Lucifer’s penthouse playing songs together, giving us the first glimpse that he may not feel as much animosity towards the priest as he originally attempted to make out. This scene is a fun one with the priest starting out by playing a beautiful rendition of “Knockin’ on Heaven’s Door,” which was interrupted by Lucifer asking the priest to play something that didn’t make him “want to impale” himself. Lucifer steps in and begins playing an upbeat, soulful song and Frank joins in; the joy the two seemed to be feeling in the moment makes it difficult not to smile while watching.
When it eventually comes out that Connor is heavily involved in the drug business, Frank sets out on his own trying to help him, but this leads to his unfortunate death. Because she had witnessed the bond grow quickly between the two, Chloe goes to Lucifer’s penthouse and finds him playing none other than “Knockin’ on Heaven’s Door.” We see another touching moment at the piano when she sits down next to him and begins to play “Heart and Soul,” with his accompaniment.
Chloe, Lucifer, and Dan (Kevin Alejandro) at the scene of a murder. Image courtesy of Netflix.
Season 1, Episode 12: “#TeamLucifer”– This is the closest we have come to seeing what many may have expected to see a lot of when this show began: satanic killings and a cult. The opening scene appears to be a woman on the verge of sacrifice, which turns out to be fake, only to actually be sacrificed. (Still with me?) When the young woman’s body is discovered, the words “Hail Satan” are carved into her back, leaving us wondering if this has an actual connection to Lucifer, or if this is a mere coincidence. Upon further investigation into the deceased, we learn she had a secret room in her apartment, chock-full of satanic related objects, as well as subdermal implants that spell out “filii hircus,” translating in the show to mean “children of the goat.”
Chloe and Lucifer track down this group, and their sad attempt at a cult angers Lucifer, who steps in to stop the show, only for them to want him to take over as ‘Lucifer.’ The group’s leader gives them information on the young woman’s boyfriend and the knife that matches the victim’s wounds, leading to the eventual discovery of the man’s body hanging in a warehouse. The whole scene appears to have been staged as a crucifixion, along with letters spelling out “Morningstar” painted on various boxes around the room. As the investigation goes on, we learn that Malcolm is actually behind the murders, who was attempting to gain Lucifer’s approval. Lucifer denies him of this, and the episode comes to a close with Lucifer being framed for murder by Malcolm.
Behind the scenes shot of Tom Ellis, Lauren German, Kevin Rankin, and two crew members ahead of the season one finale. Image courtesy of Netflix.
Season 1, Episode 13: “Take Me Back to Hell”– The season’s finale was full of unexpected turns and wrapped-up storylines, but fans were ultimately left with a cliffhanger. First, Lucifer was framed by Malcolm for murder, and Chloe is left no choice but to arrest him. Lucifer, having built a relationship with Chloe and thinking he has earned her trust, is understandably hurt that she wants to arrest him and attempts to provoke a young officer into killing him. Just as it seems the rookie is about to shoot, Amenadiel swoops in and gets his brother to safety. The brothers are in Amenadiel / Dr. Canaan’s office having a heated discussion, when Dr. Linda shows up, quickly becoming furious that her “colleague” would steal her patient, prompting them to come clean and the Dr. Canaan jig is finally up.
Second, Dan comes clean to Chloe about Palmetto. He admits to following Chloe the night of the shooting and being the one to shoot Malcolm. He also admits to having stolen the gun used in the murder and handing it over to Malcolm. (Detective Douche rightfully received a slap in the face for this.)
Third, Malcolm’s attempt at a clean getaway was spoiled by Lucifer and Amenadiel showing up. Being forced to leave his money behind, Malcolm resorts to kidnapping Trixie to get it back. Chloe takes the cash to a warehouse, and the exchange is taking a turn for the worse when a paper airplane with a Devil drawing comes to a rest at Malcolm’s feet, giving Chloe time to hide. Lucifer is ultimately shot and left bleeding on the floor when he begins to talk to dear old dad, promising to do anything, as long Chloe is protected. Suddenly, the camera begins to drop, and we see Lucifer in Hell, standing in front of open gates, begging the question: who escaped? When Lucifer wakes, he is exactly the way he was when he left, minus the gunshot wound. Sneaking up on Malcolm, Lucifer punches him and gives Chloe the opportunity to shoot him.
Cliffhanger: we later see Lucifer back in his penthouse with Amenadiel, and we learn the identity of Hell’s escapee: Mommy Dearest is in town!
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